अयोध्याकाण्डे चतुर्थः सर्गः · Rāma Summoned; Pushya Coronation Decision
Setting: AyodhyaPlaces named: antargṛhaWithin-palace movement: king enters inner chambers; summons messenger
अथाऽन्तर्गृहमाविश्य राजा दशरथस्तदा ।
सूतमामन्त्रयामास रामं पुनरिहानय ॥३॥
athā ’ntargṛham āviśya rājā daśarathas tadā |
sūtam āmantrayāmāsa rāmaṃ punar ihānaya ||3||
ಆಮೇಲೆ ರಾಜ ದಶರಥನು ಅಂತಃಗೃಹವನ್ನು ಪ್ರವೇಶಿಸಿ ಸೂತನನ್ನು ಕರೆಯಿಸಿ, “ರಾಮನನ್ನು ಮತ್ತೆ ಇಲ್ಲಿ ಕರೆತಂದು” ಎಂದು ಹೇಳಿದನು.
Therafter king Dasaratha on retiring to his private apartment, ordered Sumantra tobring Rama once again.
In royal life, a single summons can signal the turning of fate; vigilance and steadiness are required when private turmoil threatens public dharma.
Encourages alertness to turning points; practice of steadiness under sudden change.
Events unfold beyond personal control; the apparent agency of command is nested within larger causality (karma/daiva).
Implicit contrast between outer sovereignty and inner vulnerability—kingship cannot secure the heart from change (manas).
Valmiki Ramayana 2.7-2.8 (rapid developments as Kaikeyī’s demands emerge); Mahabharata (court summons as turning points; e.g., Udyoga Parva messenger scenes)
Royal protocol: sūta as trusted functionary in epic courts
Ayodhya-kanda: chain of summons leading to the abhiṣeka reversal
Anuṣṭup (śloka)
Commanding
Ṣaḍja
Dharma of governance and procedure: royal actions proceed through proper channels and attendants, reflecting ordered conduct (maryādā) in a court.
Daśaratha withdraws to his private rooms and instructs Sumantra to bring Rāma back.
Daśaratha’s concern and deliberation (implied by recalling Rāma), and the court’s discipline in executing commands.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
A free sign-in with Google or Apple keeps your chat saved across web and the app.