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Varaha Purana 96.9: Adhyaya 96, Shloka 9

The Threefold Power: The Raudrī Observance and the Manifestation of Chāmuṇḍā

तत्र द्विपा दैत्यवरैरुपेताः समानघण्टायुत किंकिणीकाः ॥ विनिर्ययुः स्वाकृतिभीपणाश्च समत्वमुच्चैः खलु दर्शयन्तः

Sanskrit recitationVaraha Purana 96.9

tatra dvipā daityavarair upetāḥ samānaghaṇṭāyuta kiṃkiṇīkāḥ || viniryayuḥ svākṛtibhīpaṇāś ca samatvam uccaiḥ khalu darśayantaḥ

Dort traten Elefanten hervor, begleitet von erlesenen Daityas, versehen mit gleichgestimmten Glocken und klingenden Zieraten—schrecklich schon durch ihre Gestalt—und zeigten gleichmäßigen Schritt und hohen, erhabenen Wuchs.

तत्रthere
तत्र:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formअव्ययम्; देशवाचक-अव्यय (locative adverb)
द्विपाःelephants
द्विपाः:
Karta (कर्ता)
TypeNoun
Rootद्विप (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा, बहुवचनम्
दैत्य-वरैःby the foremost demons
दैत्य-वरैः:
Karaṇa/Sahakārī (करण/सहकारी)
TypeNoun
Rootदैत्य + वर (प्रातिपदिक)
Formपुंलिङ्गे, तृतीया (करण), बहुवचनम्; ‘by the best of the Daityas’
उपेताःattended/accompanied
उपेताः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootउप-इ (धातु: इ ‘to go’ + क्त)
Formकृदन्तः (क्त), पुंलिङ्गे, प्रथमा, बहुवचनम्; ‘accompanied/attended’
समान-घण्टा-आयुतwith countless/equal bells
समान-घण्टा-आयुत:
Samāsa-aṅga (समासाङ्ग)
TypeAdjective
Rootसमान + घण्टा + आयुत (प्रातिपदिक)
Form(compound member) ‘with equal bells in tens of thousands’ (ayuta = 10,000)
किंकिणीकाः(having) tinkling bells
किंकिणीकाः:
Karta (कर्ता)
TypeNoun
Rootकिंकिणीका (प्रातिपदिक)
Formस्त्रीलिङ्गे, प्रथमा, बहुवचनम्; ‘small bells/anklets’ (as ornaments)
विनिर्ययुःcame out/emerged
विनिर्ययुः:
Kriyā (क्रिया)
TypeVerb
Rootवि-निर्-या (धातु: या ‘to go’)
Formलिट् (Perfect), परस्मैपदम्, प्रथमपुरुषः, बहुवचनम्
स्व-आकृति-भीपणाःterrifying in appearance
स्व-आकृति-भीपणाः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootस्व + आकृति + भीपण (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा, बहुवचनम्; ‘terrifying in their own form/appearance’
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्ययम्; समुच्चय (conjunction)
समत्वम्evenness/levelness
समत्वम्:
Karma (कर्म)
TypeNoun
Rootसमत्व (प्रातिपदिक)
Formनपुंसकलिङ्गे, द्वितीया (कर्म), एकवचनम्
उच्चैःloudly/on high
उच्चैः:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootउच्चैः (अव्यय)
Formअव्ययम्; manner adverb
खलुindeed
खलु:
Nipāta (निपात)
TypeIndeclinable
Rootखलु (अव्यय)
Formअव्ययम्; emphatic particle
दर्शयन्तःshowing/displaying
दर्शयन्तः:
Karta (कर्ता)
TypeVerb
Rootदृश् + णिच् + शतृ (धातु: दृश् ‘to see/show’)
Formकृदन्तः (णिजन्त-शतृ वर्तमानकृदन्त), पुंलिङ्गे, प्रथमा, बहुवचनम्; ‘showing’ (concurrent action)

Varāha (default, not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"aesthetics of power / warning against intimidation","core_concept":"Adharma often advances with pageantry—bells, ornaments, disciplined pace—using fear and grandeur as instruments of domination.","practical_application":"Cultivate steadiness (dhairya) amid intimidation; judge authority by virtue, not by the trappings of royal force."}

Subject Matter: ["Mythic Warfare","Material Culture (bells, ornaments)","Courtly-Military Aesthetics"]

Primary Rasa: bhayānaka

Secondary Rasa: vīra

Type: military-cosmic staging ground

Related Themes: Varāha Purāṇa 96 (catalogue of asura military divisions)

Visual Art Cues: {"scene_description":"A line of war-elephants advances, each with matching bells and tinkling ornaments; towering daitya commanders ride or flank them, the herd moving with measured, even strides and imposing height.","item_prompts":["war elephants in formation","bells (ghaṇṭā) and anklet-like kinkiṇī","daitya riders/attendants","ornate caparisons","dust clouds from steady march","sense of scale and height"],"kerala_mural_prompt":"Kerala mural style: richly patterned caparisons, decorative bell motifs; elephants in rhythmic procession; daityas with bold facial features and jewelry.","tanjore_prompt":"Tanjore style: gold-highlighted bells and ornaments; embossed caparisons; elephants rendered monumental with jewel-toned trappings.","mysore_prompt":"Mysore style: naturalistic elephant anatomy with refined ornament detail; soft background wash; emphasis on dignified pace.","pahari_prompt":"Pahari style: stylized elephants in a gentle diagonal march; bright ornament dots; narrative clarity with daitya figures in profile."}

Audio Atmosphere: {"recitation_mood":"processional, intimidating","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"measured, weighty, with audible emphasis on bell-sounds implied by the meter"}

C
Classical Literature
P
Purāṇic Narrative
A
Ancient Military Culture
S
Sanskrit Poetics

FAQs

It reflects the prestige of elephants in South Asian military imagination and provides lexicon relevant to ornamentation and procession in Sanskrit sources.

No specific place-name is provided; the verse remains within the battle-narrative setting.

The verse implicitly contrasts spectacle and intimidation with the deeper question of rightful order, a recurring Purāṇic theme.

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