The Disruption of Dakṣa’s Sacrifice, the Hari-Hara Conflict, and the Establishment of Rudra’s Sacrificial Share
Pūrva Bhāga · Pr̥thivī-uddhāra and Iconographic Description
एकं खङ्गकरं तत्र तथान्यं दण्डधारिणम् । एकं कौस्तुभदीप्ताङ्गमन्यं भूतिविभूषितम् ॥ २१.५५ ॥
ekaṃ khaṅgakaraṃ tatra tathānyaṃ daṇḍadhāriṇam | ekaṃ kaustubhadīptāṅgam anyaṃ bhūtivibhūṣitam || 21.55 ||
ekaM kha~NgakaraM tatra tathA.anyaM daNDadhAriNam | ekaM kaustubhadIptA~NgamanyaM bhUtivibhUShitam || 21.55 ||
Dort hielt eine (Gestalt) ein Schwert; ebenso trug eine andere einen Stab (daṇḍa). Eine hatte einen Leib, der durch das Kaustubha-Juwel erstrahlte; eine andere war mit heiliger Asche (vibhūti) geschmückt.
Varāha
Khaḍga/daṇḍa indicate punitive power; Kaustubha indicates divine splendor; bhasma indicates ascetic transcendence—together teaching that sovereignty and renunciation are both divine modes.
Balance worldly responsibility (daṇḍa: discipline) with inner detachment (bhasma: impermanence remembrance).
21.21.54 (sound/instruments); 21.21.56 (mace, ornaments, garments)
It preserves a concise iconographic catalogue (sword, staff, Kaustubha, vibhūti) that reflects how Purāṇic texts encode visual identifiers used in art history and manuscript traditions.
No specific geographic location is named in this verse; it is descriptive rather than topographical.
The verse does not present an explicit ethical injunction; its primary function is descriptive, highlighting differentiated attributes and adornments for identification within the narrative.
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