Sukta 24
म्रोकानु॑म्रोक॒ पुन॑र्वो यन्तु या॒तवः॒ पुन॑र्हे॒तिः कि॑मीदिनः । यस्य॒ स्थ तम॑त्त॒ यो वः॒ प्राहै॒त् तम॑त्त॒ स्वा मां॒सान्य॑त्त
mrókā́numróka púnar vo yantu yā́tavaḥ púnar hetíḥ kimī́dinaḥ | yásya sthá tám atta yó vaḥ práhāit tám atta svā́ mā́ṃsāni atta
O Mrok and after-Mrok, back let your sorcerous crew depart; back too the weapon, back the gnawing Kimīdins. Whose ye are, him devour; who hath sent you forth against us, him devour—eat ye your own flesh-meat.
O Mroka und Nach‑Mroka, zurück sollen eure zauberischen Scharen ziehen; zurück auch die Waffe, zurück die nagenden Kimīdins. Wessen ihr seid, den verzehrt; wer euch gegen uns ausgesandt hat, den verzehrt—esst euer eigenes Fleisch.
Mrok and After-Mrok are invoked as named hostile figures; the yātavaḥ, the hostile weapon-stroke (heti), and the gnawing Kimīdins are commanded to return and devour their owner and the sender—eating ‘their own flesh.’
Naming the threat (“Mrok/Anu-Mrok”) externalizes and limits it; the mind ceases to ruminate and instead asserts a legalistic reversal: what is projected outward rebounds inward.
To name a fear is to reduce its power; disciplined speech can reverse cycles of aggression by refusing to host them.
To repel yātu/kimīdin-based affliction and to reverse a magically sent attack back upon its sender/owner.
म्रोक-अनु॑-म्रोक । पुनः॑ । वः॒ । यन्तु । या॒तवः॒ । पुनः॑ । हे॒तिः । कि॑मीदिनः । यस्य॑ । स्थ । तम् । अत्त । यः । वः॒ । प्र-अहै॒त् । तम् । अत्त । स्वाः । मां॒सानि । अत्त
Sāyaṇa takes the addressed beings as yātudhāna-like devourers and kimīdin-s as wasting, gnawing agents (whether worms or demonized disease-causes). The repeated ‘punaḥ’ is expulsion and reversal. ‘Heti’ is the hostile stroke/weapon (including magically projected harm). The core karman is pratiprasava—turning the attack back: the devourers are commanded to consume the very person to whom they belong (‘yasya stha’) and the one who dispatched them (‘yo vaḥ prāhait’). ‘svā māṃsāni’ is glossed as ‘your own rightful portion,’ i.e., the sender’s flesh becoming their due prey.
Atharvan/Āṅgiras (anti-yātu hymn tradition; specific verse seer varies by anukramaṇī)
Rakṣoghna and abhicāra-pratīkara formulas; mastery of naming-and-binding (nāma-grahaṇa) as a magical technique.
Shows the Atharvanic method: identify the hostile current by name, then compel its reversal through brahman—speech as binding law.
Mrok/Anu-Mrok (named hostile powers) under the coercion of brahman; addressed along with yātavaḥ/hetí/kīmīdin
Represents recurring malefic sequences; the mantra’s role is to interrupt recurrence and send it back.
Breaks perceived cycles of relapse or ‘second strike’ after an initial harm.
Stops follow-on attacks (anu-) by forcing retreat at the first boundary.
4×8 (approx.); refrain stabilizes meter despite obscure names (mrokānumroka).
Name-compounds can create heavy clusters; reciters often maintain cadence by crisp segmentation (mrokā | anu-mroka).
Incantatory; the opening name-pair creates a ‘hook,’ followed by steady recoil commands.
Builds a sense of identification then expulsion; effective for repeated recitation.
The Atharvan priest prepares a protective boundary for the patient/householder (often by circumambulation and delimiting the space).
Reciting this mantra, he performs an expulsion gesture (casting away to the quarters), synchronizing each ‘punaḥ’ with a dismissive motion.
He then performs the ‘reversal’ act: symbolically ‘sending back’ the harm (e.g., by throwing away a clod/ashes/effigy or directing breath/spittle outward, depending on local prayoga).
The final imperatives ‘atta… atta… atta’ are spoken as a binding command, fixing the transfer of the affliction onto the aggressor (the presumed sender/owner).
Kauśika Sūtra: counter-sorcery (yātu/kimīdin-pratiṣedha) section; exact sūtra numbering varies by edition (Keśava/Caland).
Atharvan/Brahman as apotropaic operator: identifies the hostile agency, expels it, and ritually redirects its force (pratiprasava) away from the client and onto the instigator.
Spoken when a household suspects repeated ‘hits’—misfortune that returns in waves; recited over the patient and at entryways.
At the moment of perceived recurrence; also on consecutive evenings as a ‘closing’ practice.
Householder or atharvanic specialist; may pair with a boundary-marking act (drawing a line, circling).
Kauśika: pratyāvartana/rakṣoghna sections for yātu/kṛtyā-type harms (exact citation to be fixed by hymn rubric).
Used as a protective refrain against recurring intimidation; best combined with practical safety steps.
hetí (weapon/hostile stroke, personified); kimīdin (gnawing pest/worm as disease-agent); māṃsa (flesh, as trope of total consumption)
The mantra uses ‘weapon’ and ‘flesh’ as totalizing metaphors: harm is a launched object; vitality is the ultimate stake. No herb is needed because the operative substance is vāc itself.
Bewitchment-like affliction with recurrence/after-effects; gnawing/wasting ‘kimīdin’ conditions; psychosomatic relapse anxiety.
Flesh (māṃsa) as total bodily integrity.
Interruptive naming + reversal (pratyāvartana). The ‘after-attack’ (anu-) is explicitly targeted, suggesting relapse-prevention logic.
Āgantuka/bhūtābhiṣaṅga framing; relapse/anuvṛtti parallels chronicity where external triggers are blamed; ‘gnawing’ resonates with krimi imagery.
Relapse anxiety, panic after an initial event, rumination; the ‘second wave’ phenomenon after stressors.
Named hostile agencies (Mrok/Anu-Mrok) and the human sender (implicit).
Counter-sorcery with explicit targeting of primary and secondary (‘after-’) attack; return-to-sender devouring.
Nāma-grahaṇa (naming) + pratyāvartana (return) + ownership-test (yasya stha…) + coercive devouring imperative (atta).
Recurrence, follow-on bewitchment, devouring afflictions.
Cutting the ‘second wave’: notice recurrence patterns and refuse identification with them.
maṇipūra
Two-part practice: inhale naming (mrokānumroka), exhale expelling (punaḥ…yantu / atta).
Two shadow-forms detach from your field and are pulled back along a cord to their origin; your aura seals.
Steady vigilance without hyperarousal.
After chanting, sit briefly in quiet to prevent the mind from re-latching onto the named threat.
Maintain padapāṭha accents; keep the opening name-compound clearly segmented to avoid slurring.
Stress the name-pair first, then keep a consistent refrain accent on yantu/heti/kīmīdinaḥ/atta.
Commanding, clipped diction at the opening; steady force through the refrain.
Name-invocation is part of the binding; do not omit the opening even if obscure—its obscurity is itself typical of Atharvanic ‘secret names’.
7 times
Repeated misfortune, recurring nightmares, sense of ‘second hit’ after an initial problem; culturally framed recurring bewitchment.
At recurrence; before sleep during a streak of repeated disturbances.
Sense of interruption and closure; reduced recurrence anxiety; protective framing.
If recurrence involves real-world threats, prioritize practical protection/legal help; use mantra as supportive, not substitutive.
No explicit herb is named in this verse; efficacy is achieved through verbal coercion and juridical ‘reversal’ logic. The ‘substance’ is conceptual—hetí (attack) and kimīdin (wasting agent) are treated as manipulable entities. In applied ritual, practitioners often pair such verses with tangible media (ashes, clods, effigies), but the mantra itself operates without a stated botanical correlate.
The verse presumes a specialist who can diagnose misfortune as externally ‘sent’ (prāhait) and can authoritatively command hostile beings. This reflects the Atharvan priest’s social function as domestic protector and counter-sorcerer, mediating unseen aggression within competitive social relations (neighbors/rivals) while maintaining the client’s ritual purity and security.
The diction is characteristically Atharvanic in its direct imprecatory imperatives (‘atta’ repeated) and in demonological cataloguing (mrok/kimīdin/yātavaḥ). The legalistic reversal formula (‘yasya stha… yo… prāhait…’) is more typical of Atharvavedic counter-magic than of most Rigvedic praise-hymn syntax, though the relative-correlative structure itself is inherited.
Gopatha-style Atharvan theology generally grounds efficacy in brahman (formulated speech) and in the priest’s correct deployment of mantras as instruments that bind and redirect hostile forces. While a specific Gopatha citation for this exact verse must be checked in the relevant adhyāya, the operative principle aligns with Gopatha’s recurrent theme: properly uttered Atharvan speech compels malevolent agencies and restores order by transferring harm back to its source.
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