The Disruption of Dakṣa’s Sacrifice, the Hari-Hara Conflict, and the Establishment of Rudra’s Sacrificial Share
गायत्री च धनुस्तस्य ओङ्कारो गुण एव च । स्वराः सप्त शरास्तस्य देवदेवस्य सुव्रत ॥ २१.३४ ॥
gāyatrī ca dhanus tasya oṅkāro guṇa eva ca | svarāḥ sapta śarās tasya devadevasya suvrata || 21.34 ||
伽耶垂为其弓;唵字(Oṅkāra)即其弓弦。七音(svara)为彼天中之天之箭——噢,Suvratā。
Varāha (default dialogue framework)
It reflects a Purāṇic strategy of mapping sonic/metrical elements (Gāyatrī, Oṃ, the seven notes) onto divine weapon imagery, illustrating how mantra, metre, and aesthetics were integrated into classical Sanskrit religious-literary expression.
No geographic location is named in this verse; the content is primarily symbolic and acoustical (mantra and musical notes).
Rather than a direct ethical injunction, the verse conveys a philosophical instruction: sacred sound (Oṃ, Gāyatrī, and ordered tones) is presented as a disciplined, potent principle—framed through the imagery of bow, string, and arrows.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
A free sign-in with Google or Apple keeps your chat saved across web and the app.