

साम्बपुराण
The Ancient Text of Surya Worship and Solar Devotion
The Samba Purana is a unique sacred text centered on the worship of Surya, the Sun god. Narrating the story of Samba's curse and cure through solar devotion, it encompasses the establishment of Mitravana, the arrival of Maga priests, temple architecture, tantric mantras, healing rituals, and the path to liberation through Saura Yoga.
Start ReadingThe Samba Purana, also known as the Sambapurana, is an Upa-Purana devoted to the glorification and worship of Surya, the Sun god. It tells the story of Samba, son of Krishna, who was cursed with leprosy and healed through devoted solar worship at Mitravana. The text uniquely documents the arrival of Maga (Zoroastrian-influenced) priests from Shakadvipa, the construction of Surya temples and idols, elaborate tantric rituals, mantric sciences, yogic practices, and the path of Saura liberation. It is an invaluable source for understanding the solar worship tradition of ancient India.
The Samba Purana is structured into 84 Adhyayas (chapters), encompassing mythology, cosmology, temple architecture, ritual procedures, tantric practices, and yogic philosophy.
84 chapters of sacred teaching
Verses read one by one
This edition of the Samba Purana on Vedapath includes:
The Samba Purana is composed of 84 Adhyayas.
Each Adhyaya covers mythology, cosmology, temple architecture, rituals, tantric mantras, yoga, or healing through Surya worship.

本章以苏塔(Suta)的吉祥祈祷(Mangalacharanam)开始,赞美巴努德瓦勋爵(苏里亚)是黑暗的驱散者、麻风病的终极治愈者和宇宙的慈悲之灯。苏塔向聚集的圣贤们发表讲话,介绍《萨姆巴往世书》是
Samba Purana Adhyaya 0 presents the auspicious invocation and the table of contents for the entire text, setting the stage for the discourse on Surya worship and the Saura tradition.

在《萨姆巴往世书》的第一章中,苏塔讲述了罗怙王朝的布里哈德巴拉国王与其受人尊敬的导师瓦希斯塔圣哲之间深刻的哲学对话。国王寻求理解永恒至高梵的本质,并询问哪位终极神灵的崇拜能让生命在四个阶段(处门)中获
Samba Purana Adhyaya 1 opens with King Brihadbala’s inquiry into the supreme deity, leading to a discourse on the glory and supremacy of Surya as the ultimate cosmic principle.

在本章中,布里哈德巴拉国王询问太阳崇拜的主要中心。贤者瓦希斯塔透露,它是位于钱德拉巴加河畔的桑巴普拉,由克里希纳之子桑巴建立。叙述随后转向桑巴痛苦的起源。桑巴天生丽质,却对贤者那罗陀无礼。为了羞辱这位
Samba Purana Adhyaya 2 narrates how Samba, son of Krishna, was cursed with leprosy and how the sacred site of Mitravana was established for Surya worship and healing.

在本章中,布里哈德巴拉国王向瓦希斯塔圣人询问,如果萨姆巴在那里建立了寺庙,米特拉瓦纳怎么可能是苏利耶的原始住所。瓦希斯塔澄清说,米特拉瓦纳是太阳神的原始居所,后来只是由萨姆巴重建。圣人解释了索拉达摩(
Samba Purana Adhyaya 3 describes the twelve manifestations of the Sun god and traces the sacred origins of Mitravana as a center of solar devotion.

跋利诃德波罗国王询问广博仙人,为何原始神祇苏利耶会像凡人一样进行苦行。广博仙人随后讲述了那罗陀与密多罗在密多罗林的一段古老对话。当那罗陀看到密多罗进行严酷的苦行时,他好奇至高无上的创造者究竟在崇拜谁。
Samba Purana Adhyaya 4 reveals the secret of Surya’s penance through Mitra’s discourse to Narada, explaining the solar deity’s austerities and cosmic role.

在受到父亲克里希纳的可怕诅咒后,无辜的萨姆巴祈求怜悯,询问自己犯了什么罪。克里希纳意识到萨姆巴的清白,指引他寻求那罗陀仙人的指导。当那罗陀访问德瓦拉瓦蒂时,受苦的萨姆巴谦卑地询问哪位至高无上的神灵可以
Samba Purana Adhyaya 5 recounts Samba’s heartfelt plea for healing and Narada’s revelation of Suryaloka, the divine abode of the Sun god.

在《桑巴往世书》第6章中,桑巴询问了苏利耶(Surya)的无所不在、形式及其神圣随从。那罗陀(Narada)通过阐明深刻的宇宙生成论作出回应,其中苏利耶被等同于至高梵、金胎(Hiranyagarbha
Samba Purana Adhyaya 6 expounds the cosmological framework, establishing Surya’s omnipresence and describing the emanation of solar rays and planetary bodies.

在本章中,那拉达圣人向萨姆巴传授了阿底提耶(苏利耶)至高无上的宇宙地位。那拉达宣布太阳神是三界的根源,涵盖了神灵、恶魔和人类。他解释了存在的循环性质,即火祭到达太阳,产生降雨,进而产生食物和生命。苏利
Samba Purana Adhyaya 7 establishes the supremacy of Surya over all deities and explains the cosmic cycle of time governed by the Sun’s movements.

在本章中,那拉达圣人向萨姆巴传授了关于苏利耶(Surya)的十二种化身(阿底提耶斯,Adityas)及其对十二个月份的具体统治的深刻知识。他详细说明了每个阿底提耶所发出的不同数量的光线。论述的很大一部
Samba Purana Adhyaya 8 enumerates the twelve Adityas, explains the etymology of Surya’s many names, and affirms his supreme universality across all realms.

在本章中,萨姆巴在听完纳拉达的论述后,表达了对苏利耶的深切虔诚。他询问了苏利耶的配偶拉吉尼和尼克舒芭,以及丹丁和平加拉等侍从。纳拉达解释说,尼克舒芭是大地(Prithvi)的化身。他详细描述了苏利耶与
Samba Purana Adhyaya 9 traces the genealogy of Surya’s consorts Rajni and Nikshubha and their progeny in the solar lineage.

那拉达讲述了苏利耶及其妻子珊嘉和恰雅的故事。由于无法忍受苏利耶炽热的光芒,珊嘉创造了自己的影子恰雅来代替她,并逃往父亲毗首羯磨处,最终化身为一匹母马。恰雅为苏利耶生下孩子,但表现出偏袒,导致与阎摩发生
Samba Purana Adhyaya 10 narrates the progeny of Surya, the tale of Chhaya’s illusion, and the famous trimming of the Sun’s radiance by Vishvakarma.

在本章中,萨姆巴请求纳拉达仙人详细阐述苏里亚身体的削减过程。纳拉达解释说,在苏里亚的妻子萨姆吉娜因无法忍受其酷热而离开并前往父亲家后,苏里亚决定满足她希望他拥有温和形态的愿望。梵天指示苏里亚的岳父毗首
Samba Purana Adhyaya 11 describes how Vishvakarma pared down Surya’s overwhelming radiance, shaping the excess into divine weapons and ornaments.

在本章中,萨姆巴询问了当毗首羯磨在宇宙车床上塑造苏利耶时,梵天和诸神所唱的特定赞歌。那罗陀通过背诵一首献给太阳神的深奥赞歌(Stuti)作为回应。这首赞歌赞美苏利耶是黑暗的终极驱散者、莲花家族的唤醒者
Samba Purana Adhyaya 12 presents the hymn of praise (stuti) offered to Surya during the process of his divine shaping by Vishwakarma.

在本章中,桑巴请求那罗陀讲述更多关于苏利耶(太阳神)的神圣故事。那罗陀叙述了一段对话,其中圣哲们向梵天询问关于一种刺眼且灼热的宇宙之光。梵天解释了创造过程,详细说明了智力、自我、元素和宇宙蛋是如何从原
Samba Purana Adhyaya 13 reveals the origin of Surya and extols his supreme glory as the source of all light, life, and cosmic order.

在第14章中,萨姆巴询问苏利耶(太阳神)的形象是如何形成的。那罗陀讲述了宇宙曾遭受马尔坦达(苏利耶)难以忍受的高温之苦。苦恼的诸神、阿修罗和仙人们向梵天求助,梵天带领他们向太阳神寻求庇护。梵天用深奥的
Samba Purana Adhyaya 14 continues the account of Vishvakarma trimming Surya’s radiance and the divine instruments fashioned from the solar effulgence.

在本章中,那罗陀描述了苏利耶(太阳神)十八位主要随从(Anucharas)的起源和安置。由于担心苏利耶会向大提亚(魔族)施予恩惠,众神围绕在太阳神周围以阻止恶魔靠近。因陀罗在左侧化为 Dandanay
Samba Purana Adhyaya 15 enumerates the eighteen divine attendants of Surya and narrates the story of Dindi, a devoted worshipper of the Sun.

那拉达向萨姆巴讲述了丁迪(维鲁帕克沙/湿婆)向太阳神苏利耶吟诵的深奥赞美诗。在冥想中,湿婆赞美苏利耶为至高无上的神,包罗万象,体现了梵天、毗湿奴和湿婆的三位一体。苏利耶被这种虔诚所感动,显现出他神圣的
Samba Purana Adhyaya 16 presents Dindi’s hymn to Surya and describes the glory of Avimukta Kshetra as a sacred site of solar worship.

圣人那罗延(Narada)描述了宇宙天空(Vyoma)及其神圣居民。他列举了三十三位主要神灵,包括十一鲁德拉、十二阿底提耶、八婆薮和双马童,以及众神(Visvedevas)和萨迪亚斯(Sadhyas)
Samba Purana Adhyaya 17 describes the celestial space (Vyoma), the Devas who inhabit it, and the structure of the planetary system governed by Surya.

在本章中,那罗陀仙人阐明了宇宙宏大的宇宙结构,重点关注地球的地理和雄伟的须弥山。他描述了包括赡部洲在内的七大洲和环绕的七大洋。文中详细描述了宇宙蛋,概述了从地界到真谛界的七个上界,以及从下界到味下界的
Samba Purana Adhyaya 18 presents the cosmological geography centered on Mount Meru, the axis of the universe, and its relation to solar worship.

那拉达解释了宇宙地理以及太阳绕美露山的视运动。他描述了位于四个基本方向的洛卡帕拉(Lokapalas)的四座天城:东方的因陀罗之城阿马拉瓦蒂、南方的阎摩之城亚马尼、西方的伐楼拿之城苏卡普里和北方的苏摩
Samba Purana Adhyaya 19 describes the orbit of the Sun through the heavens and the divine cities of the Lokapalas (guardians of the directions).

在本章中,那罗陀仙人详细描述了苏利耶战车的宇宙结构。战车被描绘成时间的物理体现(Samvatsara),其单轮、轮辐和组件象征着季节、月份和微小的时间单位。阿鲁纳担任御者,而拉动战车的七匹马代表了包括
Samba Purana Adhyaya 20 details the magnificent architecture of Surya’s celestial chariot and the divine retinue that accompanies the Sun god.

在本章中,萨姆巴向纳拉达仙人询问月亮盈亏的天文学和精神机制。纳拉达解释了月亮的具体相位,包括 Anumati、Raka、Sinivali 和 Kuhu。他透露,太阳在白月期间滋养月亮的十六个部分(ka
Samba Purana Adhyaya 21 explains the lunar cycle and its sixteen kalas, connecting them to the sacred journey to Mitravana for solar worship.

在本章中,萨姆巴询问了月亮(苏摩)的盈亏。纳拉达圣人解释了月相,详细说明了 Anumati、Raka、Sinivali、Kuhu 和 Amavasya 等特定日子。他描述了在白月期间,月亮的十六个部分
Samba Purana Adhyaya 22 explains the phenomenon of the Moon’s waxing and waning and affirms Surya’s supremacy over all celestial bodies.

萨姆巴请求那拉达仙人澄清一个关于日食的长期疑问:作为黑暗化身的罗睺(Rahu)如何能吞噬至高无上的光源苏利耶(Surya)?那拉达解释说,罗睺物理性吞噬太阳只是无知者的错觉。实际上,罗睺利用地球的阴影
Samba Purana Adhyaya 23 explains eclipses through the illusion of Rahu and the mythological connection to the nectar of Soma.

在这个关键章节中,萨姆巴(Samba)深受麻风病之苦,在世俗药物中找不到解脱,于是请求父亲克里希纳神(Lord Krishna)允许他隐居森林。越过钱德拉巴加河(Chandrabhaga),他到达了神
Samba Purana Adhyaya 24 narrates Samba’s fervent prayer to Surya and the miraculous cure of his leprosy through divine solar grace.

在本章中,瓦西什塔圣人讲述了消瘦的萨姆巴如何不断地用一千个名字赞美太阳神。太阳神苏利耶被萨姆巴的极度痛苦和虔诚所感动,在梦中向他显现。苏利耶指示萨姆巴,背诵一千个名字是不必要的,而是传授给他一首由二十
Samba Purana Adhyaya 25 presents the Stavaraja, the king of hymns revealed by Surya himself, extolling the Sun’s supreme nature.

萨姆巴在钱德拉巴加河中发现了一尊漂浮的神圣苏利耶木制神像,并将其安置在米特拉瓦纳。苏利耶透露,毗首羯磨在释迦洲用旋床减弱了太阳刺眼的光芒后,用如意树雕刻了这尊神像。萨姆巴建造了一座宏伟的神庙,但担心任
Samba Purana Adhyaya 26 describes the Maganayanam, the bringing of the Maga priests from Shakadvipa to establish proper Surya worship rituals.

在本章中,婆吒(Vashistha)阐述了苏利耶(Surya)信徒的伟大。他详细说明了太阳崇拜者所遵循的业报(Karma)与解脱(Moksha)瑜伽的双重路径。婆吒描述了苏利耶的三种不同形式:祭祀之火
Samba Purana Adhyaya 27 explains the significance of the Maga and Yajaka priests and describes the three forms of Surya in ritual worship.

本章详细介绍了通过萨拉瑜伽(Saura Yoga)实现解脱的路径。它首先强调了肉体的短暂性和不洁性,敦促精神上的超脱以及慈悲和真理等美德的培养。它解释了瑜伽的核心练习,包括调息(Pranayama)、
Samba Purana Adhyaya 28 teaches the path of Saura Yoga, meditation on Surya, and describes the supreme spiritual state attained through solar devotion.

在《萨姆巴往世书》第29章中,瓦希斯塔圣人解释了建造苏利耶神像和建立神庙的指南,这些内容最初由那罗陀讲述给萨姆巴。他指出,在毗首羯磨为了世界福祉塑造其人形之前,苏利耶历史上一直以圆盘(曼荼罗)的形式受
Samba Purana Adhyaya 29 prescribes detailed rules for the construction of Surya idols and the architectural principles for Surya temples.

在本章中,仙人婆希斯塔(Vasishtha)详细阐述了建造苏利耶(Surya)神像(Pratima Vidhi)的规定。他首先根据材料将神像分为七类:金、银、铜、粘土、石头、木头和绘画。本章主要侧重于
Samba Purana Adhyaya 30 specifies the rules for selecting wood and materials for crafting Surya images, as part of the Pratima Vidhi tradition.

在《萨姆巴往世书》的这一章中,瓦希斯塔圣人详细阐述了制作苏利耶神像的精确图像学指南(Pratima Lakshanam)。他解释了神像的不同高度(从一肘到三肘半不等),并将每个尺寸与特定的精神和物质利
Samba Purana Adhyaya 31 details the Pratima Lakshanam: the canonical characteristics, proportions, and iconographic standards for Surya idols.

本章详细介绍了太阳神神像的奉献(Adhivasana)和安置(Pratishtha)的繁琐仪式。说明中概述了从圣河、海洋和草药中采集圣水,使用八个宝瓶(kalashas)为神灵沐浴,同时祈求梵天、毗湿
Samba Purana Adhyaya 32 describes the Adhivasana ritual and the sacred ceremony for installing the Surya idol in a temple.

在本章中,那罗陀仙人详细介绍了寺庙顶端升旗(Dhvajaropana)的神圣仪式,该仪式起源于古代天神与阿修罗的宇宙战争。他解释了旗杆的物理要求,旗杆必须笔直、无瑕,且与寺庙高度成比例。文中规定了对应
Samba Purana Adhyaya 33 prescribes the Dhvajaropana Vidhi, the ritual of hoisting the sacred flag at a Surya temple as part of worship ceremonies.

在太阳神于米特拉瓦纳(Mitravana)安置一年后,萨姆巴(Samba)向那罗陀(Narada)询问年度祭祀(Samvatsari Puja)的程序。那罗陀详细介绍了复杂的战车节(Ratha Yat
Samba Purana Adhyaya 34 describes the annual Ratha Yatra procession for Surya and the Graha Shanti Vidhi for planetary pacification.

在本章中,圣者婆吒(Vasishtha)详细阐述了苏利耶(Surya)战车节(Ratha Yatra)和日常崇拜的繁复仪式。战车被描述为宇宙的显现,隐喻地由《吠陀》和如《伽耶特黎》(Gayatri)之
Samba Purana Adhyaya 35 details the rituals of the Ratha Yatra, purification ceremonies, and the Dhupa Vidhi (incense offering) for Surya worship.

在《萨姆巴往世书》第36章中,瓦希斯塔圣人阐述了为苏利耶(太阳神)举行火祭(Homa)的复杂程序。他详细说明了使用Arani木产生圣火的方法、行为准则、吉祥与禁用的木材、特定的咒语以及酥油和芝麻等祭品
Samba Purana Adhyaya 36 prescribes the Homa Vidhana, the detailed procedure of fire oblations (homa) dedicated to Surya for spiritual merit.

在本章中,婆吒(Vasistha)讲述了萨姆巴(Samba)与圣哲那罗陀(Narada)之间关于崇拜太阳神苏利耶(Surya)之果报的对话。那罗陀解释了虔诚(Bhakti)和意图纯净(Bhavashu
Samba Purana Adhyaya 37 enumerates the spiritual fruits of sun worship, including the merits of devotion, rituals, and various offerings to Surya.

在本章中,布里哈德巴拉国王询问了萨姆巴从太阳神(巴斯卡拉)那里获得的神圣入教仪式(Diksha)。圣人瓦西什塔叙述了苏里亚最初传授的索拉入教仪式的详细过程。本章概述了祭祀场地的细致准备,强调了方位的纯
Samba Purana Adhyaya 38 describes the Saura Diksha (solar initiation) and the Mandala Vidhana, the ritual construction and use of sacred diagrams in Surya worship.

在本章中,瓦西斯塔阐述了梵文字母(Varnas)与苏利耶宇宙形态之间的深奥联系,详细说明了每个音节如何代表特定的神灵、宇宙力量和精神成果。布里哈德巴拉国王请求苏利耶在萨姆巴入教(Diksha)后传授给
Samba Purana Adhyaya 39 explores the mysticism of the Sanskrit alphabet and reveals the Saura Mahamantra, the great solar mantra for spiritual attainment.

在本章中,圣哲婆私吒阐明了位于东、南、西、北四个基本方向的各种侍从神灵和神圣化身的复杂祭祀仪式(Puja)。他提供了以密宗音节“Tha Tha”结尾的特定咒语,用于召唤 Vikata、Aghora、S
Samba Purana Adhyaya 40 describes the worship of attendant deities in the cardinal directions and extols the glory of the Saura Shastra tradition.

本章详细介绍了献给 Dikpalas(方位神)以及四个基本方位中神圣化身的复杂 homa(火祭)和 bali(供品)。它规定在东、南、西、北四个方向,使用特定的咒语供奉五份酥油或 payasa,以祈求
Samba Purana Adhyaya 41 prescribes ritual offerings to the Dikpalas (guardians of directions) and affirms the supreme glory of Surya worship.

萨姆巴在玛迦祭司的陪同下,抵达了咸海之滨的神圣塔波瓦纳。各种天神、圣贤和神灵聚集在那里,遵守着严苛的誓言。那拉达赞扬萨姆巴深厚的虔诚以及建立这个永恒崇拜中心的行为。萨姆巴以极大的谦卑向苏利耶询问这座至
Samba Purana Adhyaya 42 narrates the arrival at Mitravana, Surya’s boons granted to the ascetics, and teachings on cosmic time cycles.

婆吒(Vasistha)描述了海岸边的一片神圣丛林,神灵、圣贤和天众正焦急地等待着日出。当苏利耶(Surya)在天空和水中以灿烂的双重形式显现时,摩奴(Manus)取回了他的神像,并献上深情的赞歌,颂
Samba Purana Adhyaya 43 describes the sacred establishment of the Surya idol at Mundira, a significant event in the solar worship tradition.

本章以圣哲婆私吒赞美苏利耶开始。萨姆巴随后询问有关阿查拉(正确行为)的问题,认为它是延长寿命和消除不幸的最高达摩。他询问阿底提耶的信徒应保持什么样的具体行为以获得神灵的青睐。作为回应,圣哲那罗陀就萨达
Samba Purana Adhyaya 44 prescribes the Sadachara Varnana, rules of righteous conduct and daily observances for devoted worshippers of Surya.

在本章中,桑巴询问了捐赠伞和凉鞋的功德。那罗陀讲述了仙人贾马达格尼及其妻子雷努卡的古老传说,以解释它们的起源。在炎热的夏日中午,雷努卡在为丈夫取箭时,头部和脚部被酷热严重灼伤,被迫在树荫下休息。贾马达
Samba Purana Adhyaya 45 explains the origin and spiritual merit of donating umbrellas and sandals as acts of charity connected to Surya worship.

在本章中,萨姆巴询问了 Saptami Vrata 的规则。圣人那罗陀详细介绍了七种 Saptami 誓言——Arkasamputa、Marica、Nimbapatra、Phalasaptami、An
Samba Purana Adhyaya 46 describes the rites and rewards of the Saptami Vrata and enumerates the twelve forms of Surya worshipped through the year.

在《萨姆巴往世书》第47章中,那拉达仙人阐明了献给太阳神(Bhaskara)的持诵祭祀(Japa-Yajna)的至高重要性和详细方法。他宣布持诵是最高形式的崇拜,能够赦免严重的罪孽并赋予至高的完美。本
Samba Purana Adhyaya 47 prescribes the Japa Yajna Vidhi, the procedure and rules for the chanting sacrifice dedicated to Surya.

本章详细介绍了苏利耶(Surya)祭祀仪式中使用的特定手势(Mudras)。该文本由那罗陀(Narada)发起并由神(Deva)阐述,提供了关于形成各种神圣印记的手指位置的精确指令。描述的关键手印包括
Samba Purana Adhyaya 48 describes the characteristics and formation of sacred mudras (ritual hand gestures) used in Surya worship.

在《萨姆巴往世书》的这一章中,那拉达仙人概述了太阳神苏利耶的虔诚崇拜者所必需的每日仪式(Ahnika)和净化礼仪(Shaucha)。那拉达强调,这些能带来即时精神成功的神圣教义只能传授给太阳神已入教且
Samba Purana Adhyaya 49 prescribes daily solar rituals and the Shaucha Vidhi, purification rites for maintaining spiritual cleanliness in Surya devotion.

在《萨姆巴往世书》第50章中,叙述转向了太阳崇拜的奥秘和仪式维度。演讲者阐明了复杂的礼拜程序,特别侧重于咒语(Mantras)和手印(Mudras)的整合,以实现理想的精神和物质成果。本章详细介绍了N
Samba Purana Adhyaya 50 details the combined rituals of mantras, mudras, and nyasa (ritual placement) in the practice of sun worship.

《萨姆巴往世书》第51章详细阐述了对苏利耶(特别是被称为Khakholka的苏利耶)的祭祀仪式(Puja Vidhi)。本章首先广泛汇编了用于祈祷、沐浴、供奉衣物、熏香以及告别太阳神、他的战车、十二阿
Samba Purana Adhyaya 51 describes the ritualistic worship of Khakholka Surya, a specific form of the Sun god, and his cosmic manifestations.

《萨姆巴往世书》第52章概述了构建神圣的萨乌拉曼陀罗(Saura Mandala)以及将弟子启动(Diksha)进入太阳崇拜的深奥程序。文本从净化地面开始,为四个种姓(varnas)规定了特定的土壤颜
Samba Purana Adhyaya 52 details the construction of the Surya Mandala (sacred solar diagram) and the Saura Diksha initiation ceremony.

在《桑巴往世书》第53章中,那拉达仙人详细阐述了太阳神巴斯卡拉(Bhaskara)的系统祭祀仪式(Puja)。本章始于对苏利耶(Surya)坐于八瓣莲花中心、散发着百万太阳光辉的观想。修行者被指示冥想
Samba Purana Adhyaya 53 prescribes the ritual worship procedures and various offerings to be made to Surya for spiritual benefit.

本章详细介绍了献给太阳神苏利耶(Surya)的深奥的 Ashtapushpika 或“八花”仪式。它阐述了强大的太阳真言“Om Khakholkaya Svaha”音节的空间和仪式布置。每个音节都被分
Samba Purana Adhyaya 54 describes the Ashtapushpika Vidhi, the ritual of the eight flowers combined with seed mantras for invoking Surya’s blessings.

《萨姆巴往世书》第55章详细介绍了萨乌拉(Saura)崇拜中高度专业且深奥的仪式。它首先概述了对阿查里亚(导师)和弟子(Shishyas)的严格资格要求。文中阐述了使用彩色粉末精确几何构建萨姆瓦萨拉曼
Samba Purana Adhyaya 55 continues with advanced mandala construction, the Diksha Vidhi, and the esoteric process of creating sacred mantras.

《萨姆巴往世书》第56章深入探讨了萨乌拉崇拜的奥秘和密宗维度,重点关注苏利耶心莲(Hridaya-padma)的神秘可视化。本章介绍了种子(Bija)、字母(Varna)和源泉(Yoni)等基本原理(
Samba Purana Adhyaya 56 reveals the esoteric heart-lotus meditation and the powerful Bija mantras associated with Surya worship.

本章深入探讨了声音的奥秘科学以及作为比贾咒语(Bija mantras)的梵文字母表(Varnamala)的起源。叙述者揭示了关于 Tattvas 和 Bijas 的至高无上、无始无终的知识。它系统地
Samba Purana Adhyaya 57 teaches Tattva-Jnana (knowledge of cosmic principles) and traces the origin of Bija mantras from primordial sound.

本章详细介绍了四十音节神圣咒语的深奥构造,重点关注比贾(种子音节)和斯瓦拉(元音)的神秘生成。文本神秘地概述了形成用于创造和解脱的约尼(Yoni)序列所需的元音、辅音、鼻音和宾杜(bindus)的语音
Samba Purana Adhyaya 58 presents the Jnanottara teaching on the generation of Bija (seed syllables) and Svara (tonal elements) in mantric science.

《桑巴往世书》第59章结束了第六个Patala,重点讨论了索拉咒语(Saura mantras)的深奥构造和创造的宇宙学。文中阐述了二十五个宇宙元素或称“tattvas”及其七重顺序表现。它强调了神圣
Samba Purana Adhyaya 59 describes the Mantra Vidhana (mantra procedures) and their connection to the principles of cosmic creation.

本章探讨了苏里亚崇拜中宇宙时间与深奥真言科学之间的深刻联系。它将至高无上的存在描述为遍布虚空(Vyomavyapine),并将宇宙年(Samvatsara)概念化为一个神圣的轮子。这个轮子有三个轮毂,
Samba Purana Adhyaya 60 explains the Kala Chakra (wheel of time) and the mantric manifestation of Surya through sacred syllables.

本章深入探讨了索拉(Saura)崇拜的深奥和密宗维度。它细致地概述了神圣曼陀罗的语音结构,将特定的种子咒(Bija mantras)、元音和辅音分配给不同的方向、太阳月(如 Madhu, Madhav
Samba Purana Adhyaya 61 teaches esoteric mantras, the Nyasa Vidhi (ritual placement of mantras on the body), and ritual vratas for spiritual advancement.

《萨姆巴往世书》第62章概述了针对患有严重身心疾病或行星失衡(grahas)且仅靠咒语无法治愈的修行者(sadhakas)的专门祭祀疗法。文中规定了使用特定布料和从指定地点采集的原料制作药用敷袋(po
Samba Purana Adhyaya 62 prescribes rituals for curing diseases and removing obstacles through the power of Surya mantras and worship.

《桑巴往世书》第63章详细介绍了Abhicara(破坏性魔法)的深奥而凶猛的仪式,这些仪式严格规定仅用于极端紧急情况和自卫。本章概述了修行者所需的严格准备工作,包括在火葬场冥想、穿着黑红相间的衣服以及
Samba Purana Adhyaya 63 describes the Abhicara Vidhi, rituals of destructive magic and their controlled use within the tantric Surya tradition.

《桑巴往世书》第64章概述了通过针对特定肢体来治疗疾病的深奥密宗和咒语程序。修行者使用种子咒(Bija mantras)并为不同的身体部位想象特定的颜色。当温和的方法失败时,文中规定了“Kilana”
Samba Purana Adhyaya 64 describes the Kilana ritual and the mantric methods for eradicating diseases through solar tantric practice.

本章概述了 Mantrin(Saura 祭司或治疗师)为治愈世俗苦难和疾病而必须进行的严格 Vrata(誓言)和治疗仪式(Chikitsa)。文中强调,在尝试治愈他人或回应国王的请求之前,从业者必须通
Samba Purana Adhyaya 65 prescribes healing rituals and the vrata (sacred vow) to be observed by the Mantrin, the practitioner of sacred mantras.

《萨姆巴往世书》第66章概述了用于精神和物质成就的高级密宗和咒语仪式(Sadhana)。它描述了咒语的基本品质:萨埵(Sattva)、罗阇(Rajas)和塔摩(Tamas),并将它们与梵天、毗湿奴和湿
Samba Purana Adhyaya 66 teaches mantra sadhana (spiritual practice through mantras) and the tantric vratas required for mantric mastery.

本章详细阐述了咒语修行(Mantra Sadhana),概述了修行者(Sadhaka)达到精神和物质完美(Siddhi)所需的仪式、誓言和冥想练习。它始于为期六个月的先行仪式(Purascharana
Samba Purana Adhyaya 67 continues the teaching on mantra sadhana and nyasa vidhi, culminating in the attainment of siddhi (spiritual powers).

本章概述了达到被称为“湿婆界”(Shivaloka)的至高境界的系统精神路径。它详细描述了修行者通过生命周期中的基本仪式(如 Jatakarma 和 Upanayana)的进展,进而学习神圣的知识(V
Samba Purana Adhyaya 68 describes the path of yoga within the Saura tradition and the initiation required for attaining supreme liberation.

本章探讨了索拉(Saura)崇拜中不可或缺的 Bija Mantras(种子音节)和 Japa(诵经)的深奥科学。一位虔诚的询问者请求至尊主揭示诵读咒语的完整规则以及种子音节的宇宙功能。作为回应,主详
Samba Purana Adhyaya 69 expounds the science of Bija mantras and sacred syllables, revealing their cosmic correspondences and spiritual power.

《萨姆巴往世书》第70章深入探讨了种子咒(Bija Mantra)和内亚萨(Nyasa,音节的仪式化安置)的深奥修行。它概述了将特定的梵语音素(如'a'、'ta'、'cha'、'pa'和'ya')系统
Samba Purana Adhyaya 70 details the ritual of Bija mantra nyasa, the systematic placement of seed syllables on the body for spiritual empowerment.

在《萨姆巴往世书》第71章中,文本转向了索拉(Saura)崇拜的深奥和仪式维度,详细介绍了Varna-Nyasa(梵语音素的神秘安置)。本章规定了在神圣曼荼罗或修行者身体的基点和中间方向系统地安置元音
Samba Purana Adhyaya 71 prescribes the Varna-Nyasa Vidhi, the mystic placement of syllables (varnas) on the body as part of tantric solar worship.

本章概述了 Nyasa(在身体上放置咒语)的深奥仪式,以及在苏里亚(Saura)崇拜中必不可少的特定种子音节(Bija mantras)的制定。它强调在咒语的开头和结尾使用 Pranava (Omka
Samba Purana Adhyaya 72 describes the mantra nyasa vidhi and reveals the syllabic forms through which Surya is invoked in esoteric practice.

《萨姆巴往世书》第73章深入探讨了索拉崇拜的深奥维度,详细介绍了构成神圣咒语基础的各种Yonis(神秘母体)。它系统地描述了不同的Yonis,如Shiva-yoni、Karana-yoni(因)、Kr
Samba Purana Adhyaya 73 describes the mystic matrices (yonis) and the mantric syllables that form the foundation of advanced Saura tantric practice.

在本章中,重点转向了苏拉达摩(Saura Dharma)的秘传修行,特别是四重入室仪式(Diksha)和弟子的净化仪式。对话始于对最终的、赋予解脱的入室过程的探究。主解释说,入室仪式只能授予经过彻底考
Samba Purana Adhyaya 74 describes the fourfold initiation ceremony and the ritual purification required for advancing in Saura spiritual practice.

《萨姆巴往世书》第75章详细介绍了上师为净化和提升弟子而进行的深刻入教仪式(Diksha)和精神圣礼(Samskaras)。本章概述了一个完整的转化过程,从调用宇宙能量、执行Nyasa以及通过特定的苦
Samba Purana Adhyaya 75 prescribes the Diksha Vidhi (initiation procedure) and the spiritual sacraments that mark the disciple’s progress.

《萨姆巴往世书》第76章详细介绍了旨在切断弟子世俗束缚(Pasha-cheda)的深奥入会仪式(Samskara),从而将其提升到与神灵相当的神圣状态。本章细致地概述了绘制神圣曼陀罗、召唤元素神灵以及
Samba Purana Adhyaya 76 details the initiation ritual and the consecration ceremony that formally admits the disciple into the Saura tradition.

本章详细介绍了索拉(Saura)传统中的弃绝(Sannyasa)之路。它概述了拥抱苦行主义的具体仪式,如将圣线(Brahmasutra)投入火中、进行最后的火祭,并将圣火内化于心。苦行者通过冥想心中的
Samba Purana Adhyaya 77 describes the path of Sannyasa, renunciation of worldly life, within the framework of the Saura spiritual tradition.

在本章中,《萨姆巴往世书》详细介绍了修行者因年老、沮丧或敌军入侵等严重灾难而寻求退出世俗或祭祀职责的具体仪式。文本规定退隐到吉祥的牛栏中,并诵念萨姆哈拉咒语三天。信徒必须净化自己,向太阳神鞠躬,祈求宽
Samba Purana Adhyaya 78 describes the ritual of withdrawal and Nyasa-Nivartana, the systematic reversal of mantric placements at the conclusion of practice.

《桑巴往世书》第79章详细描述了实现即时解脱(Sadyomukti)的深奥瑜伽过程。修行者在保持心境稳定和坚定誓言的同时,被指示在心中安立至高无上的原人(Purusha)。通过系统地诵读咒语并召唤内在
Samba Purana Adhyaya 79 teaches the yogic method of Sadyomukti (immediate liberation) through piercing the Brahmarandhra, the crown aperture.

本章详细介绍了苏利耶(Surya)崇拜中高度深奥和密宗(Tantric)的方面。它首先解释了太阳真言(mantras)复杂的语音构成和结构应用,强调了如 Omkara 和 Vashatkara 等特定
Samba Purana Adhyaya 80 describes advanced tantric rituals, mantra application techniques, and ascetic practices within the solar worship tradition.

本章从深奥的咒语转向内在崇拜(Manasa Puja)的深刻哲学。梵天解释说,真正的林伽(Linga)作为纯粹的虔诚(Bhava)存在于所有众生的心中。作为回应,大自在天(湿婆)描绘了崇拜至尊者必不可
Samba Purana Adhyaya 81 teaches the practice of internal worship (antarayaga) and the eight flowers of devotion offered to Surya in the heart.

《萨姆巴往世书》第82章阐明了瑜伽、智瑜伽(知识)和业瑜伽(行动)为实现精神解脱而进行的深刻融合。本章概述了修行者的基本美德,包括非暴力、宽恕、坚韧和感官控制。它在哲学上区分了原质(自然)和神我(灵魂
Samba Purana Adhyaya 82 synthesizes the paths of yoga and jnana (knowledge), teaching the mastery of senses as the foundation for solar realization.

萨姆巴向那罗陀仙人询问麻风病等严重疾病背后的业力原因。那罗陀解释说,这些疾病源于前世未能通过禁食和誓言祭祀太阳神(苏利耶)。为了治愈这些疾病,那罗陀规定了对苏利耶的虔诚崇拜。他详细说明了应提供的各种供
Samba Purana Adhyaya 83 concludes with the causes and cures of diseases through the power of Surya worship, mantras, and solar healing rituals.
The first chapter serves as an introduction and index, invoking Lord Surya as the healer of diseases like leprosy and outlining the Purana's contents, including Samba's curse, the Maga priests, and detailed Sun worship rituals.
The narrator, Suta, is addressing the assembled Rishis (sages), introducing them to the sacred and disease-curing Samba Purana.
The chapter mentions Samba being cursed by his father (Krishna) due to Narada's instigation, his subsequent redemption, and the establishment of a Sun temple and city.
King Brihadbala asks about the eternal Supreme Brahman, the ultimate deity to worship for liberation across all life stages, and the origin of the universe.
Sage Vashistha describes Surya as the visible Supreme Deity (Pratyaksha Devata), the creator, sustainer, and destroyer of the universe, and the ultimate destination for yogis.
The text explains that enlightened beings like Shuka, Vyasa, and the Valakhilyas entered the solar orb (Surya Mandala) through yoga, achieving ultimate liberation.
Krishna cursed Samba because his unparalleled physical beauty caused Krishna's intoxicated wives to become infatuated and agitated. This situation was orchestrated by Sage Narada, whom Samba had previously disrespected.
Krishna cursed his wives, except Rukmini, Satyabhama, and Jambavati, to lose their heavenly realms and be abducted by thieves after his death, as a consequence of their intoxication and loss of modesty.
To cure his leprosy, Samba worshipped the Sun God and established a permanent center for Surya worship called Sambapura, located on the picturesque banks of the Chandrabhaga river.
It is called Mitravana because Mitra, the twelfth manifestation of the Sun God (Surya), performed severe penance there to bless his devotees, making it his primordial abode before Samba rebuilt it.
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