
Rishi: Atharvanic/Angirasa tradition (specific ṛṣi attribution varies by anukramaṇī; requires verification for AVŚ 7.21.1).
Devata: Āditya/Sūrya as 'the One, all-pervading Lord'; alternatively a monistic 'Pati' principle.
Chandas: Mixed/irregular (close to Triṣṭubh cadence in parts; requires metrical checking against pada lengths).
这首仅一颂的赞歌称颂那唯一、遍满一切的主宰——可解作苏利耶/阿底提耶,亦可解作一元的“主(Pati)”原则——万有众生皆以言语聚集于其前而承认之。诗中申明一种上古的主权:它不断接纳“新来者”,并使世界的运行之道循同一轨迹周而复始,使诵者与有序的回环(近于ṛta之常则)及兴盛相契合。
Both readings are traditional and compatible: the ‘Lord of heaven’ fits Āditya/Sūrya theology, while the repeated ‘One, all-pervading’ supports a monistic Pati principle behind all powers.
It portrays the deity as the ever-present, continually arriving presence in human life—received through speech, worship, and daily recognition—who also ‘welcomes the newcomer’ (new beginnings and transitions).
By reciting it at dawn or before an undertaking, the practitioner aligns speech and intention with the single ruling order; the hymn’s imagery of ‘paths turning along his track’ is used to seek steady success and auspicious continuity.
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