Sukta 4.36
तद्वो वाजा ऋभवः सुप्रवाचनं देवेषु विभ्वो अभवन्महित्वनम् । जिव्री यत्सन्ता पितरा सनाजुरा पुनर्युवाना चरथाय तक्षथ ॥
tád vo vājā ṛbhavaḥ su-pravācanáṃ devéṣu vi-bhvo abhavan mahitvanám | jivrī́ yát sántā pitarā́ sanā́jurā púnar yúvānā caráthāya tákṣatha ||
Đó chính là uy lực vĩ đại của các ngươi giữa chư thần, điều đáng được xướng tụng—hỡi Vāja và các Rbhu, hỡi Vibhu: dẫu cha mẹ các ngươi đã già, các ngươi vẫn tạo tác họ trở lại tuổi trẻ, thích hợp cho bước đi và cho cuộc hành trình.
Your greatness among the gods is worthy of fine proclamation, O Vāja and Rbhus (Vibhu): though your parents were old, you made them young again, fit to move and to journey.
The ‘parents’ are the foundational powers that gave birth to our present nature—habitual mind and life formed in the past (old, worn). The Rbhus’ marvel is rejuvenation: they renew the original instruments so they become plastic, mobile, and capable of progress (carathāya). Vāja adds the victorious impetus and increase. This is a key yogic act: not merely suppressing the old nature but re-casting it into youthful capacity for the divine journey.
True renewal is possible: what is aged by repetition can be made young by higher skill and conscious force, restoring mobility, hope, and forward movement in life.
Renewal, Divine craftsmanship, Transformation of the old nature, Mythic wonder
A tradition of hymns celebrating divine craftsmanship as inner yoga: perfection through dhī (thought-force) and takṣa (shaping).
The seer presents transformation as rejuvenation: the old bases of nature can be remade for the onward journey, a central promise of the Vedic path.
Agents of renewal and perfection; they restore the powers that support cosmic and human evolution, enabling movement in ṛta.
Rejuvenating tapas: entering old formations and re-casting them into youthful, progressive capacities.
Soma context within Rbhus hymns; praise to secure their aid and presence
तद्वो॑ वाजा ऋभवः सुप्रवाच॒नं दे॒वेषु॑ विभ्वो अभवन्महित्व॒नम् । जिव्री॒ यत्सन्ता॑ पि॒तरा॑ सना॒जुरा॒ पुन॒र्युवा॑ना च॒रथा॑य॒ तक्ष॑थ ॥
तत् । वः॒ । वा॒जाः॒ । ऋ॒भ॒वः॒ । सु॒ऽप्र॒वा॒च॒नम् । दे॒वेषु॑ । वि॒ऽभ्वः॒ । अ॒भ॒व॒त् । म॒हि॒ऽत्व॒नम् । जिव्री॒ इति॑ । यत् । सन्ता॑ । पि॒तरा॑ । स॒ना॒ऽजुरा॑ । पुनः॑ । युवा॑ना । च॒रथा॑य । तक्ष॑थ ॥
tat | vaḥ | vājāḥ | ṛbhavaḥ | su-pravācanam | deveṣu | vi-bhvaḥ | abhavat | mah i-tvanam | jivrī iti | yat | santā | pitarā | sanājurā | punaḥ | yuvānā | carathāya | takṣatha
44
4 x ~11
Declarative and triumphant; suited to proclaiming a ‘deed of greatness’.
Instills confidence in renewal; energizes aspiration for forward movement.
Praise of Rbhu feats as a merit-statement (stuti) preceding requests/offerings in Soma rite.
Recited with offerings/praise during Soma rites or deity-invocation sequences.
Stotra-like proclamation of their mahitva to invite cooperation.
For life-transitions and burnout: chant as an affirmation of inner rejuvenation—making the ‘old’ faculties young again.
takṣatha < √takṣ 'to fashion, carpent, form' (PIE *teks- 'to weave/build', cf. Greek téktōn 'builder'). sanājurā 'aged from of old' (sanā 'of old' + jūr 'worn/aged' related to √jṝ 'to grow old'). The 'parents made young' is a classic Rbhu motif: renewal of old forms into new vitality—psychologically, rejuvenation of inherited nature by luminous craft.
Rejuvenation of nature (transformation of the conditioned into the luminous), R̥ta as progressive perfection (crafting into right form)
‘Fit for movement’ aligns with ṛta as right-going journey of consciousness.
Renewal is not denial but a truer becoming of the same powers.
Re-creation (punar-janman of capacities) as a divine act within evolution.
Yoga of transformation (Aurobindo: psychic and spiritual renewal of nature)
spring (suggestive of rejuvenation)
Spring/youth = fresh prāṇa and renewed mind; journey = progressive ascent of consciousness.
Rejuvenation of tired faculties—renew mind and life-force for the path.
manipura (renewed dynamism) supported by ajna (right recasting)
3-part yogic breathing (dirgha) emphasizing exhale-release of ‘oldness’ and inhale of freshness.
Hopeful dynamism; sense of ‘new beginning’ within the same life.
Offer the sense of fatigue/age inwardly; invoke the artisan-force to re-form it. Visualize the ‘old parents’ (habit patterns) becoming young—responsive, mobile, eager for the journey.
Tri-svara recitation; lift on देवेषु, महित्वनम्, पुनः, युवााना to mark proclamation and renewal.
Let ‘tad vo… supravācanam’ be clearly articulated as the thesis; keep ‘punaḥ yuvānā’ gently emphasized.
vibhvo with bhv cluster—keep aspiration, jivrī pronounce ji-vrī with clear v, takṣatha with retroflex ṣ—tongue curled slightly back
Proclamatory yet smooth; a confident narrative tone.
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