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Varaha Purana 37.9: Adhyaya 37, Shloka 9

The Threefold Discipline (Mental, Physical, Verbal) and the Salvific Power of Hearing Nārāyaṇa’s Name

देविकायास्तटे रम्ये सोऽवसद् ब्राह्मणः किल । कदाचिदभिषेकाय स जगाम महानदीम् ॥ ३७.९ ॥

Sanskrit recitationVaraha Purana 37.9

devikāyās taṭe ramye so 'vasad brāhmaṇaḥ kila | kadācid abhiṣekāya sa jagāma mahānadīm || 37.9 ||

دیوِکا کے خوشنما کنارے پر وہ برہمن، جیسا کہ کہا جاتا ہے، رہتا تھا۔ ایک بار اَبھِشیک (رسمی غسل) کے لیے وہ بڑی ندی کے پاس گیا۔

देविकायाःof (the river) Devikā
देविकायाः:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootदेविका (प्रातिपदिक)
Formस्त्रीलिङ्गे षष्ठी-विभक्तिः (6th/Genitive), एकवचनम्
तटेon the bank
तटे:
Adhikarana (अधिकरण)
TypeNoun
Rootतट (प्रातिपदिक)
Formपुंलिङ्गे सप्तमी-विभक्तिः (7th/Locative), एकवचनम्
रम्येpleasant / beautiful
रम्ये:
Visheshana (विशेषणम्)
TypeAdjective
Rootरम्य (प्रातिपदिक)
Formपुंलिङ्गे सप्तमी-विभक्तिः, एकवचनम्; विशेषणम् (qualifying तटे)
सःhe
सः:
Karta (कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्गे प्रथमा-विभक्तिः, एकवचनम्; सर्वनाम
अवसत्dwelt / stayed
अवसत्:
Kriya (क्रिया)
TypeVerb
Rootवस् (धातु)
Formलङ्-लकारः (Imperfect/Past), परस्मैपदम्, प्रथमपुरुषः, एकवचनम्
ब्राह्मणःa brahmin
ब्राह्मणः:
Karta (कर्ता)
TypeNoun
Rootब्राह्मण (प्रातिपदिक)
Formपुंलिङ्गे प्रथमा-विभक्तिः, एकवचनम्; सः इत्यस्य अप्पोजिशन (apposition)
किलindeed / it is said
किल:
Vakya-nipata (वाक्य-निपात)
TypeIndeclinable
Rootकिल (अव्यय)
Formअव्ययम्; निपातः (particle) — कथन-प्रसिद्ध्यर्थे (indeed/it is said)
कदाचित्once / at some time
कदाचित्:
Kriya-visheshana (क्रियाविशेषणम्)
TypeIndeclinable
Rootकदाचित् (अव्यय)
Formअव्ययम्; कालवाचक-अव्यय (temporal adverb)
अभिषेकायfor bathing/ablution
अभिषेकाय:
Sampradana (सम्प्रदान/प्रयोजन-दत्तिव)
TypeNoun
Rootअभिषेक (प्रातिपदिक)
Formपुंलिङ्गे चतुर्थी-विभक्तिः (4th/Dative), एकवचनम्; प्रयोजनम् (purpose)
सःhe
सः:
Karta (कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्गे प्रथमा-विभक्तिः, एकवचनम्; सर्वनाम
जगामwent
जगाम:
Kriya (क्रिया)
TypeVerb
Rootगम् (धातु)
Formलिट्-लकारः (Perfect), परस्मैपदम्, प्रथमपुरुषः, एकवचनम्
महानदीम्the great river
महानदीम्:
Karma (कर्म)
TypeNoun
Rootमहा (प्रातिपदिक) + नदी (प्रातिपदिक)
Formकर्मधारय-समासः (महती नदी); स्त्रीलिङ्गे द्वितीया-विभक्तिः, एकवचनम्

Varāha (default dialogue framework; speaker not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"Devikā-tīra (bank of the Devikā)"}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"A brāhmaṇa established on a sacred riverbank undertakes abhiṣeka/snānā as part of daily ritual discipline (ācāra).","karmic_consequence":"Regular tīrtha-snānā and japa support purity (śauca) and steadiness in dharma; neglect weakens ritual fitness and invites lapse in conduct."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ācāra (discipline) and śauca","core_concept":"Outer purification (snāna/abhiṣeka) supports inner recollection (japa) and readiness for divine protection.","practical_application":"Maintain a daily rhythm of cleanliness, prayer, and sacred-space orientation to stabilize the mind before crises arise."}

Subject Matter: ["Sacred Geography","Ritual Practice","Heritage Sites"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Type: tīrtha/riverbank settlement

Related Themes: Varāha Purāṇa 37.37.10-13 (encounter at the river leading to fear, Nārāyaṇa-smaraṇa, and moral reversal)

Visual Art Cues: {"scene_description":"A serene sacred riverbank named Devikā: a brāhmaṇa dwelling in simplicity, then walking toward a broad ‘great river’ for abhiṣeka.","item_prompts":["lush riverbank (tīra) with steps/ghāṭa-like edge","brāhmaṇa in simple bark/ascetic attire","water pot (kamaṇḍalu), prayer beads (akṣamālā)","morning light, calm water, distant trees"],"kerala_mural_prompt":"Kerala mural style: tranquil Devikā-tīra with stylized flora; brāhmaṇa in restrained palette, clear linework, devotional calm.","tanjore_prompt":"Tanjore style: central brāhmaṇa figure with ornate riverbank framing; subtle gold highlights on water ripples and ritual vessels.","mysore_prompt":"Mysore style: soft shading, delicate facial features; emphasize contemplative mood and clean river ambience.","pahari_prompt":"Pahari style: lyrical landscape with layered hills/trees; small human figure by expansive river, emphasizing serenity and sacredness."}

Audio Atmosphere: {"recitation_mood":"calm, contemplative, tīrtha-oriented","suggested_raga":"Ahir Bhairav","pace":"slow","voice_tone":"clear, steady, reverential"}

C
Classical Literature
P
Purāṇic Narrative
A
Ancient Geography
R
Ritual Studies

FAQs

It preserves a typical Purāṇic narrative marker (kila) while situating the story within a named river landscape, reflecting how Purāṇas embed cultural memory and practice in geographically anchored settings.

Devikā is identified as a river name in the verse; precise modern identification is not determinable from this excerpt alone without additional chapter context or external geographic-historical correlation.

The verse foregrounds disciplined ritual conduct—approaching a river for purification/abhiṣeka—framed as a culturally valued practice connected to sacred landscapes rather than as a compulsory dogma.

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