HomeVaraha PuranaAdhyaya 25Shloka 45
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Varaha Purana 25.45: Adhyaya 25, Shloka 45

The Birth of Ahaṅkāra as Guha/Skanda and His Appointment as Divine Commander

महातपा उवाच । आदिमन्वन्तरे देव उत्पत्तिर्या मयोदिता । परोक्षदर्शिभिर्देवैरेवमेव स्तुतः प्रभुः ॥ २५.४५ ॥

Sanskrit recitationVaraha Purana 25.45

mahātapā uvāca | ādimanvantare deva utpattiryā mayoditā | parokṣadarśibhir devair evam eva stutaḥ prabhuḥ || 25.45 ||

مہاتپا نے کہا—اے دیوتا، اولین منونتر میں پیدائش کا جو بیان میں نے کہا ہے، اسی طرح ماورائے ادراک کو دیکھنے والے دیوتاؤں نے پرَبھو کی ستوتی کی تھی۔

mahā-tapāḥMahātapā (the great ascetic)
mahā-tapāḥ:
Karta (कर्ता)
TypeNoun
Rootmahā (प्रातिपदिक) + tapas (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular; bahuvrīhi 'one whose austerity is great' (speaker name/epithet)
uvācasaid
uvāca:
Kriya (क्रिया)
TypeVerb
Rootvac (धातु)
FormLiṭ (Perfect/परोक्षभूत), 3rd Person, Singular; parasmaipada
ādi-manvantarein the first Manvantara
ādi-manvantare:
Adhikarana (अधिकरण)
TypeNoun
Rootādi (प्रातिपदिक) + manvantara (प्रातिपदिक)
FormNeuter, Locative (7th/सप्तमी), Singular; adhikaraṇa (location/time)
devaO god
deva:
Sambodhana (सम्बोधन)
TypeNoun
Rootdeva (प्रातिपदिक)
FormMasculine, Vocative (8th/सम्बोधन), Singular; संबोधन
utpattiḥorigin / birth
utpattiḥ:
Karta (कर्ता)
TypeNoun
Rootutpatti (प्रातिपदिक)
FormFeminine, Nominative (1st/प्रथमा), Singular; subject
which
:
Karta (कर्ता)
TypeNoun
Rootyad (प्रातिपदिक)
FormRelative pronoun; Feminine, Nominative (1st/प्रथमा), Singular; refers to utpattiḥ
mayāby me
mayā:
Karana (करण)
TypeNoun
Rootasmad (प्रातिपदिक)
FormPronoun; Instrumental (3rd/तृतीया), Singular; agent/instrument
uditātold / declared
uditā:
Karta (कर्ता)
TypeAdjective
Rootvad (धातु) + ud (उपसर्ग) + ta (क्त)
FormPast passive participle (क्त), Feminine, Nominative, Singular; agrees with utpattiḥ
parokṣa-darśibhiḥby those who see indirectly (seers of the unseen)
parokṣa-darśibhiḥ:
Karana (करण)
TypeNoun
Rootparokṣa (प्रातिपदिक) + darśin (प्रातिपदिक)
FormMasculine, Instrumental (3rd/तृतीया), Plural; agent in passive construction
devaiḥby the gods
devaiḥ:
Karana (करण)
TypeNoun
Rootdeva (प्रातिपदिक)
FormMasculine, Instrumental (3rd/तृतीया), Plural; agent
evamthus
evam:
Kriya-viseshana (क्रियाविशेषण)
TypeIndeclinable
Rootevam (अव्यय)
FormAvyaya; adverb
evaindeed / just
eva:
Nishcaya (अवधारण)
TypeIndeclinable
Rooteva (अव्यय)
FormAvyaya; emphatic particle (निश्चय/अवधारण)
stutaḥpraised
stutaḥ:
Karta (कर्ता)
TypeAdjective
Rootstu (धातु) + ta (क्त)
FormPast passive participle (क्त), Masculine, Nominative, Singular; agrees with prabhuḥ
prabhuḥthe Lord
prabhuḥ:
Karta (कर्ता)
TypeNoun
Rootprabhu (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular; subject

Mahātapā

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"By anchoring the stuti in the ‘first Manvantara’, the verse situates divine manifestation and praise within cyclical cosmology; ‘parokṣa-darśin’ gods indicate supra-sensory cognition, aligning revelation with trans-empirical vision rather than ordinary perception.","yajna_varaha_imagery":"Implicit: parokṣa-darśana parallels the unseen efficacy of yajña (adr̥ṣṭa-phala), where praise/ritual accesses realities beyond pratyakṣa.","vedantic_connection":"Distinction between pratyakṣa and parokṣa knowledge; īśvara is known through śabda/pramāṇa and contemplative vision, not merely sensory data."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"epistemology/cosmology","core_concept":"True accounts of origin and divine praise are preserved across cosmic cycles and accessed by seers of the beyond (parokṣa-darśin).","practical_application":"Rely on śāstra and disciplined contemplation to know what lies beyond sense-perception; treat cosmological teaching as a map for inner orientation."}

Subject Matter: ["Cosmology","Purāṇic narration","Manvantara chronology"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Type: cosmic time-frame

Related Themes: 25.25.43 (the stuti and theophany); 25.25.47 (transition to secret self-knowledge themes)

Visual Art Cues: {"scene_description":"A sage (Mahātapā) narrates that in the primordial Manvantara the Lord was praised in the same manner by gods with transcendent vision.","item_prompts":["sage teaching posture","cosmic clock/cycle motif (wheel)","devas with luminous eyes (seerhood)","subtle aura around the Lord implied rather than shown","scriptural manuscript"],"kerala_mural_prompt":"Kerala mural: sage centered, devas in a semicircle with stylized wide eyes, a faint cosmic wheel behind, restrained palette emphasizing śānta.","tanjore_prompt":"Tanjore: ornate seated sage with gold highlights, circular gold wheel motif for Manvantara, devas as small attendants.","mysore_prompt":"Mysore: elegant didactic scene, soft halos, detailed manuscript, calm interior setting with symbolic wheel.","pahari_prompt":"Pahari: minimalistic cosmic wheel in sky, sage and devas in gentle conversation, airy composition."}

Audio Atmosphere: {"recitation_mood":"didactic, steady","suggested_raga":"Śrī (for gravity and tradition)","pace":"medium-slow","voice_tone":"measured, authoritative, with emphasis on ādi-manvantare and parokṣa-darśibhiḥ"}

C
Classical Literature
P
Purāṇa Studies
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It illustrates a common Purāṇic historiographical technique: validating a narrated cosmogony by linking it to divine praise and to seers described as perceiving realities beyond ordinary sense perception, thereby situating the account within authoritative sacred-chronological discourse (Manvantara framework).

No geographic location is specified in this verse; the focus is chronological (the first Manvantara) and rhetorical (how the Lord was praised).

Rather than a direct ethical rule, the verse provides a philosophical instruction about epistemic authority: cosmological knowledge is presented as grounded in a lineage of narration and in testimony attributed to beings characterized as having supra-sensory insight (parokṣadarśin).

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