Sukta 8.13
तमीमहे पुरुष्टुतं यह्वं प्रत्नाभिरूतिभिः । नि बर्हिषि प्रिये सददध द्विता ॥
tám īmahe puruṣṭutáṃ yahváṃ pratnā́bhir ū́tibhiḥ | ní barhíṣi priyé sadad ádha dvitā́ ||
Siya ay aming nilalapitan, na lubos na pinupuri, ang matulin, sa pamamagitan ng sinaunang mga tulong; sana siya ay umupo sa minamahal na banal na upuan, at muling magtatag sa kanyang sarili sa loob.
We seek Indra, much-praised and impetuous, with ancient helps; may he sit on the beloved barhis (sacred seat) and again establish himself within.
The seeker calls the illumined Mind not merely to descend once, but to ‘sit’ firmly on the prepared inner seat (barhis = the rightly arranged foundation of the being: purified nervous system, quiet mind, receptive heart). ‘Ancient succours’ are the perennial aids of the path—truth-force, aspiration, and the accumulated power of mantra/tradition. ‘Again, within’ indicates stabilization: illumination must become resident, not episodic.
Real transformation requires a prepared foundation and repeated establishment of higher clarity until it becomes stable in daily consciousness.
invitation and indwelling, prepared receptivity (barhis), renewed descent (dvitā)
Kāṇva hymns often stress effective invocation and the settling of the deity in the sacrifice—read inwardly as settling of the power in consciousness.
The seer’s emphasis is not only calling Indra but making him ‘sit’—the yogic principle of stabilizing realization through receptivity and repetition.
Brings victorious illumination and establishes the luminous order in the human field.
A descending and stabilizing clarity that occupies the ‘seat’ of the mind-heart complex, governing it from within.
Indra invitation to take the seat in Soma sacrifice (āsana/niṣadana motif)
तमी॑महे पुरुष्टु॒तं य॒ह्वं प्र॒त्नाभि॑रू॒तिभि॑: । नि ब॒र्हिषि॑ प्रि॒ये स॑द॒दध॑ द्वि॒ता ॥
तम् । ई॒म॒हे॒ । पु॒रु॒ऽस्तु॒तम् । य॒ह्वम् । प्र॒त्नाभिः॑ । ऊ॒तिऽभिः॑ । नि । ब॒र्हिषि॑ । प्रि॒ये । स॒द॒त् । अध॑ । द्वि॒ता ॥
tam | īmahe | puru-stutam | yahvam | pratnābhiḥ | ūti-bhiḥ | ni | barhiṣi | priye | sadat | adha | dvitā
Probable Jagatī or Triṣṭubh-family; requires scansion of full verse with Vedic sandhi
44
4 pādas (likely 11-syllable pādas)
Invocatory opening with a settling cadence in the second half, mirroring ‘sit down’ and ‘establish’.
Moves from calling to quiet receptivity; supports a felt ‘descent and settling’ in meditation.
Āvāhana and seating (āsana) of the deity on barhis; in Soma rites, inviting Indra to sit and partake.
At the welcoming/inviting phase of Indra in stotra sequences
Inviting the deity to sit on barhis; offering Soma mentally/ritually
Before meditation, ‘prepare the seat’ (posture + calm breath) and chant to invite stable clarity into the mind.
barhis is ritual seat (grass) but psychologically the 'spread' of conscious receptivity (√bṛh 'to expand' resonates with barhis as broadened base). √sad 'sit' indicates stable presence/indwelling of the devatā. pratna 'ancient' signals perennial powers rather than temporal antiquity.
descent of divine force into prepared base, perennial aid (pratnā ūti), stability of presence (sad)
R̥ta (ordered establishment); Satyam (true presence); Tapas (disciplined preparation; implied by ‘seat’ and repeated establishing)
Indra ‘sits’ where the inner order is arranged; stability is the mark of R̥ta in the being.
True illumination is recognized by its capacity to remain and govern, not merely flash.
Descent of higher power into the formed instrument; making the human ‘seat’ fit for the divine.
Integral-psychological Vedic exegesis (Aurobindo/Kashyap line).
Barhis corresponds to the nervous and mental ground made soft, pure, and receptive; ‘sitting’ is the settling of force into stable awareness.
Stabilizing illumination: invite the higher mind to ‘take its seat’ in the head-heart axis.
Ājñā (seat of inner governance) with Anāhata (beloved consent)
Exhale-lengthening (e.g., 4 in / 6 out) to support ‘settling’; brief pause after exhale to feel presence seated
Quiet receptivity with a firm, bright center.
Prepare posture as ‘barhis’; chant once with force (yahva), then rest in silence as if the power sits; repeat until the sense of presence becomes steady (dvitā).
Follow Saṃhitā accent marks; maintain clear udātta on highlighted syllables; soften into a steadier tone around ‘ni barhiṣi priye sadat’ to reflect settling.
First half slightly more projecting; second half more grounded and even.
puruṣṭutam: keep ṣṭ cluster crisp (ṣ-ṭu)., yahvam: pronounce ‘yh’ smoothly (ya-hvam), not ‘yaavam’., pratnābhir: retroflex ṇ in pratnā; keep long ā., barhiṣi: clear ‘ṣ’ at end; short i.
Inviting, steady, and settling; end with a gentle cadence.
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