The Vaiṣṇavī Goddess on Mount Mandara: Emergence of the Maidens, Construction of the Goddess-City, and Nārada’s Visit
एवमुक्त्वा क्षणं स्थित्वा तमनुज्ञाप्य नारदः । यथागतं ययौ धीमानन्तर्धानेन तत्क्षणात् ॥
evam uktvā kṣaṇaṃ sthitvā tam anujñāpya nāradaḥ | yathāgataṃ yayau dhīmān antardhānena tatkṣaṇāt ||
ఇలా చెప్పి, క్షణం నిలిచి, అతని అనుమతి తీసుకొని, ధీమంతుడైన నారదుడు వచ్చినట్లే వెళ్లిపోయి, ఆ క్షణమే అంతర్ధానమయ్యాడు.
Narrator (reports Nārada’s action)
Such departure formulas are characteristic of Purāṇic composition, marking scene changes and preserving oral-storytelling cadence through stock expressions (e.g., yathāgatam, antardhānena).
No specific place-name occurs; the verse functions as a narrative hinge rather than a geographic notice.
The verse foregrounds protocol and respectful leave-taking (anujñā), a social-ethical norm embedded within the narrative.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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