Rudra’s Hymn: Vision of Nārāyaṇa, the Emergence of the Ādityas, and the Mutual Boon of Hari and Hara
समस्तविश्वार्थिहाराय शम्भवे सहस्रसूर्यानिलतिग्मतेजसे । समस्तविद्याविधृताय चक्रिणे समस्तगीर्वाणनुते सदाऽनघ ॥ ७३.१८ ॥
samastaviśvārthihārāya śambhave sahasrasūryānilatigmatejase | samastavidyāvidhṛtāya cakriṇe samastagīrvāṇanute sadā'nagha || 73.18 ||
సమస్త లోక దుఃఖాలను హరించే శంభువుకు నమస్కారం; ఆయన తేజస్సు సహస్ర సూర్యుల వలె, వాయువుల వలె తీక్ష్ణమైంది. సమస్త విద్యలను ధరించిన చక్రధారికి నమస్కారం; సమస్త దేవతలు నిత్యం స్తుతించే నిర్దోషుడా.
Varāha (default, as speaker is not explicit in the provided fragment)
It exemplifies Purāṇic stotra-style composition, where a deity is praised through dense epithets and cosmic imagery (e.g., “thousand suns”), reflecting a common literary mode for framing narrative authority and devotional orientation.
No geographic toponym appears in this verse; it functions as a hymn of praise rather than a sacred-geography reference.
The verse foregrounds the ideal of alleviating universal suffering (“remover of the world’s afflictions”) and presents faultlessness (anagha) as a normative spiritual attribute, expressed in a non-prescriptive, laudatory form.
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