Instruction on the Unity of the Triad
Brahmā-Viṣṇu-Rudra
Pūrva Bhāga · Cosmological Narratives (Yuga-Dharma and Divine Forms)
सृष्टिकाले चतुर्वक्त्रं स्तौमि कालो भवामि च । ब्रह्मा देवासुरा स्तौति मां सदा तु कृते युगे । लिङ्गमूर्तिं च मां देवा यजन्ते भोगकाङ्क्षिणः ॥ ७२.९ ॥
sṛṣṭikāle caturvaktraṃ staumi kālo bhavāmi ca | brahmā devāsurā stauti māṃ sadā tu kṛte yuge | liṅgamūrtiṃ ca māṃ devā yajante bhogakāṅkṣiṇaḥ || 72.9 ||
sRRiShTikAle chaturvaktraM staumi kAlo bhavAmi cha | brahmA devAsurA stauti mAM sadA tu kRRite yuge | li~NgamUrtiM cha mAM devA yajante bhogakA~NkShiNaH || 72.9 ||
సృష్టికాలంలో నేను చతుర్వక్త్రుడు (బ్రహ్మ)ను స్తుతిస్తాను; నేనే కాలముగా కూడా అవుతాను. కృతయుగంలో బ్రహ్మ దేవాసురులతో కలిసి నన్ను ఎల్లప్పుడూ స్తుతిస్తాడు. భోగాన్ని కోరే దేవులు నన్ను లింగమూర్తిగా పూజిస్తారు.
Varāha
How can the same divine reality be praised as Brahmā at creation, become Kāla (Time), be praised by devas/asuras, and be worshiped as Liṅga—what is the unity behind multiple forms?
The Supreme can function as creator-support (Brahmā-role), as Time, and as worshiped form (Liṅga), without contradiction—one reality, many modalities.
Respect diverse worship-forms; focus on the inner meaning (tattva) rather than sectarian exclusivity.
Yajña-cosmology and form-pluralism: the Supreme is the inner controller of creation (Brahmā-function), the regulator as Time, and the recipient of worship in diverse icons (including Liṅga), indicating one reality approached through many upāsanās.
Creation-time praise as primordial mantra; Kāla as the sacrificial ‘measure’ (māna) governing rites; Liṅga as aniconic axis/marker of the transcendent within ritual space.
Non-dual/qualified-nondual thrust: nāma-rūpa vary while the substratum remains one; sectarian forms are integrated under a single supreme principle.
Varāha Purāṇa: passages harmonizing Viṣṇu-Śiva-Brahmā functions
It reflects a Purāṇic tendency to integrate cosmological time (kāla), yuga frameworks, and multiple divine forms into a single doctrinal narrative, illustrating how later Sanskrit compendia systematized earlier mythic and philosophical motifs.
No specific geographic location is named in this verse; the content is primarily cosmological and theological rather than topographical.
Rather than a direct moral injunction, the verse emphasizes a philosophical instruction about recognizing cosmic order—creation, time, and ritual forms—as interconnected aspects within a yuga-based worldview.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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