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Varaha Purana 196.5: Adhyaya 196, Shloka 5

Description of the City of Dharmarāja

Yama

कैलासशिखराकारैर्भवनैरुपशोभितम् ॥ तत्र वै विमला नद्यस्तोयपूर्णाः सुशोभनाः ॥

Recitation with translationVaraha Purana 196.5

kailāsaśikharākārair bhavanair upaśobhitam || tatra vai vimalā nadyas toyapūrṇāḥ suśobhanāḥ

కైలాస శిఖరాల ఆకారముగల భవనాలతో అది అలంకరించబడి ఉంది; అక్కడ నిర్మలమైన నదులు నీటితో నిండివుండి అత్యంత శోభిస్తున్నాయి.

kailāsa-śikhara-ākāraiḥwith forms like the peaks of Kailāsa
kailāsa-śikhara-ākāraiḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootkailāsa (प्रातिपदिक) + śikhara (प्रातिपदिक) + ākāra (प्रातिपदिक)
Formपुंलिङ्ग; तृतीया (3rd/Instrumental), बहुवचन; विशेषणम् (of bhavanaiḥ): ‘having the form of Kailāsa-peaks’
bhavanaiḥwith buildings
bhavanaiḥ:
Karaṇa (करण)
TypeNoun
Rootbhavana (प्रातिपदिक)
Formनपुंसकलिङ्ग; तृतीया (3rd/Instrumental), बहुवचन
upaśobhitamadorned; beautified
upaśobhitam:
Kriyā (क्रियापद-विशेषण; predicate)
TypeVerb
Rootupa-√śubh/√śobh (धातु)
Formक्त (past passive participle), नपुंसकलिङ्ग; प्रथमा (1st/Nominative), एकवचन; कर्मणि (adorned)
tatrathere
tatra:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Roottatra (अव्यय)
Formअव्यय; देशवाचक क्रियाविशेषण (adverb of place: 'there')
vaiindeed
vai:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Rootvai (अव्यय)
Formअव्यय; निश्चयार्थक निपात
vimalāḥpure; clear
vimalāḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootvimala (प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा (1st/Nominative), बहुवचन; विशेषणम् (of nadyaḥ)
nadyaḥrivers
nadyaḥ:
Karta (कर्ता)
TypeNoun
Rootnadī (प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा (1st/Nominative), बहुवचन
toya-pūrṇāḥfull of water
toya-pūrṇāḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roottoya (प्रातिपदिक) + pūrṇa (प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा (1st/Nominative), बहुवचन; विशेषणम् (of nadyaḥ): ‘filled with water’
su-śobhanāḥvery beautiful
su-śobhanāḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsu (उपसर्ग/अव्यय) + śobhana (प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा (1st/Nominative), बहुवचन; विशेषणम् (of nadyaḥ): ‘very beautiful’

Nāciketa (continuation of description)

C
Classical Literature
A
Ancient Geography (mythic)
E
Ecological Imagery
S
Sanskrit Philology

FAQs

It uses a culturally resonant landmark (Kailāsa) as an aesthetic comparator, showing how Purāṇic texts anchor otherworldly description in shared geographic imagination.

Kailāsa is referenced as a comparative image; the primary setting remains Dharmarāja’s mythic city rather than a terrestrial site.

The verse is descriptive; ethically, it contributes to a broader narrative environment where order, purity, and consequence are contemplated.

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