Installation of a Clay Icon (Mṛnmayārcā) and the Ritual Protocol of Worship
काष्ठानामप्यलाभे तु मृण्मयीं तत्र कारयेत् ॥ शैलजां वा ततो भूमे मम कर्मपरायणः ॥
kāṣṭhānām apy alābhe tu mṛṇmayīṃ tatra kārayet || śailajāṃ vā tato bhūme mama karmaparāyaṇaḥ ||
కట్టెలు కూడా లభించకపోతే అక్కడే మట్టితో ప్రతిమను చేయించాలి; లేదా తరువాత, హే భూమీ, రాతితో చేసిన ప్రతిమను చేయించాలి—నా కర్మాలలో పరాయణుడైనవాడు।
Varāha (default, addressing Pṛthivī)
It documents a hierarchy of materials for icon production and acknowledges pragmatic adaptation—useful for understanding historical craft practices and ritual economies.
No location is named; the focus is on material availability rather than sacred geography.
To maintain continuity of practice without excess, adapting responsibly to available resources.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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