Sukta 9.14
परि प्रासिष्यदत्कविः सिन्धोरूर्मावधि श्रितः । कारं बिभ्रत्पुरुस्पृहम् ॥
pári prā́siṣyadat kavíḥ síndhor ūrmā́v ádhi śritáḥ | kāráṃ bíbhrat puruspṛ́ham ||
కవి-శక్తి చుట్టూ పరిభ్రమిస్తూ ముందుకు నెట్టుకుంటూ సాగుతుంది; సింధు-ప్రవాహపు అలపై స్థిరపడి, అది సృజన-ఉచ్చారణను ధరించింది—అనేక ఆకాంక్షలతో సమృద్ధిగా, సిద్ధించిన అన్వేషణ శక్తులతో కూడి.
The poet-seer moves around pressing forward, set upon the wave of the ocean-stream; it bears the creative utterance, rich in many desires.
The ‘kavi’ is the seer-force in the Soma: a conscious inspiration moving and pressing through the currents of being (sindhu). Riding the wave (ūrmi) of the vast life-ocean, it carries ‘kāra’—the formative mantra/creative word—charged with many soul-desires (puru-spṛh): not craving, but manifold seeking for divine fulfilment.
When inspiration rides the vast movements of life without being drowned in them, it becomes creative speech-power that shapes experience toward fulfilment.
Soma-ritual, Mantric creation, Oceanic consciousness, Seerhood
The rishi here reveals Soma as kavi—an inspired intelligence within the flow of life, turning raw movement into creative word-power (kāra), a key Aurobindonian theme: mantra as formative consciousness.
Soma as inspirer of mantra and creator of forms; he moves in the cosmic waters and carries the word that builds worlds.
Inspired delight that converts life-waves into rhythmic, meaningful formation (mantra-śakti).
Pavamāna section in Soma yajña; chanted with the flowing Soma as it is purified
परि॒ प्रासि॑ष्यदत्क॒विः सिन्धो॑रू॒र्मावधि॑ श्रि॒तः । का॒रं बिभ्र॑त्पुरु॒स्पृह॑म् ॥
परि॑ । प्र । अ॒सि॒स्य॒द॒त् । क॒विः । सिन्धोः॑ । ऊ॒र्मौ । अधि॑ । श्रि॒तः । का॒रम् । बिभ्र॑त् । पु॒रु॒ऽस्पृह॑म् ॥
pari | pra | asisyadat | kaviḥ | sindhoḥ | ūrmau | adhi | śritaḥ | kāram | bibhrat | puru-spṛham
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3×8 syllables
Rolling, wave-like; first pāda circulates (pari), second rises (ūrmi), third releases (kāram).
Produces a sense of movement and creative surge; helpful for unlocking inspired speech and vision.
Soma purification hymns accompanying the flow of Soma through waters/filter; recited/sung during pressing sequences.
During straining/flowing of Soma, when the ‘stream’ imagery is immediate
Accompanies the movement of Soma; supports the ‘kāra’ (stotra/chant) as creative force
For writers/teachers/creatives: chant before speaking or composing to align speech with deeper inspiration rather than surface emotion.
kavi: from √kū/√kav in Vedic usage ‘to see/know/compose’ → inspired seer. sindhu: ‘river, ocean’ (vast moving mass). ūrmí ‘wave’ (loc. ūrmau). śrita: past participle of √śri ‘to lean on, rest upon’. kāra: from √kṛ ‘to make’ → ‘that which makes/forms’, hence a ‘formative utterance/chant’. bibhrat: pres. participle of √bhṛ ‘to bear’.
mantra as creative formation (kāra), inspired sight (kavi), progressive unfolding (pra)
Right speech (kāra) is a vehicle of ṛta when carried by purified Soma.
Inspired utterance expresses satya when it arises from the seer-force rather than ego.
Creation through vibration/word riding the cosmic waters.
Vedic mantra-ontology (Aurobindo): vāc as creative consciousness; soma as ananda supporting revelation.
Ocean = vast subconscious/life-field; wave = emotions/energies; kavi = inner witness-seer; kāra = mantra that shapes and steadies the waves.
Observe life-waves without suppression; invite the seer-force to ride them and form a true utterance (inner mantra).
Viśuddha (creative word) supported by Svādhiṣṭhāna (waters/flow)
Ujjāyī (gentle) to create an ‘oceanic’ inner sound; chant on exhale, feel waves smoothing.
Flow-state with witnessing intelligence; inspired creativity.
Sit with a felt ‘current’ in the body; let a single true phrase arise (kāra). Repeat it softly after chanting, keeping it free from agitation.
Accents partially marked (e.g.,,, :); complete svara rendering requires śākhā-specific notation.
Let ‘pari’ be light and circling; ‘prāsiṣyadat’ forward-pressing; broaden on ‘sindhor ūrmau’; release gently on ‘kāram’.
prāsiṣyadat: articulate ‘ṣy’ and dental ‘d’, sindhoḥ: visarga at end, not silent, ūrmau: long ū; au diphthong, śritaḥ: retroflex ṛ; crisp ‘taḥ’, puru-spṛham: retroflex ṛ; avoid turning spṛh into ‘sprih’
Flowing, resonant, slightly rolling like waves.
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