Atharva Veda Sukta 25
Kanda 1Anuvaka 3Sukta 254 Mantras

Sukta 25

Rishi: Atharvanic tradition (often transmitted under Atharvan/Angiras attribution for Takman hymns; exact r̥ṣi assignment depends on Anukramaṇī).

Devata: Takman (fever) addressed and coerced; also an invoked ‘harita’-linked divine power by epithet.

Chandas: Anuṣṭubh (with Atharvanic cadence; pāda segmentation as transmitted).

AV 1.25 ఒక సంక్షిప్త ఆథర్వణిక వైద్య-మంత్రం. ఇందులో తక్మన్‌ (జ్వరం) ను చైతన్యమున్న, పేరుతో బంధింపబడిన వ్యాధిగా ఎదుర్కొని, రోగి శరీరాన్ని అన్ని వైపుల నుంచీ “విడిచిపెట్టి తొలగిపో” అని ఆజ్ఞాపిస్తుంది. ఈ సూక్తం జ్వరానికి దాగిన మూలాలు, రూపాలు—దహించే వేడి, మధ్యమధ్యలో వచ్చే దాడులు, శోకంలా క్షీణింపజేసే స్థితి, వరుణునితో శిక్షారూప సంబంధం వరకు—గుర్తించి, దాని రహస్య నామం, జన్మస్థానం వంటి జ్ఞానంతో బలవంతంగా నిర్బంధించి, పునఃపునః బహిష్కరణ వాక్యాలతో దాన్ని నిర్వీర్యం చేస్తుంది.

Kind of charm

Bhaishajya (healing)
Recitation with translationAtharva Veda 1.25

Mantras

Mantra 1

ज्वर-नाशनम्। यद॒ग्निरापो॒ अद॑हत् प्र॒विश्य॒ यत्राकृ॑ण्वन् धर्म॒धृतो॒ नमां॑सि । तत्र॑ त आहुः पर॒मं ज॒नित्रं॒ स नः॑ संवि॒द्वान् परि॑ वृङ्ग्धि तक्मन्

అగ్ని లోనికి ప్రవేశించి జలాలను దహించిన చోట, ధర్మధారకులు నమస్కార-కర్మలను ఆచరించిన చోట—అదే నీ పరమ జన్మస్థానం అని జనులు చెబుతారు. హే తక్మన్ (జ్వరం), దీనిని బాగా తెలిసి, మా చుట్టూ అన్ని వైపుల నుండీ నిన్ను నీవే విడదీసుకొని దూరంగా తొలగిపో.

Mantra 2

यद्य॒र्चि॑र्यदि॒ वासि॑ शो॒चिः श॑कल्ये॒षि यदि॑ वा ते ज॒नित्र॑म्। ह्रूडु॒र्नामा॑सि हरितस्य देव॒ स नः॑ संवि॒द्वान् परि॑ वृङ्ग्धि तक्मन्

నీవు జ్వాలయైతే, నీవు దాహమైతే; నీవు విరిగివిరిగి వచ్చే దాడులవలె వస్తే; లేదా నీ జన్మస్థానం మరెక్కడైనా అయితే—హరితుని దేవా, నీ పేరు ‘హ్రూడు’. హే తక్మన్, అన్నీ తెలిసినవాడవై, దీనిని మా నుండి పూర్తిగా పీకి దూరం చేయి.

Mantra 3

यदि॑ शो॒को यदि॑ वाभिशो॒को यदि॑ वा॒ राज्ञो॒ वरु॑ण॒स्यासि॑ पु॒त्रः । ह्रू॒डु॒र्नामा॑सि हरितस्य देव॒ स नः॑ संवि॒द्वान् परि॑ वृङ्ग्धि तक्मन्

నీవు శోకమై ఉన్నా, అతిశోకమై ఉన్నా; లేదా నీవు రాజు వరుణుని కుమారుడవైనా. హే హరిత దేవుని దేవా, నీ పేరు ‘హ్రూడు’. హే తక్మన్ (జ్వరం), దీనిని బాగా తెలిసి, మా చుట్టూ అన్ని వైపుల నుండీ నిన్ను నీవే మళ్లించి దూరంగా తొలగిపో.

Mantra 4

नमः॑ शी॒ताय॑ त॒क्मने॒ नमो॑ रू॒राय॑ शो॒चिषे॑ कृणोमि । यो अ॑न्ये॒द्युरु॑भय॒द्युर॒भ्येति॒ तृती॑यकाय॒ नमो॑ अस्तु त॒क्मने॑

చల్లని తక్మన్‌కు నమస్కారం; మండే, జ్వలించే ఉష్ణతకు నేను నమస్కారం అర్పిస్తున్నాను. ఒక రోజు విడిచి ఒక రోజు, లేదా రెండు రోజులలోనూ, వచ్చి పట్టిపీడించేవాడైన—మూడవ రోజు వచ్చేవాడైన ‘తృతీయక’కు నమస్కారం; తక్మన్‌కు నమస్కారం.

Inside Sukta 25

How it unfolds

  1. How it opens

    Begins by locating fever within a mythic frame—Agni entering and ‘burning the waters’—to declare knowledge of Takman’s supreme ‘birthplace’ (janitra).

  2. What it asks

    A direct, repeated command that Takman, once known and named, must ‘pluck/strip himself away’ from the patient on every side.

  3. Where its power lies

    Efficacy is grounded in saṃvid (knowing): knowledge of origin, forms, and secret name (Hrūḍu) is presented as inherently coercive over the disease-agent.

  4. How it closes

    Ends by reiterating the expulsion formula with the binding name/epithet, sealing the charm through repetition and comprehensive removal (‘pari’—all around).

Famous verses

sa naḥ saṃvidvān pari vṛṅgdhi takman
Verse 1.25.1Establishes the coercive strategy: by declaring Takman’s ‘supreme birthplace’ through a mythic precedent (Agni–Āpas), the speaker claims authoritative knowledge and commands total removal.Read verse 1.25.1 →
hrūḍur nāmāsi haritasya deva
Verse 1.25.2Maps fever’s clinical presentations—burning heat and broken fits—and introduces the secret name ‘Hrūḍu’ tied to Harita (pallor/discoloration), strengthening the binding address.Read verse 1.25.2 →
yadi śoko yady abhiśoko
Verse 1.25.3Expands Takman’s identity to psychological wasting (grief/over-grief) and a Varuṇa-linked punitive aspect, then neutralizes all such origins with the same expulsion refrain.Read verse 1.25.3 →

Kind of hymn

Bhaisajya (Healing)

What it is for

Immediate recession of fever—especially burning, intermittent, and pallor-marked fever—together with restoration of calm and bodily stability.

Who it is for

Household healer/atharvan practitioner, family caregivers, or a village ritualist treating acute fever episodes.

Also used as

  • Shantika (pacificatory cooling/appeasement)
  • Rakṣoghna/Apotropaic (avertive expulsion of a hostile agent)

The deity

Takman is fever as a demon-like, roaming agent producing burning heat, fitful paroxysms, and discoloration (harita—green/yellow pallor). The hymn treats fever as intelligible and therefore controllable: once its ‘name’ (Hrūḍu) and ‘birthplace’ are known, it can be compelled to depart.

Powers of the deity

  • Induces burning heat and internal ‘fire’
  • Strikes in broken/intermittent fits (paroxysms)
  • Causes wasting, grief-like oppression (śoka/abhiśoka)
  • Acts as a punitive/sovereign affliction when linked with Varuṇa’s domain
  • Can be constrained by true naming and mythic precedent (janitra/birthplace knowledge)

Why the deity is called

To coerce fever to detach and leave the patient by exposing its forms and origins, addressing it by a binding name (Hrūḍu), and repeating the expulsion command “pari vṛṅgdhi” (pluck/strip away).

The seer

  • Atharvan/Āṅgiras-type seer (Takman-hymn tradition; Anukramaṇī varies)Atharvan. Bhaiṣajya and apotropaic charms—especially fever-expulsion (takman-nirṇij), disease-demon coercion through naming, and cooling/purificatory counterforces (Āpas/Agni paradigms).

Other hymns of this seer

  • AV 1.24 (Takman-related charm, allied group)
  • AV 1.26 (Takman-related charm, allied group)
  • AV 5.22 (Takman-expulsion cycle, later book tradition)
  • AV 6.20 (fever/disease-aversion, Atharvanic healing register)

Preparing for the rite

  • Seat the patient in a calm, ventilated place; loosen constricting garments.
  • Prepare cool water for sipping or sprinkling; keep a small fire or lamp available only as a symbolic counterforce (not to heat the patient).
  • Establish verbal focus: identify the illness as ‘Takman’ and intend its removal (saṃkalpa).

The rite

  • Recite the hymn in a steady cadence, emphasizing the imperative refrain (e.g., ‘sa naḥ saṃvidvān pari vṛṅgdhi takman’).
  • Optionally sprinkle cool water over the head/chest while reciting the ‘burning heat / waters’ imagery to invert the fever’s heat.
  • Name-coercion act: speak the secret name ‘Hrūḍu’ distinctly, as the verbal ‘handle’ by which Takman is seized and removed.
  • Conclude by directing the fever outward (to distance/elsewhere), verbally ‘stripping’ it away from limbs and skin on every side.

What it needs

  • Cool water (āpas) for sipping/sprinkling
  • A small flame/lamp (agni) as symbolic witness and purifier (optional)
  • No mandatory herbs specified in this sukta; supportive febrifuge herbs may be added by local practice

When

At the onset of fever or at the start of a paroxysm; repeat at each recurrence (especially for intermittent fever).

The main substance

Cool water (āpas) as the practical counter-agent to fever-heat (implied by the hymn’s Agni–Āpas frame).

Herbs

  • Gudūcī (Tinospora cordifolia)
  • Nimba (Azadirachta indica)
  • Parpaṭa (Fumaria/related febrifuges in later Ayurveda)

Amulets

  • Thread/cord for a simple protective binding while reciting (optional, later practice)
  • A small green cloth token to ‘externalize’ harita-pallor (optional, interpretive practice)

How it is prepared

If using water: keep it cool and clean; sip a little and sprinkle lightly during recitation. If adding herbs (non-mandatory here): prepare a mild decoction separately and administer apart from mantra recitation.

Frequently Asked Questions

Takman is fever personified as an afflicting agent—causing burning heat, recurring fits, and weakness—treated as something that can be addressed, named, and driven away.

In Atharvanic healing, knowing and uttering the true/hidden name is a control-technique: it ‘grips’ the affliction verbally so it can be commanded to depart.

Primarily it is a mantra-based healing charm (bhaiṣajya) aimed at expulsion of fever; it can be paired with cooling measures like clean water and supportive febrifuge care, though herbs are not required by the text itself.

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