Nārada’s Account of a Former Birth and a Hymn to Nārāyaṇa
सहस्रमूर्धानमनन्तपादम् अनेकबाहुं शशिसूर्यनेत्रम् । क्षराक्षरं क्षीरसमुद्रनिद्रं नारायणं स्तौम्यमृतं परेशम् ॥ ३.१६ ॥
sahasramūrdhānam anantapādam anekabāhuṁ śaśisūryanetram | kṣarākṣaraṁ kṣīrasamudranidraṁ nārāyaṇaṁ staumyamṛtaṁ pareśam || 3.16 ||
Wysławiam Nārāyaṇę, najwyższego Pana, o tysiącu głów, nieskończonych stopach, wielu ramionach i o księżycu oraz słońcu jako swoich oczach; zarówno zniszczalnego, jak i niezniszczalnego; spoczywającego w śnie na Oceanie Mleka; nieśmiertelnego i transcendentnego.
Varāha (default, speaker not explicit in excerpt)
It exemplifies a common Purāṇic archival feature: an opening or embedded stuti (hymn) that frames the narrative with cosmological identifiers (e.g., solar-lunar imagery, cosmic body motifs) and links the text to wider Vaiṣṇava literary conventions.
No terrestrial sacred site is named in this verse; the primary locus is cosmological—kṣīrasamudra (the Ocean of Milk), a mythic-cosmographic feature used across Purāṇic literature.
Rather than a direct moral injunction, the verse conveys a philosophical principle: the supreme reality is described as encompassing both change (kṣara) and permanence (akṣara), encouraging a contemplative, integrative view of existence within the Purāṇic worldview.
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