The Disruption of Dakṣa’s Sacrifice, the Hari-Hara Conflict, and the Establishment of Rudra’s Sacrificial Share
Pūrva Bhāga · Śaiva-stuti (Hymnic Praise within the Narrative Frame)
देवा ऊचुः । नमो विषमनेत्राय नमस्ते त्र्यम्बकाय च । नमः सहस्रनेत्राय नमस्ते शूलपाणये ॥ २१.६५ ॥
devā ūcuḥ | namo viṣamanetrāya namaste tryambakāya ca | namaḥ sahasranetrāya namaste śūlapāṇaye || 21.65 ||
devA UchuH | namo viShamanetrAya namaste tryambakAya cha | namaH sahastranetrAya namaste shUlapANaye || 21.65 ||
Bogowie rzekli: "Cześć Temu o nierównym oku; cześć tobie, Tryambako, Trójocy. Cześć Tysiącokiemu; cześć tobie, nosicielowi trójzębu."
Devāḥ (the gods)
Multiple epithets (viṣama-netra, tryambaka, sahasra-netra, śūlapāṇi) indicate the deity’s manifold powers—fierce, all-seeing, and protective.
Use nāma-japa/stuti to contemplate distinct divine attributes; let each epithet refine one’s understanding and surrender.
Varāha Purāṇa 21.21.66 (continuation of iconographic salutations)
It preserves a compact stuti-style formula typical of Purāṇic redaction, cataloguing divine epithets as a literary device for identification, reverence, and thematic transition within the narrative.
No geographic location is named in this verse; the content is primarily hymnological, focusing on epithets rather than sacred geography.
The verse models a cultural practice of respectful address and restraint in speech—framing power through reverential language rather than coercion—without prescribing a specific social rule in this excerpt.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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