The Disruption of Dakṣa’s Sacrifice, the Hari-Hara Conflict, and the Establishment of Rudra’s Sacrificial Share
नारायणं पाशुपतमुभेऽस्त्रे व्योम्नि रोषिते । युयुधाते भृशं दिव्यं परस्परजिघांसया । दिव्यं वर्षसहस्रं तु तयोर्युद्धमभूत् तदा ॥ २१.५३ ॥
nārāyaṇaṃ pāśupatam ubhe ’stre vyomni roṣite | yuyudhāte bhṛśaṃ divyaṃ parasparajighāṃsayā | divyaṃ varṣasahasraṃ tu tayor yuddham abhūt tadā || 21.53 ||
Wtedy na niebie dwie boskie bronie, Narajana i Paśupata, rozwścieczone, walczyły zawzięcie, każda z zamiarem zniszczenia drugiej; i wówczas ich walka trwała tysiąc boskich lat.
Varāha (default dialogue framework; speaker not explicit in excerpt)
It reflects a common Purāṇic narrative technique: dramatizing theological concepts through personified divine weapons and situating events within “divine time,” a literary device used to convey cosmic scale rather than ordinary chronology.
No specific terrestrial location is named in this verse; the setting is “vyoman” (the sky), indicating a celestial arena rather than a mapped pilgrimage geography.
The verse does not present a direct ethical injunction; instead, it foregrounds the theme of uncontrolled wrath and mutual destructiveness, which later Purāṇic contexts often resolve through restraint, pacification, or higher-order cosmic balance.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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