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Varaha Purana 145.3: Adhyaya 145, Shloka 3

The Greatness of the Śālagrāma Sacred Region

Uttara Bhāga · Śālagrāma-kṣetra-māhātmya (Sacred Geography Narrative)

अभिन्नमतुलच्छायं विशालं पुष्पितं तथा ॥ मनोज्ञं च सुगन्धं च देवानामपि दुर्लभम् ॥

Recitation with translationVaraha Purana 145.3

abhinna-matula-cchāyaṃ viśālaṃ puṣpitaṃ tathā || mano-jñaṃ ca su-gandhaṃ ca devānām api durlabham ||

Było ono nienaruszone w formie, o cieniu nieporównywalnym, rozległe i również w pełni kwitnienia; miłe dla umysłu i pachnące, coś trudnego do uzyskania nawet dla bogów.

abhinna-matula-cchāyamhaving unbroken, incomparable shade
abhinna-matula-cchāyam
TypeAdjective
FormMasculine Accusative Singular; multi-member कर्मधारय describing ‘sālam’: ‘abhinnaṃ atulaṃ chāyā yasya/ yathā’ → ‘with unbroken, incomparable shade’
RoleViśeṣaṇa (विशेषण of sālam)
Rootabhinna + atula + chāyā (प्रातिपदिक)
viśālamvast
viśālam
TypeAdjective
FormMasculine Accusative Singular; agreeing with implied ‘sālam’
RoleViśeṣaṇa (विशेषण)
Rootviśāla (प्रातिपदिक)
puṣpitamin bloom
puṣpitam
TypeAdjective
FormPast participial adjective (क्त), Masculine Accusative Singular; ‘flowering’
RoleViśeṣaṇa (विशेषण)
Rootpuṣpita (प्रातिपदिक; from √puṣp)
tathāalso/likewise
tathā
TypeIndeclinable
FormAvyaya, adverb (तथार्थक)
RoleSambandha (सम्बन्ध/adverbial)
Roottathā (अव्यय)
mano-jñammind-pleasing
mano-jñam
TypeAdjective
FormMasculine Accusative Singular; तत्पुरुष: ‘manaḥ jānāti/rañjayati iti’ → pleasing to the mind
RoleViśeṣaṇa (विशेषण)
Rootmanas + jña (प्रातिपदिक)
caand
ca
TypeIndeclinable
FormAvyaya, conjunction (समुच्चय)
RoleSambandha (सम्बन्ध)
Rootca (अव्यय)
su-gandhamfragrant
su-gandham
TypeAdjective
FormMasculine Accusative Singular; कर्मधारय: ‘sundaraḥ gandhaḥ yasya’
RoleViśeṣaṇa (विशेषण)
Rootsu + gandha (प्रातिपदिक)
caand
ca
TypeIndeclinable
FormAvyaya, conjunction
RoleSambandha (सम्बन्ध)
Rootca (अव्यय)
devānāmof the gods
devānām
TypeNoun
FormMasculine, Genitive (षष्ठी) Plural (बहुवचन)
RoleSambandha (सम्बन्ध/possessor)
Rootdeva (प्रातिपदिक)
apieven
api
TypeIndeclinable
FormAvyaya, particle (अपि = even/also)
RoleSambandha (सम्बन्ध/particle)
Rootapi (अव्यय)
durlabhamrare to obtain
durlabham
TypeAdjective
FormMasculine Accusative Singular; agreeing with implied ‘sālam’
RoleViśeṣaṇa (विशेषण)
Rootdurlabha (प्रातिपदिक)
  • abhinna-matula-cchāyaṃ: atula + chāyām → atula-cchāyām (cch from sandhi)

Adbhuta and Shanta rasaSetting: Vṛkṣa-tīrtha / vana
Speaker

Varāha

Kind of teaching
Aesthetics as upāya (sacred perception)
Subjects
Sacred FloraAesthetic DescriptionSacred GeographyEnvironmental Imagery
Core idea

The purified mind recognizes sacredness through signs—wholeness (abhinna), sheltering shade, fragrance, and bloom—indicating puṇya and presence.

In practice

Cultivate attentive seeing (sūkṣma-darśana): treat beauty and harmony in nature as prompts for gratitude, restraint, and remembrance of the divine.

Aspect
Dialogue

C
Classical Literature
P
Purāṇic Poetics
S
Sacred Ecology
A
Ancient Geography

FAQs

Such descriptive cataloguing (shade, size, blossoms, fragrance) is typical of māhātmya literature, linking natural features to a site’s remembered sanctity.

No new place-name appears; the description contributes to the literary topography of Śālagrāma-kṣetra by highlighting a distinctive tree.

Implicitly, it valorizes attentive perception of the natural world within sacred geography, aligning environmental features with cultural heritage.

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