Sukta 8.7
ये द्रप्सा इव रोदसी धमन्त्यनु वृष्टिभिः । उत्सं दुहन्तो अक्षितम् ॥
yé drapsā́ iva ródasī́ íti dhámanty ánu vṛṣṭíbhiḥ | útsaṃ dúhanto ákṣitam ||
Oni, jak lśniące krople, tchną i rozszerzają oba światy swoimi deszczami, dojąc niewyczerpane źródło, te są mocami, które czynią istotę żyzną strumieniami rozkoszy i wiedzy.
They, like drops (drapsāḥ), expand/breathe upon the two worlds (rodasī) with their rains (vṛṣṭibhiḥ), milking the inexhaustible spring (utsa… akṣitam).
The ‘drops’ are luminous energies—Marut-Soma powers—that descend as rainings of inspiration, widening the inner heaven (mind) and earth (vital/physical) so consciousness can become spacious. They ‘milk’ the inexhaustible source: the perennial well of Ananda and knowledge in the depths (utsa akṣita), releasing streams that fertilize the being.
When higher energies repeatedly pour into the system, inner capacity expands; one begins to draw from an inexhaustible source rather than from limited personal reserves.
rain-and-fertility symbolism, Soma as flow, cosmic widening, inner abundance
Kāṇva poetry often uses dynamic nature-imagery (rain, drops, widening) as a code for inner movements of consciousness and Soma-like delight.
The seer maps a psychology of descent: not only ascent by effort, but widening by repeated ‘rainings’ of higher force.
Agents of expansion, purification, and dynamic harmony; they prepare the field for Indra’s victory and for Soma’s flow.
Breath-force and nervous energy uplifted into luminous movement; the capacity to widen the ‘two worlds’ within.
Marut/Indra praises in Soma liturgy (general)
ये द्र॒प्सा इ॑व॒ रोद॑सी॒ धम॒न्त्यनु॑ वृ॒ष्टिभि॑: । उत्सं॑ दु॒हन्तो॒ अक्षि॑तम् ॥
ये । द्र॒प्साःऽइ॑व । रोद॑सी॒ इति॑ । धम॑न्ति । अनु॑ । वृ॒ष्टिऽभिः॑ । उत्स॑म् । दु॒हन्तः॑ । अक्षि॑तम् ॥
ye | drapsāḥ-iva | rodasī iti | dhamanti | anu | vṛṣṭi-bhiḥ | utsam | duhantaḥ | akṣitam
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4 × ~11 (approx.)
Surging, wave-like; suitable for imagery of rain and flow.
Induces a sense of spaciousness and cleansing; supports receptive, upward-moving breath.
Soma praise describing the effect of the offering: rain/flow as outward sign of inner increase
When invoking rain/strength and the widening of spaces; also in sequences that celebrate Soma’s flow.
Recitation accompanying libations; symbolic ‘milking’ of the spring via offerings.
Use during overwhelm: chant to invite widening of mind and body, and to remember the inexhaustible inner source.
√dham 'blow' (PIE *dʰewh₂- 'smoke/breathe' debated; Indo-Iranian shows strong 'blow' semantics). √vṛṣ 'rain/pour; be virile' links natural fertility with inner potency. √duh 'milk' is a standard Vedic metaphor for drawing hidden riches (light/knowledge) from a source. akṣita 'inexhaustible' (a- + √kṣi) marks perennial inner spring (Ananda/illumination).
inexhaustible source (akṣita utsa), fertility/potency as spiritual increase (√vṛṣ), cosmic expansion (widening the worlds)
The rainings are ordered descents that restore right rhythm in the two worlds.
The inexhaustible spring is the satya-source behind changing experiences.
Creation as continuous outpouring: the worlds are sustained by repeated descents from a perennial fountain.
Integral Vedic psychology: apas/varṣa as movements of consciousness-force.
rainy/monsoon (suggestive)
Rain = descent of inspiration; spring = inner Ananda-source; widening worlds = expansion of mind-body field.
Receive the ‘rain’: open the body-mind as two worlds and allow breath to widen them gently.
anāhata (heart)
slow inhalation imagining ‘dhamanti’ (expanding), exhalation as gentle ‘rain’ through the system
spacious receptivity → flowing delight
Do not force concentration; invite widening first. Then rest attention at the heart as the ‘utsa’ and feel an inexhaustible quiet joy.
Maintain gentle rises on drapsāḥ, rodasī, vṛṣṭibhiḥ, utsam, akṣitam; keep the flow continuous like rainfall (avoid harsh breaks).
Slight emphasis on imagery-words: drapsāḥ / rodasī / vṛṣṭibhiḥ / utsam / akṣitam.
drapsā: pronounce ‘ps’ cluster cleanly, rodasī: long ī at end, dhamanti: ‘dh’ aspirated; nasal ‘n’ clear, vṛṣṭibhiḥ: retroflex ṛ; ṣṭ cluster crisp, duhantaḥ: ‘duh’ with soft h; final ḥ light
cool, flowing, resonant
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