अयोध्याकाण्डे एकपञ्चाशः सर्गः · Guha’s Vigil and Lakṣmaṇa’s Lament
Night on the riverbank
Spoken by Kausalya to RamaSetting: Ayodhyā (royal quarters)
इयं तात सुखा शय्या त्वदर्थमुपकल्पिता ।
प्रत्याश्वसिहि साध्वस्यां राजपुत्र यथासुखम् ॥२॥
iyaṃ tāta sukhā śayyā tvadartham upakalpitā |
pratyāśvasihi sādhv asyāṃ rājaputra yathāsukham ||2||
O księżę, to przyjemne łoże zostało przygotowane dla ciebie; spocznij na nim w pokoju, zgodnie z twoją wolą.
O dear prince! this comfortable bed has been arranged for you. Rest happily on this bed.
Even amid calamity, sustaining the body and mind through measured rest enables right action and service.
Cultivates sevā-bhāva and gentle speech (mādhurya) even in distress; a model for compassionate caregiving.
The body as a temporary resting-place (śayyā) for the jīva; solace offered amid saṃsāric turbulence.
Kaṭha/Śvetāśvatara themes of the embodied self seeking śānti; rest as a metaphor for inner composure.
Vālmīki Rāmāyaṇa 2.51 (Bharata’s lament and care for Rāma)
Atharvaveda śānti-prayogas (rest/comfort as pacification)
Ayodhyākāṇḍa: Bharata’s grief and attempts to persuade/serve Rāma (2.51–2.52)
Anuṣṭup (śloka)
Solemn
Madhyama-gati, gentle niṣāda emphasis on vocatives (tāta, rājaputra)
Compassionate care and hospitality toward one’s rightful, beloved kin—supporting another’s well-being even amid looming hardship.
Within Ayodhyā’s tense palace atmosphere before the exile crisis fully unfolds, a maternal figure urges the prince to rest on a bed prepared for him.
Maternal tenderness and sāttvika concern—providing comfort and stability through proper conduct.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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