अयोध्यावासिजनानुरागः · The People and Brahmins Follow Rama toward Exile
Setting: Ayodhya
अयोध्यानिलयानां हि पुरुषाणां महायशाः ।
बभूव गुणसम्पन्नः पूर्णचन्द्र इव प्रियः ॥३॥
ayodhyānilayānāṁ hi puruṣāṇāṁ mahāyaśāḥ |
babhūva guṇasampannaḥ pūrṇacandra iva priyaḥ ||3||
Dla mężczyzn mieszkających w Ajodhji, słynny Rama, obfitujący w cnoty, był umiłowany jak pełnia księżyca.
The illustrious and virtuous Rama was as dear to the inhabitants of Ayodhya as thefull Moon.
Virtue makes leadership naturally beloved—like the full moon, it cools and steadies the hearts of the people.
Meditative visualization of Rama as ‘pūrṇa-candra’ supports śānta-bhāva and steadiness of mind.
Sattvic purity likened to lunar coolness—mind’s clarity (citta-prasāda) that naturally draws love without coercion.
Chāndogya’s imagery of inner light/tejas; the virtuous person becomes a ‘lamp’ for the community, here figured as the full moon.
Rātri
Pūrṇimā
Vālmīki Rāmāyaṇa 1.17-1.18 (Rama’s virtues praised); Vālmīki Rāmāyaṇa 2.1-2.2 (Ayodhya’s prosperity and affection for Rama)
Raghuvaṃśa (moonlike kings; common kāvya trope); Mahābhārata Śānti Parva (king as source of subjects’ happiness)
Vālmīki Rāmāyaṇa 1.1 (guṇavān, satyavākyaḥ—virtue catalogue)
Anuṣṭup
Narrative
Madhyama (middle register)
Public love is portrayed as the fruit of sustained virtue: dharma-based character naturally earns trust and affection from society.
The narrator describes Rama’s standing among Ayodhya’s people to frame why the city grieves and follows him during the exile episode.
All-rounded excellence (guṇasampat): a completeness of virtues that makes Rama socially and morally luminous.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
A free sign-in with Google or Apple keeps your chat saved across web and the app.