Varaha Purana 213.80: Adhyaya 213, Shloka 80
The Glory of Gokarṇeśvara: Nandin’s Austerities and Śiva’s Boons
अत्रैते यावदागम्य न मां पश्यन्ति मानवाः ॥ तावदेव त्वितः शीघ्रं गमिष्यामि महामुने ॥
atraite yāvad āgamya na māṃ paśyanti mānavāḥ || tāvad eva tv itaḥ śīghraṃ gamiṣyāmi mahāmune ||
Selama orang-orang ini tiba di sini namun belum melihatku, selama itu jugalah aku akan tinggal; kemudian dari sini aku akan berangkat dengan segera, wahai Mahāmune.
Umāpati (Śiva) (contextual continuation; direct first-person “gamiṣyāmi”)
Varaha Avatara Context: {"is_varaha_focus":false}
Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor"}
Mathura Mandala: {"is_mathura_related":false}
Dharma Shastra: {"has_dharma_rule":false}
Vrata Mahatmya: {"has_vrata":false}
Cosmic Boar Symbolism: {"has_symbolism":false}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"Theology of darśana and time (kāla)","core_concept":"Divine presence is not mechanically guaranteed; it is conditioned by readiness and the moment—missed darśana becomes missed grace.","practical_application":"Maintain vigilance and preparedness in sādhanā; do not postpone pilgrimage/meeting the teacher; cultivate receptivity so ‘seeing’ occurs when the divine is near."}
Subject Matter: ["Ethics","Cosmology"]
Primary Rasa: adbhuta
Secondary Rasa: śānta
Type: temporary sacred presence (darśana-kṣaṇa)
Related Themes: Varāha Purāṇa 213 (sequence on seekers arriving and the deity’s departure)
Visual Art Cues: {"scene_description":"A deity (speaking in first person) indicates he will stay only until arriving people fail to see him, then depart swiftly—suggesting a vanishing theophany.","item_prompts":["luminous figure partially veiled","arriving pilgrims looking elsewhere","sense of imminent departure (wind, trailing cloth)","sage addressed as ‘mahāmune’","threshold/liminal space"],"kerala_mural_prompt":"Kerala mural: deity with subtle motion lines, seekers entering frame, dramatic contrast between presence and impending disappearance.","tanjore_prompt":"Tanjore: deity with gold aura fading at edges, pilgrims at lower register, ornate but with negative space to show vanishing.","mysore_prompt":"Mysore: gentle, poignant scene with soft transitions, emphasis on facial expressions of unawareness vs. divine resolve.","pahari_prompt":"Pahari: lyrical moment—deity poised to leave, small figures arriving, airy sky conveying transience."}
Audio Atmosphere: {"recitation_mood":"Oracular and time-sensitive","suggested_raga":"Pūrvī","pace":"medium","voice_tone":"measured, slightly urgent"}
FAQs
It shows a dramaturgical technique common to Purāṇic narration: controlling revelation (darśana) through timing, shaping audience expectation and narrative authority.
No new place-name is added here; “atra/itaḥ” are contextual pointers to the previously implied setting.
It suggests the value placed on timely encounter and preparedness: access to instruction or presence is depicted as contingent and not indefinitely available.
Ask anything about this verse
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
A free sign-in with Google or Apple keeps your chat saved across web and the app.
Read Varaha Purana in the Vedapath app
Scan the QR code to open this directly in the app, with word-by-word meanings, Sanskrit recitation where available, and more.