Sukta 8.23
नूनमर्च विहायसे स्तोमेभिः स्थूरयूपवत् । ऋषे वैयश्व दम्यायाग्नये ॥
nū́nam arca víhāyase stómebhiḥ sthūrayūpávat | ṛ́ṣe vaiyaśva dámyāyāgnáye ||
Sekarang nyanyikanlah bagi Agni, Yang meliputi luas, dengan puji-pujian yang teguh laksana tiang korban yang besar; wahai resi Vaiyaśva, bagi Agni, tuan yang perkasa di rumah makhluk.
Now sing to Agni the wide-ranging one with hymns as firm as a massive sacrificial post; O seer Vaiyaśva, (sing) to Agni who is masterful in the house.
The call is immediate: nūnam—now, in the present moment of practice. Agni is vihāyasa, moving in the wide spaces: the will-flame that can range through all levels of being. The stomas should be ‘sthūrayūpavat’—not flimsy enthusiasm, but steady supports like a strong yūpa (post): stable disciplines, repeated affirmations, durable aspiration. ‘Damyā’ points to Agni as the lord of the inner house (the embodied being), taming and governing its powers.
Realization requires present-moment sincerity, wide inner capacity, and firm supports—stable practice and strong affirmations—so the inner guide can govern the ‘house’ of life.
praise-as-kindling, self-mastery, stability, expansion
Self-address (‘ṛṣe vaiyaśva’) suggests a conscious seer-guidance: the rishi calls his own inspired faculty to a firm, wide invocation of Agni.
The rishi models inner discipline: praise must be stable as a post; Agni must become the master in the ‘house’—the integrated personality.
Pervades the spaces, connects planes, establishes a stable axis (yūpa-like) for ascent; domestic and cosmic priest.
Expansive will that can operate across levels; governing power that disciplines the nature and makes it a fit dwelling for the divine.
Stotra to Agni during offering sequences; possibly linked to domestic/fire establishment themes (damyā).
नू॒नम॑र्च॒ विहा॑यसे॒ स्तोमे॑भिः स्थूरयूप॒वत् । ऋषे॑ वैयश्व॒ दम्या॑या॒ग्नये॑ ॥
नू॒नम् । अ॒र्च॒ । विऽहा॑यसे । स्तोमे॑भिः । स्थू॒र॒यू॒प॒ऽवत् । ऋषे॑ । वै॒य॒श्व॒ । दम्या॑य । अ॒ग्नये॑ ॥
nūnam | arca | vi-hāyase | stomebhiḥ | sthūrayūpa-vat | ṛṣe | vaiyaśva | damyāya | agnaye
32
4 × ~8 syllables (verify)
Declarative and exhortative; strong beats echo the ‘post-like’ firmness.
Builds steadiness and breadth; supports a sense of inner spine/axis during recitation.
Stotra strengthening the sacrificial structure; yūpa imagery ties to Soma/Śrauta settings, but inwardly indicates establishing a firm axis for practice.
During praise portions of Agni rites; also suitable when reaffirming vows/steadiness in practice.
Recitation with attention to firmness; metaphorically ‘planting the post’ of aspiration before offering.
Use when motivation wavers: chant to re-establish a stable routine and invite Agni to govern habits and environment (‘inner house’).
vihāyasa: from vi- + hāyasa (connected with space/expanse; often 'lofty, wide'). yūpa is the sacrificial post; metaphor implies firmness of support. damya: from √dam 'to tame, subdue, master'—psychologically, mastery of the inner household (dama as self-control).
dama (self-mastery), stability of practice (yūpa as axis), expansion of consciousness (vihāyasa)
Firm stoma as yūpa: axis of ṛta that stabilizes the movement between worlds/planes.
Agni spanning ‘spaces’ suggests the bridging of planes—microcosm to macrocosm through the sacrificial axis.
Integral yoga-oriented: establishment of a stable psychic axis enabling ascent and governing transformation.
Expanse = wideness of consciousness; post = inner spine/axis of practice; house = embodied personality to be governed by the divine will.
Establish a firm inner axis (like a yūpa) and invite Agni to govern the ‘house’—body, habits, speech.
Sushumna/central channel (symbolic ‘post’); Manipura for will; Anahata for inner dwelling
Square breathing (4-4-4-4) to build steadiness; on exhale repeat ‘arca’ mentally, feeling the inner axis brighten.
Steady, upright, widened awareness.
Chant standing or seated with straight spine. Feel the spine as yūpa; let the flame rise through the center; then sit in silence, allowing governance (damyā) to settle over impulses.
Recite with steady pitch; slight emphasis on nūnam, arca, vihāyase, sthūrayūpavat, damyāya.
Pause after vihāyase; make sthūrayūpavat weighty and grounded; keep ṛṣe vaiyaśva as a clear vocative address.
vihāyase: long ā, clear y consonant, sthūra: long ū; yūpa: long ū; keep compound sthūrayūpavat flowing, damyāya: palatal y, long āya
Firm, resonant, grounded (chest resonance) to match ‘post-like’ stability.
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