Sukta 10.121
यस्येमे हिमवन्तो महित्वा यस्य समुद्रं रसया सहाहुः । यस्येमाः प्रदिशो यस्य बाहू कस्मै देवाय हविषा विधेम ॥
yásyemé himávanto mahitvā́ yásya samudráṃ rasáyā sahā́huḥ | yásyemā́ḥ pradíśo yásya bāhū́ kásmai devā́ya havíṣā vidhema ||
Yang kebesaran-Nya ialah puncak-puncak bersalji ini; milik-Nya lautan bersama sari air yang mengalir; milik-Nya segala penjuru ini sebagai lengan-lengan-Nya: kepada Dewa manakah akan kita persembahkan havis (persembahan) daripada kehendak kita?
Whose greatness these Himalaya-like snow mountains are; whose is the ocean along with the flowing essence (rasa) of waters; whose are these directions as his arms. To which God shall we offer the oblation?
The highest Presence contains and expresses itself as all magnitudes: the ‘snow-peaks’ are the silent heights of consciousness (still, pure, luminous); the ocean with rasa is the vast subconscient and the universal life-essence in movement; the directions as arms are the extensions of the Divine’s power reaching into every domain of experience. The seeker is invited to feel the Divine not as distant but as the very expanse and reach of one’s inner world.
The Absolute manifests as heights, depths, and the all-embracing reach of power. Spiritual realization is to perceive all ranges of existence—summit, abyss, and horizon—as the body of the One.
Cosmic body, Macrocosm as divine form, Spatial totality
Cosmic body imagery typical of late Ṛgvedic speculation; prepares for later Purusha-like cosmic embodiment motifs.
The rishi expands the inner vision from origin and rule to total embodiment: the Divine as the very geography of consciousness—summits, oceans, and horizons.
Embodies cosmic magnitude: mountains, oceans, and directions; holds the spatial totality of the worlds.
Gives access to higher peaks (silence), deeper oceans (subconscient), and wide reach (integral action).
Part of the Hiraṇyagarbha hymn used in śrauta recitation; supports offerings seeking cosmic protection and completeness.
यस्ये॒मे हि॒मव॑न्तो महि॒त्वा यस्य॑ समु॒द्रं र॒सया॑ स॒हाहुः । यस्ये॒माः प्र॒दिशो॒ यस्य॑ बा॒हू कस्मै॑ दे॒वाय॑ ह॒विषा॑ विधेम ॥
यस्य॑ । इ॒मे । हि॒मऽव॑न्तः । म॒हि॒ऽत्वा । यस्य॑ । स॒मु॒द्रम् । र॒सया॑ । स॒ह । आ॒हुः॒ । यस्य॑ । इ॒माः । प्र॒ऽदिशः॑ । यस्य॑ । बा॒हू इति॑ । कस्मै॑ । दे॒वाय॑ । ह॒विषा॑ । वि॒धे॒म॒ ॥
yasya | ime | hima-vantaḥ | mahi-tvā | yasya | samudram | rasayā | saha | āhuḥ | yasya | imāḥ | pra-diśaḥ | yasya | bāhū iti | kasmai | devāya | haviṣā | vidhema
44
4 x ~11 syllables
Wide and pictorial; the second pāda flows like water with ‘samudraṃ rasayā’.
Creates inner spaciousness; imagery naturally leads to visualization meditation—ascending to peaks, descending to oceanic depth, expanding to all directions.
Cosmic totality praise; can accompany offerings that universalize the sacrifice (viśvajit-type intent)
When invoking all-pervading guardianship and vastness; also in contemplative recitation at beginnings of journeys/undertakings.
Stuti with offering; mentally map the quarters and offer one’s actions in all directions to the One.
Use for ‘expansion practice’: before work/travel, recite while feeling protection and alignment in all directions; for anxiety, visualize the arms of the Divine holding the space.
rasa is ‘sap/essence’ (√ras ‘to taste/flow’), easily bearing psychological meaning: the essential delight/energy circulating through existence. pradíś ‘fore-directions’ indicates the ordered spatial spread; bāhu ‘arm’ is a common Vedic metaphor for power and capacity.
Mahattva (greatness), Totality and extension of being
Directions and cosmic features imply ordered space—ṛta as spatial and functional harmony.
The One is true vastness: heights and depths are expressions of a single Reality.
Cosmos as body of the One; spatial manifestation as divine embodiment.
Cosmic theism moving toward Purusha/Viśvarūpa conceptions; supports later Upaniṣadic ‘sarvaṃ khalvidaṃ brahma’ intuition.
late winter/spring (suggested by snow imagery; symbolic)
Mountains = silent higher consciousness; ocean = deep life/subconscient with rasa (essential delight); directions = total field of experience embraced by divine power.
Threefold expansion: (1) rise to ‘snow-peaks’—silent witness; (2) sink into ‘ocean’—calm depth; (3) expand to four directions—integral presence.
sahasrara (peak) + muladhara (depth) + anahata (expansion)
box-breath light (4-4-4-4) while visualizing four directions as arms; on holds, feel vast stillness like snow-peaks.
Spacious, panoramic awareness; reduced contraction and fear.
When overwhelmed, do not ‘fight’ the wave—become oceanic. When confused, ascend to the peak of silence. Then act from the center that reaches all directions.
Maintain clear svara contrasts across long relative constructions; ‘samudraṃ rasayā’ should flow smoothly without losing pitch integrity.
Give slight elongation to imagery words (himavantaḥ, samudram, pradiśaḥ) while keeping the refrain crisp and questioning.
himavantaḥ: aspirate h; short i; dental t; visarga ḥ, samudram: clear ‘dra’ cluster, rasayā: soft r; long ā at end, pradiśo: palatal ś; avoid ‘sh’ too harsh, bāhū: long ā and long ū; keep plural dual feel as per text
broad, spacious, slightly softer on imagery; firm on ‘kasmai devāya’.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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