अयोध्याकाण्डे पञ्चसप्ततितमः सर्गः
Sarga 75: Bharata and Kausalya · Reproach, Oaths, and Reconciliation
Spoken by Bharata to KausalyaSetting: Ayodhya palace (speech setting)Places named: Ayodhya
विश्वासात्कथितं किञ्चित्परिवादं मिथः क्वचित् ।
विवृणोतु स दुष्टात्मा यस्याऽर्योऽमते गतः ॥३२॥
viśvāsāt kathitaṃ kiñcit parivādaṃ mithaḥ kvacit |
vivṛṇotu sa duṣṭātmā yasyāryo ’numate gataḥ ||32||
Semoga si berhati jahat—yang dengan persetujuannya saudaraku yang mulia disingkirkan—menanggung dosa mengkhianati amanah: membocorkan, di suatu tempat dan kepada seseorang, sedikit fitnah yang pernah diucapkan secara rahsia dalam kepercayaan.
May the one who counselled the exile of my esteemed brother, acquire the sin in the same way as a wicked-minded person, who divulges the words of abuse secretly confided in him by his friends.
Private speech entrusted in confidence must not be weaponized; slander and disclosure corrode dharma and community.
Practice of mauna/guarded speech, avoiding gossip; cultivating satya and confidentiality as tapas.
Speech (vāk) as a power: when misused for slander it binds and darkens the mind; purity of vāk supports inner clarity.
Chāndogya/Taittirīya themes of satya and tapas; restraint and truthfulness as foundations for inner realization (general echo).
Vālmīki Rāmāyaṇa 2.75.30-31, 2.75.33-34
Dharmaśāstra lists of vāg-doṣa: paiśunya, anṛta, paruṣya (thematic)
Ayodhyākāṇḍa: Mantharā’s role as whisperer and manipulator through speech (earlier Kaikeyī-Mantharā dialogue)
Anuṣṭup (śloka)
Solemn
Madhyama-gati with pointed emphasis on viśvāsāt and vivṛṇotu
Dharma here stresses fidelity to trust: betraying confidential speech (viśvāsa) is treated as a serious moral fault, akin to harming social truthfulness (satya) and loyalty.
After learning of Rāma’s exile, Bharata grieves and denounces the unknown/unnamed instigator(s), uttering imprecations framed as moral consequences.
Bharata’s loyalty to Rāma and his commitment to ethical governance—he rejects intrigue and dishonor, valuing truth and trust.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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