अयोध्याकाण्डे चतुर्थः सर्गः · Rāma Summoned; Pushya Coronation Decision
Setting: Daśaratha+cs palace in AyodhyāPlaces named: Ayodhyā (implied)Approach/entry into the inner palace
प्रविशन्नेव च श्रीमान्राघवो भवनं पितुः ।
ददर्श पितरं दूरात्प्रणिपत्य कृताञ्जलिः ॥१०॥
praviśann eva ca śrīmān rāghavo bhavanaṃ pituḥ |
dadarśa pitaraṃ dūrāt praṇipatya kṛtāñjaliḥ ||10||
Tatkala Śrīmān Rāghava melangkah masuk ke istana ayahandanya, baginda melihat ayahandanya dari jauh; lalu dengan tangan dirapatkan (añjali), baginda bersujud memberi hormat.
On entering his father's palace, glorious Rama, folded his hands and bent low in reverence from a distance and beheld his father.
Vinaya toward parents and elders is itself dharma; authority is approached through humility, not entitlement.
Practice of namaskāra and humility as daily discipline; seeing service to parents/elders as worship.
Ego-surrender before the source (guru/pitṛ as pratyakṣa-devatā) parallels ātma-nivedana: the self bows before rightful authority.
Taittirīya Upaniṣad +bmātṛdevo bhava, pitṛdevo bhava+c ethos embodied in Rāma+cs gesture.
Vālmīki Rāmāyaṇa 1.20ı.21 (Rāma+cs obedience and decorum in courtly settings); Vālmīki Rāmāyaṇa 2.18 (Rāma+cs respectful approach to elders amid crisis)
Rāmacaritamānasa Ayodhyākāṇḍa scenes of Rāma+cs vinaya before Daśaratha
Ayodhyākāṇḍa: repeated motif of Rāma+cs kṛtāñjali and pranāma to elders (Daśaratha, Kausalyā, gurus)
Anuṣṭubh
Solemn
Mandra-to-madhya glide, soft cadence on pranipāta/kṛtāñjali
It models pitṛbhakti and maryādā: honoring one’s father through humility and respectful greeting.
Rāma arrives at Daśaratha’s residence and formally pays respect before speaking.
Reverence and self-restraint—Rāma’s disciplined etiquette in the royal household.
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