
Rishi: Atharvanic tradition (often transmitted under Atharvan/Angiras lineages)
Devata: Sarpa/Ahi (serpent-kinds) addressed through propitiation; gods invoked as restrainers
Chandas: Predominantly Anuṣṭubh (with Atharvanic cadence)
Himne rakṣā yang ringkas ini memperoleh perlindungan daripada ular dengan menggabungkan penghormatan pendamaian (namo) kepada pelbagai jenis ular dengan mantera “mengikat/menutup” yang kuat untuk melumpuhkan gigitan. Ia memohon para dewa mengekang ahi agar tidak dapat menerjang keluar, lalu secara ritual menutup taring, rahang, lidah, dan mulut ular—menetralisir bisa dan bahaya bagi seluruh isi rumah.
Mantra 1
सर्पेभ्यो रक्षणम्। मा नो॑ देवा॒ अहि॑र्वधी॒त् सतो॑कान्त्स॒हपु॑रुषान्। सम्य॑तं॒ न वि ष्प॑रद् व्यात्तं॒ न सं य॑म॒न्नमो॑ देवज॒नेभ्यः॑।।१।। नमो॑ऽस्त्वसि॒ताय॒ नम॒स्तिर॑श्चिराजये । स्व॒जाय॑ ब॒भ्रवे॒ नमो॒ नमो॑ देवज॒नेभ्यः॑
Jangan bunuh kami, wahai Dewa-dewa, jangan biarkan Ular memukul, kami dengan anak-anak kami, kami dengan semua kaum kami. Seperti yang ditahan, jangan biarkan dia memancar keluar; seperti yang rahangnya terbuka lebar, biarkan dia ditutup semula. Hormat kepada suku-suku dewata. Hormat, jadilah, kepada Asita; hormat kepada Tirasciraja; kepada yang lahir sendiri, kepada yang perang, hormat, ya hormat, kepada suku-suku dewata.
Mantra 2
सं ते॑ हन्मि द॒ता द॒तः समु॑ ते॒ हन्वा॒ हनू॑ । सं ते॑ जि॒ह्वया॑ जि॒ह्वां सम्वा॒स्नाह॑ आ॒स्यऽम्
Aku memukul gigimu dengan gigi; ya, aku menutup rahangmu dengan rahang. Aku menutup lidahmu dengan lidah; aku menutup mulutmu dengan muncung dan nafas.
A direct plea to the gods: “Slay us not… let not the serpent smite,” extending protection to children and the whole household.
That the serpent be restrained—unable to dart forth—and that its gaping jaws be made to close; accompanied by respectful homage to serpent-kinds and divine controllers.
The mantra’s efficacy is expressed as concrete anatomical binding: tooth against tooth, jaw against jaw, tongue against tongue—ritually canceling the mechanics of biting and envenomation.
A sequence of namo (homage) formulas functions as the sealing gesture, reaffirming submission/appeasement and the higher divine restraint over serpent forces.
mā no devā ahiḥ vadhīt
saṃ te hanmi datā dataḥ
Raksha / Apotropaic (Serpent-protection)
Prevention of serpent-strike and death by bite; household-wide safeguarding by restraining the serpent’s movement and disabling its biting/venom-delivery capacity.
Householders, travelers, herdsmen, and ritual specialists seeking quick protective recitation for family members (including children) and dependents in serpent-prone areas.
The hymn treats serpents both as a class of dangerous beings to be appeased by respectful naming and as a hostile agent whose biting apparatus must be ritually restrained. The “divine tribes” are invoked as higher powers who can hold the serpent in check.
To avert serpent-attack on the family (children and dependents) by both propitiating serpent-kinds (Asita, Babhru, Tirascirāja, Svajā) and compelling restraint of the serpent’s mouth-organs so it cannot bite or inject poison.
At first sign of serpent presence, before entering snake-prone spaces, or immediately after a near-encounter; traditionally effective at liminal times (dusk/dawn) when danger is anticipated.
Mantra (namo-propitiation and stambhana ‘closing’ speech-act)
No fixed pharmacological preparation is required in this sukta; efficacy centers on correct recitation, respectful naming, and the visualization of ‘closing/binding’ the serpent’s mouth-organs.
It is used for protection from serpents—preventing attack and neutralizing the bite by ritually restraining the serpent and ‘closing’ its mouth-organs through mantra.
In Atharvanic practice, respectful address and correct naming pacify dangerous classes of beings; the namo-formula functions as propitiation and as a sealing act of restraint.
Its primary intent is preventive and apotropaic (rakṣā) and includes stambhana (disabling the bite). In lived practice it may be recited in emergencies, but it is not a full medical protocol by itself.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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