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Varaha Purana 44.8: Adhyaya 44, Shloka 8

The Vaiśākha Bright-Twelfth Observance: Worship of Hari as Jāmadagnya and Its Fruits

आसीद् राजा महाभागो वीरसेनो महाबलः । अपुत्रः स पुरा तीव्रं तपस्तेपे महौजसा ॥ ४४.८ ॥

Sanskrit recitationVaraha Purana 44.8

āsīd rājā mahābhāgo vīraseno mahābalaḥ | aputraḥ sa purā tīvraṁ tapas tepe mahaujasā || 44.8 ||

पूर्वी वीरसेन नावाचा महाभाग व महाबलवान राजा होता। तो पूर्वी अपुत्र होता; म्हणून महातेजाने त्याने तीव्र तप केले।

āsītwas/existed
āsīt:
Kriyā (क्रिया)
TypeVerb
Rootas (अस् धातु)
FormLaṅ (लङ्/Imperfect), Parasmaipada (परस्मैपद), Prathama-puruṣa (3rd person/प्रथमपुरुष), Singular (एकवचन)
rājāking
rājā:
Karta (कर्ता)
TypeNoun
Rootrājan (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular (एकवचन)
mahābhāgaḥvery fortunate/noble
mahābhāgaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootmahā (प्रातिपदिक) + bhāga (प्रातिपदिक)
FormKarmadhāraya (कर्मधारय) compound; Masculine, Nominative (1st/प्रथमा), Singular (एकवचन); adjective of rājā
vīrasenaḥVīrasena (name)
vīrasenaḥ:
Karta (कर्ता)
TypeNoun
Rootvīra (प्रातिपदिक) + sena (प्रातिपदिक)
FormTatpuruṣa (तत्पुरुष) proper name; Masculine, Nominative (1st/प्रथमा), Singular (एकवचन); apposition to rājā
mahābalaḥvery strong
mahābalaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootmahā (प्रातिपदिक) + bala (प्रातिपदिक)
FormKarmadhāraya (कर्मधारय) compound; Masculine, Nominative (1st/प्रथमा), Singular (एकवचन); adjective of rājā/vīrasenaḥ
aputraḥsonless
aputraḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roota- (नञ्) + putra (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular (एकवचन); privative adjective
saḥhe
saḥ:
Karta (कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular (एकवचन)
purāformerly/once
purā:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Rootpurā (अव्यय)
FormAvyaya (अव्यय), time adverb (कालवाचक)
tīvramsevere/intense
tīvram:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roottīvra (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular (एकवचन); adjective qualifying tapas
tapaḥausterity/penance
tapaḥ:
Karma (कर्म)
TypeNoun
Roottapas (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular (एकवचन)
tepeperformed (austerity)
tepe:
Kriyā (क्रिया)
TypeVerb
Roottap (तप् धातु)
FormLiṭ (लिट्/perfect), Ātmanepada (आत्मनेपद), Prathama-puruṣa (3rd person/प्रथमपुरुष), Singular (एकवचन)
mahaujasāwith great energy
mahaujasā:
Karaṇa (करण)
TypeAdjective
Rootmahā (प्रातिपदिक) + ojas (प्रातिपदिक)
FormKarmadhāraya (कर्मधारय) compound; Masculine/Neuter, Instrumental (3rd/तृतीया), Singular (एकवचन); used adverbially 'with great vigor'

Varāha (default dialogue framework; speaker not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"varnashrama","instruction_summary":"A king, lacking progeny, undertakes tapas as a dharmic means to secure lineage-continuity and social order.","karmic_consequence":"Rightly directed tapas supports prajā/vaṃśa and stabilizes rājyadharma; misdirected or ego-driven austerity risks fruitlessness and bodily depletion without dharmic gain."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"dharma-teleology of tapas","core_concept":"Tapas is to be undertaken with a defined dharmic purpose (prayojana), not as mere self-torment.","practical_application":"Before adopting severe disciplines, clarify intention (saṃkalpa) and align it with dharma and competent guidance."}

Subject Matter: ["Royal Narrative","Ascetic Practice (Tapas)","Ethics"]

Primary Rasa: karuṇa

Secondary Rasa: vīra

Type: kingdom/courtly setting (implied)

Related Themes: Varāha Purāṇa 44.44.9-12 (arrival of sage; inquiry; king’s motive)

Visual Art Cues: {"scene_description":"A powerful yet anxious king, childless, performing severe austerities—leaning into ascetic posture despite royal status.","item_prompts":["king in simple bark/cloth despite royal aura","matted hair or restrained grooming","fire-altar or meditation seat","emaciation beginning","forest-edge or secluded hermitage ambience"],"kerala_mural_prompt":"Kerala mural style: dignified rājā with restrained ornaments, warm earthy palette, tapas scene with stylized trees and a small sacred fire.","tanjore_prompt":"Tanjore style: central king figure with subtle gold highlights on minimal royal insignia, tapas-fire rendered with ornate glow, flat iconic composition.","mysore_prompt":"Mysore style: delicate linework, soft shading; king seated in austerity with calm yet sorrowful eyes, sparse hermitage setting.","pahari_prompt":"Pahari style: hillside hermitage/forest clearing, lyrical mood; king shown fasting with attendants distant, emphasis on longing for progeny."}

Audio Atmosphere: {"recitation_mood":"grave, contemplative","suggested_raga":"Bhairavi","pace":"medium-slow","voice_tone":"steady, compassionate"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It reflects a common Purāṇic narrative pattern in which exemplary kings undertake tapas to address dynastic concerns, illustrating ideals of disciplined self-cultivation within early Sanskrit literary culture.

No geographic location is named in this verse fragment; it is focused on a royal figure and his ascetic practice.

The verse foregrounds disciplined effort (tapas) as a culturally valued response to personal and social responsibility, presented as a model of perseverance and self-restraint.

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