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Varaha Purana 113.62 — Adhyaya 113, Shloka 62

Hymn to Varāha and Pṛthivī’s Inquiry

Prelude to the Sanatkumāra Dialogue

एवं तु अक्षरोक्तोऽपि भवेत् तु परिकल्पना ॥ तावद्वर्षसहस्राणि स्वर्गलोके महीयते ॥

evaṃ tu akṣarokto 'pi bhavet tu parikalpanā || tāvad varṣasahasrāṇi svargaloke mahīyate ||

अशा रीतीने अक्षराक्षर उच्चारले तरी तेही विधिपूर्वक साधना मानली जाते; तितकी हजारो वर्षे तो स्वर्गलोकी सन्मानित होतो।

evamthus
evam:
Kriyā-viśeṣaṇa (क्रियाविशेषण/Adverbial)
TypeIndeclinable
Rootevam (अव्यय)
FormPrakāra-avyaya (adverb of manner)
tubut/indeed
tu:
Sambandha (सम्बन्ध/Discourse particle)
TypeIndeclinable
Roottu (अव्यय)
FormAvadhāraṇa/virodha-nipāta (particle: emphasis/contrast)
akṣara-uktaḥrecited syllable-by-syllable
akṣara-uktaḥ:
Viśeṣaṇa (विशेषण/Qualifier)
TypeAdjective
Rootakṣara + ukta (प्रातिपदिक)
FormPuṃliṅga (masculine), Prathamā vibhakti (Nominative/1st), Ekavacana (singular); tatpuruṣa: akṣaraiḥ uktaḥ / akṣaraṃ uktaḥ (as recited syllable-by-syllable)
apieven
api:
Sambandha (सम्बन्ध/Particle)
TypeIndeclinable
Rootapi (अव्यय)
FormSambhāvanā/samuccaya-nipāta (particle: even/also)
bhavetwould be / may occur
bhavet:
Kriyā (क्रिया/Verb)
TypeVerb
Root√bhū (धातु)
FormVidhiliṅ (Optative/विधिलिङ्), Prathama-puruṣa (3rd person), Ekavacana (singular), Parasmaipada
tuindeed
tu:
Sambandha (सम्बन्ध/Particle)
TypeIndeclinable
Roottu (अव्यय)
FormAvadhāraṇa-nipāta (emphatic particle)
parikalpanā(proper) arrangement / procedure / prescription
parikalpanā:
Karta (कर्ता/Subject; of bhavet)
TypeNoun
Rootparikalpanā (प्रातिपदिक)
FormStrīliṅga (feminine), Prathamā vibhakti (Nominative/1st), Ekavacana (singular)
tāvatfor that long
tāvat:
Kāla-parimāṇa (कालपरिमाण/Extent of time)
TypeIndeclinable
Roottāvat (अव्यय)
FormParimāṇa-avyaya (adverb of extent: so long/so much)
varṣa-sahasrāṇithousands of years
varṣa-sahasrāṇi:
Kāla-adhikaraṇa (कालाधिकरण/Time span)
TypeNoun
Rootvarṣa + sahasra (प्रातिपदिक)
FormNapुṃsaka-liṅga (neuter), Prathamā vibhakti (Nominative/1st), Bahuvacana (plural); tatpuruṣa: varṣāṇāṃ sahasrāṇi (thousands of years)
svarga-lokein heaven-world
svarga-loke:
Adhikaraṇa (अधिकरण/Location)
TypeNoun
Rootsvarga + loka (प्रातिपदिक)
FormPuṃliṅga (masculine), Saptamī vibhakti (Locative/7th), Ekavacana (singular); tatpuruṣa: svargasya lokaḥ
mahīyateis honored / is exalted
mahīyate:
Kriyā (क्रिया/Verb)
TypeVerb
Root√mah (धातु)
FormLaṭ lakāra (Present), Prathama-puruṣa (3rd person), Ekavacana (singular), Ātmanepada; passive/reflexive sense ‘is honored/glorified’

Varāha (default framework)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Even syllable-by-syllable (akṣaraśaḥ) utterance counts as a valid recitation when performed with intent; it yields extended heavenly honor.","karmic_consequence":"Merit accrues despite imperfect fluency; the stated fruit is thousands of years of esteem in Svargaloka."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"karma-bhakti synthesis","core_concept":"Sincere performance (bhāva/saṅkalpa) can validate a practice even when execution is halting; sound (śabda) retains potency at the akṣara level.","practical_application":"Encourage beginners: recite carefully, even slowly; prioritize continuity and intention over speed or perfection."}

Subject Matter: ["Ritual Practice","Cosmology"]

Primary Rasa: śānta

Secondary Rasa: bhakti

Type: cosmic realm

Related Themes: Varāha Purāṇa 113 (continuation of stotra-recitation phalaśruti)

Visual Art Cues: {"scene_description":"A hesitant reciter sounding out syllables from a manuscript while a celestial scribe records merit; Svarga’s court honors the devotee in the background.","item_prompts":["palm-leaf or birch-bark manuscript","counting syllables on fingers","celestial hall (svarga) with garlands","scribe with ledger","soft radiance indicating merit"],"kerala_mural_prompt":"Kerala mural: warm ochres; divine attendants in svarga offering garlands; reciter below with manuscript, emphasizing akṣara-by-akṣara focus.","tanjore_prompt":"Tanjore: gold-leaf svarga throne backdrop; garland-bearing devas; reciter with manuscript foregrounded.","mysore_prompt":"Mysore: refined linework; gentle celestial architecture; emphasis on the act of careful enunciation.","pahari_prompt":"Pahari: intimate interior with manuscript reading; distant vignette of svarga honoring scene in a cloud band."}

Audio Atmosphere: {"recitation_mood":"patient, encouraging, contemplative","suggested_raga":"Kalyan/Yaman (didactic devotional)","pace":"slow, syllabic articulation","voice_tone":"gentle, instructional, reassuring"}

C
Classical Literature
V
Vaishnavism
M
Mantra and Recitation Studies

FAQs

It preserves a ritual-technical idea that correct or earnest syllabic utterance can constitute an acceptable recitation, useful for the study of performance norms in Sanskrit devotional practice.

No earthly location is named; svargaloka is a cosmological (heavenly) realm.

Careful, attentive recitation is valorized, suggesting an ethic of precision and persistence in practice.

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