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Varaha Purana 113.44: Adhyaya 113, Shloka 44

Hymn to Varāha and Pṛthivī’s Inquiry

Prelude to the Sanatkumāra Dialogue

कला काष्ठापि षण्मासाः षड्रसाश्चापि संयमः॥ सरितः सागराश्च त्वं पर्वताश्च महोरगाः

Sanskrit recitationVaraha Purana 113.44

kalā kāṣṭhāpi ṣaṇmāsāḥ ṣaḍ-rasāś cāpi saṃyamaḥ || saritaḥ sāgarāś ca tvaṃ parvatāś ca mahoragāḥ

ಕಲಾ, ಕಾಷ್ಠಾ, ಹಾಗೆಯೇ ಷಣ್ಮಾಸಗಳು; ಆರು ರಸಗಳು ಮತ್ತು ಸಂಯಮವೂ. ನೀವೇ ನದಿಗಳು ಮತ್ತು ಸಾಗರಗಳು; ನೀವೇ ಪರ್ವತಗಳು ಮತ್ತು ಮಹೋರಗಗಳು (ಮಹಾಸರ್ಪಗಳು)।

कलाkalā (time unit)
कला:
Karta (कर्ता/Subject)
TypeNoun
Rootकला (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन
काष्ठाkāṣṭhā (time unit)
काष्ठा:
Karta (कर्ता/Subject)
TypeNoun
Rootकाष्ठा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन
अपिalso
अपि:
Sambandha (सम्बन्ध/Particle)
TypeIndeclinable
Rootअपि (अव्यय)
Formसमुच्चय/अप्यर्थक-अव्यय (particle: also)
षण्मासाःsix-month periods
षण्मासाः:
Karta (कर्ता/Subject)
TypeNoun
Rootषण् (संख्या-प्रातिपदिक) + मास (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; द्विगु-समासः: ‘षण्णां मासानां समाहारः/समूहः’ (six-month periods)
षड्-रसाःthe six tastes
षड्-रसाः:
Karta (कर्ता/Subject)
TypeNoun
Rootषड् (संख्या-प्रातिपदिक) + रस (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; द्विगु-समासः: ‘षट् रसाः’ (six tastes)
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय (conjunction)
अपिalso
अपि:
Sambandha (सम्बन्ध/Particle)
TypeIndeclinable
Rootअपि (अव्यय)
Formसमुच्चय/अप्यर्थक-अव्यय (particle: also)
संयमःrestraint/control
संयमः:
Karta (कर्ता/Subject)
TypeNoun
Rootसंयम (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन
सरितःrivers
सरितः:
Karta (कर्ता/Subject)
TypeNoun
Rootसरित् (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), बहुवचन
सागराःoceans
सागराः:
Karta (कर्ता/Subject)
TypeNoun
Rootसागर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय (conjunction)
त्वम्you
त्वम्:
Karta (कर्ता/Subject)
TypeNoun
Rootयुष्मद् (प्रातिपदिक)
Formप्रथमा (1st/Nominative), एकवचन; सर्वनाम (2nd person pronoun)
पर्वताःmountains
पर्वताः:
Karta (कर्ता/Subject)
TypeNoun
Rootपर्वत (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय (conjunction)
महोरगाःgreat serpents
महोरगाः:
Karta (कर्ता/Subject)
TypeNoun
Rootमहा (प्रातिपदिक) + उरग (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; कर्मधारयः: ‘महान्तः उरगाः’ (great serpents)

Pṛthivī (default dialogue framework; address to Varāha/Viṣṇu)

Varaha Avatara Context: {"is_varaha_focus":false,"earth_interaction":"Pṛthivī expands the immanence-list to ethics (saṃyama), sensory taxonomy (six tastes), and terrestrial features (rivers, oceans, mountains, nāgas), attributing all to the addressed Lord."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"devotee","bhu_devi_state":"reverent, integrative—linking nature and conduct","key_question":"‘How are both the outer world (waters, mountains, serpents) and inner discipline (saṃyama) grounded in you?’"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The verse bridges cosmology and sādhana: the same divine reality manifests as the world’s ecology and as the moral-psychological power of restraint; this echoes the yajña-Varāha idea that cosmos and discipline are one sacrificial order.","yajna_varaha_imagery":"Rivers/oceans as libation-flows (āhuti-drava), mountains as altars/supports, nāgas as chthonic guardians of waters; saṃyama as the ‘vow’ that stabilizes the sacrifice of life.","vedantic_connection":"Non-duality of inner/outer: mind-restraint and material nature are not separate domains; both are pervaded by the same antaryāmin."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethics within cosmology","core_concept":"Saṃyama (restraint) is as ‘cosmic’ as rivers and mountains—an expression of divine order.","practical_application":"Practice restraint in speech, diet, and conduct (noting ‘six tastes’ as a cue for moderation); cultivate ecological reverence—protect waters and mountains as sacred."}

Subject Matter: ["Geography","Ecology (rivers and oceans)","Ethics (saṃyama)","Cosmology"]

Primary Rasa: adbhuta

Secondary Rasa: śānta

Type: terrestrial-cosmological landscape

Related Themes: Varāha Purāṇa 113.45–47, 113.49 (same praise sequence)

Visual Art Cues: {"scene_description":"A panoramic sacred geography: braided rivers pouring into a vast ocean, towering mountains rising behind, great nāgas coiled near waters; above or within all, a subtle divine presence; Bhu Devī presents the scene as ‘you are this.’","item_prompts":["multiple rivers converging","ocean with waves","mountain range silhouettes","large nāga/serpent guardians","symbolic ‘six tastes’ as six colored bowls or petals","gesture of restraint (saṃyama) shown as a yogic mudrā"],"kerala_mural_prompt":"Kerala mural: stylized blue-green rivers and ocean bands, ornate mountains, nāgas with decorative hoods, Bhu Devī in earthy tones; include a calm yogic motif for saṃyama.","tanjore_prompt":"Tanjore: gold-highlighted mountain contours, embossed nāga hoods, shimmering ocean; six taste-symbols as jeweled lotuses; Bhu Devī richly ornamented.","mysore_prompt":"Mysore: detailed landscape with fine brushwork, elegant nāga forms, subtle symbolic bowls for six tastes, serene devotional composition.","pahari_prompt":"Pahari: lyrical rivers through rolling hills, stylized mountains, nāgas as mythic accents near water, minimal symbolism for saṃyama (a sage-like gesture)."}

Audio Atmosphere: {"recitation_mood":"solemn, expansive","suggested_raga":"Bhairav","pace":"medium-slow","voice_tone":"deep, steady, resonant"}

C
Classical Literature
A
Ancient Geography
E
Ecological Narratives
S
Sanskrit Philology

FAQs

The verse combines natural geography (rivers, oceans, mountains) with cultural-ethical vocabulary (saṃyama), illustrating how Purāṇic texts integrate environmental features into a broader cosmological and normative worldview.

No single named site is specified here; instead, broad categories (rivers, oceans, mountains) are invoked as part of a universalized sacred geography.

The explicit ethical term is saṃyama (restraint/self-regulation), presented as part of the ordered cosmos and thus culturally valorized.

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