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Varaha Purana 166.23: Adhyaya 166, Shloka 23

The Greatness of the Sacred Pond Called Asikuṇḍa

वामनस्य तृतीया वै चतुर्थी राघवस्य च ॥ एताश्चतस्रो यः पश्येत्स्नात्वा कुण्डेऽसिसंज्ञिते ॥

Sanskrit recitationVaraha Purana 166.23

vāmanasya tṛtīyā vai caturthī rāghavasya ca || etāś catasro yaḥ paśyet snātvā kuṇḍe 'sisaṃjñite

ત્રીજું (રૂપ) વામનનું છે અને ચોથું રાઘવનું છે. જે ‘અસી’ નામના કુંડમાં સ્નાન કરીને આ ચારેય (રૂપો)નું દર્શન કરે છે…

वामनस्यof Vāmana
वामनस्य:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootवामन (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/Genitive), एकवचन
तृतीयाthe third (one)
तृतीया:
Karta (कर्ता)
TypeNoun
Rootतृतीय (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन; क्रमवाचक (ordinal)
वैindeed
वै:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootवै (अव्यय)
Formनिश्चयार्थक-अव्यय (particle of emphasis/indeed)
चतुर्थीthe fourth (one)
चतुर्थी:
Karta (कर्ता)
TypeNoun
Rootचतुर्थ (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन; क्रमवाचक
राघवस्यof Rāghava (Rāma)
राघवस्य:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootराघव (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/Genitive), एकवचन
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
एताःthese
एताः:
Karta (कर्ता)
TypeAdjective
Rootएतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; निर्देश-सर्वनाम (demonstrative)
चतस्रःfour (feminine)
चतस्रः:
Karta (कर्ता)
TypeNoun
Rootचतुर् (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; संख्यावाचक (numeral)
यःwho (he who)
यः:
Karta (कर्ता)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; सम्बन्धबोधक-सर्वनाम
पश्येत्should see
पश्येत्:
Kriyā (क्रिया)
TypeVerb
Rootदृश् (धातु)
Formविधिलिङ् (Optative), परस्मैपद, प्रथमपुरुष (3rd person), एकवचन
स्नात्वाhaving bathed
स्नात्वा:
Kriyā (क्रिया-पूर्वक)
TypeVerb
Rootस्ना (धातु)
Formक्त्वान्त-अव्यय (gerund/absolutive); पूर्वक्रिया (having done)
कुण्डेin the pond
कुण्डे:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootकुण्ड (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन
असिसंज्ञितेcalled ‘Asi’
असिसंज्ञिते:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootअसि + संज्ञित (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन; षष्ठी-तत्पुरुष (asi-sañjñita = ‘named Asi’)

Varāha

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious; attentive to tīrtha-vidhi","key_question":"Which sacred forms are to be seen after bathing at Asikuṇḍa, and what is the proper ritual sequence?"}

Mathura Mandala: {"is_mathura_related":true,"specific_site":"Asikuṇḍa (Asi-saṃjñita-kuṇḍa)","parikrama_context":"Darśana of multiple forms after snāna functions as a condensed Mathurā-maṇḍala pilgrimage merit, often embedded within parikramā-style tīrtha-sequencing.","krishna_connection":"Implicit Vaiṣṇava frame via Vāmana and Rāghava; no explicit Kṛṣṇa mention, but Mathurā setting foreshadows later Kṛṣṇa-tīrtha centrality."}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"After bathing in Asikuṇḍa, one should behold the four designated divine forms (including Vāmana as the third and Rāghava as the fourth).","karmic_consequence":"Proper snāna + darśana yields tīrtha-phala; omission diminishes the intended merit of the visit."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"bhakti-ācāra (devotional discipline)","core_concept":"Tīrtha is activated by right action: snāna followed by darśana with remembrance of avatāras.","practical_application":"Perform snāna with saṅkalpa, then complete the prescribed darśana-sequence rather than treating the site as mere scenery."}

Subject Matter: ["Sacred Geography","Ritual Practice","Heritage Sites"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Type: kuṇḍa (sacred pond)

Related Themes: Varāha Purāṇa 166.27-29 (fruit of all Mathurā tīrthas; Asikuṇḍa greatness; sequencing)

Visual Art Cues: {"scene_description":"Pilgrims bathe in a lotus-filled kuṇḍa labeled ‘Asi’, then proceed to view four Vaiṣṇava forms, with Vāmana and Rāghava clearly identifiable among them.","item_prompts":["stone steps (ghāṭa) into a pond","water vessels and wet garments","a small Vāmana figure with umbrella","Rāghava (Rāma) with bow","four shrine-niches or icons in a row","Mathurā landscape cues (kadamba/vaṭa trees)"],"kerala_mural_prompt":"Kerala mural style: Asikuṇḍa ghāṭa with stylized rippling water; four icon-panels; Vāmana with umbrella, Rāma with bow; rich reds/ochres, flat decorative foliage.","tanjore_prompt":"Tanjore style: gold-leaf framed shrine panels for the four forms; central Asikuṇḍa snāna scene with ornate jewelry, embossed halos, bright gem colors.","mysore_prompt":"Mysore style: delicate linework; serene pilgrims at the ghāṭa; soft shading; clear iconography for Vāmana and Rāma; restrained palette.","pahari_prompt":"Pahari style: hillside-like stylization around Mathurā grove; narrative split—snāna below, darśana above; lyrical trees and pastel sky."}

Audio Atmosphere: {"recitation_mood":"ritual-instructional, calm","suggested_raga":"Yaman","pace":"medium","voice_tone":"clear, didactic, gently reverent"}

C
Classical Literature
V
Vaiṣṇavism
A
Ancient Geography

FAQs

It documents a tīrtha protocol—bathing followed by viewing sacred images—typical of Purāṇic pilgrimage literature, useful for mapping historical devotional landscapes in the Mathurā region.

A pond (kuṇḍa) called “Asi,” i.e., Asikuṇḍa, situated in the broader Mathurā tīrtha milieu as implied by adjacent verses.

A discipline of ritual purity and mindful engagement with cultural heritage sites (bathing and respectful viewing) as a form of self-cultivation.

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