The Hierarchy of the Trimūrti and the Manifestation of the Goddess Trikalā
केचिद् गायन्ति नृत्यन्ति धावन्ति स्फोटयन्ति च । हसन्ति किलकिलायन्ति गर्जन्ति च महाबलाः ॥
kecid gāyanti nṛtyanti dhāvanti sphoṭayanti ca | hasanti kilakilāyanti garjanti ca mahābalāḥ ||
Einige singen und tanzen; sie laufen umher und klatschen oder lassen knackende Laute ertönen. Sie lachen, stoßen schrille Rufe aus und brüllen — jene von großer Kraft.
Varāha (default framework; speaker not explicitly marked in this verse-fragment)
It records performative vocabulary (song, dance, roar, shriek) that helps scholars understand how Purāṇic texts evoke spectacle and communal retinues.
No explicit location in this verse; the implied setting continues from the Kailāsa narrative frame.
No explicit ethical directive; it functions as descriptive narrative texture.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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