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Varaha Purana 89.41: Adhyaya 89, Shloka 41

The Hierarchy of the Trimūrti and the Manifestation of the Goddess Trikalā

केचिद् गायन्ति नृत्यन्ति धावन्ति स्फोटयन्ति च । हसन्ति किलकिलायन्ति गर्जन्ति च महाबलाः ॥

Recitation with translationVaraha Purana 89.41

kecid gāyanti nṛtyanti dhāvanti sphoṭayanti ca | hasanti kilakilāyanti garjanti ca mahābalāḥ ||

Einige singen und tanzen; sie laufen umher und klatschen oder lassen knackende Laute ertönen. Sie lachen, stoßen schrille Rufe aus und brüllen — jene von großer Kraft.

केचित्some
केचित्:
कर्ता (Karta)
TypeNoun
Rootकिम् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन; ‘some’
गायन्तिsing
गायन्ति:
क्रिया (Kriyā)
TypeVerb
Rootगै (धातु)
Formलट्-लकार (Present), परस्मैपद, प्रथमपुरुष, बहुवचन
नृत्यन्तिdance
नृत्यन्ति:
क्रिया (Kriyā)
TypeVerb
Rootनृत् (धातु)
Formलट्-लकार (Present), परस्मैपद, प्रथमपुरुष, बहुवचन
धावन्तिrun
धावन्ति:
क्रिया (Kriyā)
TypeVerb
Rootधाव् (धातु)
Formलट्-लकार (Present), परस्मैपद, प्रथमपुरुष, बहुवचन
स्फोटयन्तिmake crack/pop; clap/snap
स्फोटयन्ति:
क्रिया (Kriyā)
TypeVerb
Rootस्फोटय् (धातु; स्फुट्-णिच्)
Formलट्-लकार (Present), परस्मैपद, प्रथमपुरुष, बहुवचन; णिच्-प्रयोग (causative)
चand
च:
समुच्चय (Coordination)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-अव्यय (conjunction)
हसन्तिlaugh
हसन्ति:
क्रिया (Kriyā)
TypeVerb
Rootहस् (धातु)
Formलट्-लकार (Present), परस्मैपद, प्रथमपुरुष, बहुवचन
किलकिलायन्तिmake shrill cries; cackle
किलकिलायन्ति:
क्रिया (Kriyā)
TypeVerb
Rootकिलकिलाय् (धातु; नामधातु)
Formलट्-लकार (Present), परस्मैपद, प्रथमपुरुष, बहुवचन; नामधातु-प्रयोग (denominative)
गर्जन्तिroar
गर्जन्ति:
क्रिया (Kriyā)
TypeVerb
Rootगर्ज् (धातु)
Formलट्-लकार (Present), परस्मैपद, प्रथमपुरुष, बहुवचन
चand
च:
समुच्चय (Coordination)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-अव्यय (conjunction)
महाबलाःmighty/very strong
महाबलाः:
कर्ता (Karta)
TypeAdjective
Rootमहा (प्रातिपदिक) + बल (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन; कर्मधारयः (महच्च तत् बलम्)

Varāha (default framework; speaker not explicitly marked in this verse-fragment)

P
Purāṇic Narrative
S
Sound and Performance Motifs
Ś
Śaiva Retinue

FAQs

It records performative vocabulary (song, dance, roar, shriek) that helps scholars understand how Purāṇic texts evoke spectacle and communal retinues.

No explicit location in this verse; the implied setting continues from the Kailāsa narrative frame.

No explicit ethical directive; it functions as descriptive narrative texture.

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