The Sanctity of Gayā: Raibhya’s Encounter and Hymn to Viṣṇu
Gadādhara
सुरासुरैरर्च्चितपादपङ्कजं केयूरहाराङ्गद मौलिधारिणम् । अब्दौ शयानं च रथाङ्गपाणिनं गदाधरं प्रणमति यः सुखं वसेत् ॥ ७.३२ ॥
surāsurair arcchitapādapaṅkajaṁ keyūrahārāṅgada-maulidhāriṇam | abdau śayānaṁ ca rathāṅgapāṇinaṁ gadādharaṁ praṇamati yaḥ sukhaṁ vaset || 7.32 ||
Wer sich ehrfürchtig vor dem keulentragenden Herrn verneigt — dessen Lotosfüße von Göttern und Asuras verehrt werden; der Armreife, Halsketten, Armbänder und Diadem trägt; der auf dem Ozean ruht; und dessen Hand den Diskus hält — wird in Glückseligkeit wohnen.
Varāha (default speaker per dialogue framework; explicit speaker not present in excerpt)
It reflects a common Purāṇic literary mode: concise stuti (praise) linked to a practical discipline (praṇāma/bowing). Such verses document the standardization of Vaiṣṇava iconographic markers (cakra, gadā, ocean-reclining posture) and the ethical-psychological framing of devotion as a source of sukha (well-being).
No terrestrial pilgrimage site is named in this verse. The setting is cosmographic: the deity is described as reclining 'in/on the ocean' (abdau śayānam), a mythic-ocean motif rather than a specific mapped location.
The verse promotes a disciplined posture of reverence (praṇāma) toward an idealized, universally venerated figure, presenting respectful attention and humility as a means to cultivate sukha (stable well-being) rather than as coercive obligation.
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