HomeVaraha PuranaAdhyaya 37Shloka 21
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Varaha Purana 37.21 — Adhyaya 37, Shloka 21

The Threefold Discipline (Mental, Physical, Verbal) and the Salvific Power of Hearing Nārāyaṇa’s Name

व्याघ्रेणापि श्रुतो मन्त्रः प्राणैः कण्ठस्थितैस्ततः । श्रुतमात्रे जहौ प्राणान् पुरुषश्चाभवच्छुभः ॥ ३७.२१ ॥

vyāghreṇāpi śruto mantraḥ prāṇaiḥ kaṇṭhasthitais tataḥ | śrutamātre jahau prāṇān puruṣaś cābhavac chubhaḥ || 37.21 ||

Sogar der Tiger hörte das Mantra; und dann, als seine Lebenshauche im Hals festsaßen, gab er im Augenblick des Hörens sein Leben auf — und wurde zu einem gesegneten Menschen.

व्याघ्रेणby the tiger
व्याघ्रेण:
Kartr-karana (कर्ता-करण; agent in passive)
TypeNoun
Rootव्याघ्र (प्रातिपदिक)
Formपुल्लिङ्ग, तृतीया (Instrumental/करण), एकवचन
अपिeven/also
अपि:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootअपि (अव्यय)
Formनिपात (particle), ‘also/even’
श्रुतःheard
श्रुतः:
Karta (कर्ता)
TypeAdjective
Rootश्रुत (कृदन्त-प्रातिपदिक; √श्रु)
Formभूतकृदन्त (PPP), पुल्लिङ्ग, प्रथमा, एकवचन; ‘मन्त्रः’ इति विशेषणम्
मन्त्रःmantra
मन्त्रः:
Karta (कर्ता)
TypeNoun
Rootमन्त्र (प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा, एकवचन
प्राणैःwith life-breaths
प्राणैः:
Karana (करण)
TypeNoun
Rootप्राण (प्रातिपदिक)
Formपुल्लिङ्ग, तृतीया, बहुवचन
कण्ठ-स्थितैःsituated in the throat
कण्ठ-स्थितैः:
Karana (करण)
TypeAdjective
Rootकण्ठ (प्रातिपदिक) + स्थित (कृदन्त; √स्था)
Formतत्पुरुषसमास (कण्ठे स्थित), पुल्लिङ्ग, तृतीया, बहुवचन; ‘प्राणैः’ इति विशेषणम्
ततःthen/thereupon
ततः:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय (adverb), ‘thereupon/from then’
श्रुत-मात्रेupon mere hearing
श्रुत-मात्रे:
Adhikarana (अधिकरण)
TypeNoun
Rootश्रुत (कृदन्त; √श्रु) + मात्र (प्रातिपदिक)
Formतत्पुरुषसमास (‘श्रुतस्य मात्रे’ = on mere hearing), नपुंसकलिङ्ग, सप्तमी (Locative/अधिकरण), एकवचन
जहौabandoned/gave up
जहौ:
Kriya (क्रिया)
TypeVerb
Rootहा (धातु)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन; परस्मैपद
प्राणान्life-breaths
प्राणान्:
Karma (कर्म)
TypeNoun
Rootप्राण (प्रातिपदिक)
Formपुल्लिङ्ग, द्वितीया (Accusative/कर्म), बहुवचन
पुरुषःthe person
पुरुषः:
Karta (कर्ता)
TypeNoun
Rootपुरुष (प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा, एकवचन
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय (conjunction)
अभवत्became
अभवत्:
Kriya (क्रिया)
TypeVerb
Rootभू (धातु)
Formलङ् (Imperfect), प्रथमपुरुष, एकवचन; परस्मैपद
शुभःauspicious/pure
शुभः:
Karta (कर्ता)
TypeAdjective
Rootशुभ (प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा, एकवचन; ‘पुरुषः’ इति विशेषणम्

Varāha (default speaker per dialogue framework; not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Hearing the mantra—even by an animal at the point of death—can effect immediate auspicious transformation (śubhatva).","karmic_consequence":"Positive: instant release from the animal state and attainment of a ‘blessed person’ status; negative (implied): absence of such contact leaves one in ordinary karmic trajectory."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The verse dramatizes śabda’s trans-species reach: nāma/mantra operates beyond rational agency, suggesting grace (anugraha) overriding karmic inertia at the liminal ‘throat-breath’ moment.","yajna_varaha_imagery":"None explicit; implicit ‘prāṇa at the throat’ evokes prāṇa-udāna at death, where mantra-contact redirects the departing current.","vedantic_connection":"At death, the direction of consciousness/prāṇa is decisive; mantra-hearing functions as a saṃskāra that turns the jīva toward sattva and higher gati."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"soteriology","core_concept":"Grace mediated through sound: contact with Nārāyaṇa’s name can sever pāpa and elevate gati even without deliberate practice.","practical_application":"Create environments where sacred sound is present (kīrtana, japa, śravaṇa), benefiting all beings."}

Subject Matter: ["Ethics","Soteriology (Transformation Motif)","Mantra and Sound","Narrative Theology (neutral classification)"]

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: liminal death-site

Related Themes: 37.37.20 (utterance); 37.37.22 (destination to Viṣṇu’s realm)

Visual Art Cues: {"scene_description":"The dying tiger, breath caught in its throat, hears the mantra; at that instant its life departs and a radiant human form is revealed/established as ‘śubha’.","item_prompts":["tiger with softened expression at death","subtle depiction of breath at throat (mist/stream)","mantra aura entering the tiger’s ear","emergent human with calm posture","contrast of dark animal form and luminous human"],"kerala_mural_prompt":"Kerala mural: bold tiger form with stylized breath motif, mantra shown as luminous band, emerging human with serene eyes and simple ornaments.","tanjore_prompt":"Tanjore: gold highlights on the transformed human and mantra aura, dramatic central composition with rich background.","mysore_prompt":"Mysore: gentle chiaroscuro on tiger, refined glow around the human figure, emphasis on serenity after release.","pahari_prompt":"Pahari: delicate, poetic depiction of the departing prāṇa as a thin white stream, soft landscape framing the miracle."}

Audio Atmosphere: {"recitation_mood":"wonder with quiet resolution","suggested_raga":"Hamsadhwani","pace":"medium-slow (linger on transformation)","voice_tone":"clear, contemplative, slightly softened at ‘abhavacchubhaḥ’"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It exemplifies a common Purāṇic narrative device in which contact with sacred sound (mantra-śravaṇa) is presented as transformative, reflecting broader South Asian textual traditions that attribute ethical and salvific potency to hearing and recitation.

No geographic location is named in this verse; it is a motif-driven narrative statement rather than a tīrtha (sacred geography) reference.

The verse foregrounds the transformative value attributed to attentive hearing of a mantra, presenting a philosophical instruction about the power of sound, intention, and the moment of receptivity rather than a coercive command.

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