Sukta 8.7
नहि ष्म यद्ध वः पुरा स्तोमेभिर्वृक्तबर्हिषः । शर्धाँ ऋतस्य जिन्वथ ॥
náhi ṣmá yád dha vaḥ purā́ stómebhir vṛktabarhiṣaḥ | śárdhāṃ ṛtásya jínvatha ||
Denn niemals war es anders bei euch von alters her, o ihr, die ihr den heiligen Sitz ausbreitet: durch Hymnen belebt ihr das Heer des Ṛta; durch das Wort setzt ihr die geordneten Mächte in Wirksamkeit.
It has never been otherwise for you: by hymns, O strewers of the sacred seat, you invigorate the host of Ṛta.
The Marut powers respond to and are strengthened by true mantra (stoma). When the consciousness is prepared (vṛktabarhis), the word of aspiration does not merely praise—it “feeds” (jinvatha) the ordered movements of truth (śardhā ṛtasya) so they become active forces in the being. This is Aurobindo’s key: mantra is an instrument of effectuation, not ornament.
Right speech joined to right preparation awakens right action. The law of truth (Ṛta) becomes dynamic in life when nourished by sincere aspiration and disciplined expression.
Ṛta-enlivening, power of hymn, collective deities, tradition and continuity
Kāṇvas are notable for strong emphasis on the efficacy of stoma/brahman—word as power that awakens the gods within the sacrifice.
The seer frames spiritual practice as a lawful collaboration: when aspiration is true and ordered, the powers of Ṛta become living allies.
Executors of movement in the mid-world; they intensify energies and support Indra’s victories that restore order.
They are the disciplined dynamisms that can be tuned by mantra to act as instruments of truth rather than turbulence.
Marut/Indra-Marut praise within Soma liturgy; stoma as energizer of divine host.
न॒हि ष्म॒ यद्ध॑ वः पु॒रा स्तोमे॑भिर्वृक्तबर्हिषः । शर्धाँ॑ ऋ॒तस्य॒ जिन्व॑थ ॥
न॒हि । स्म॒ । यत् । ह॒ । वः॒ । पु॒रा । स्तोमे॑भिः । वृ॒क्त॒ऽब॒र्हि॒षः॒ । शर्धा॑न् । ऋ॒तस्य॑ । जिन्व॑थ ॥
nahi | sma | yat | ha | vaḥ | purā | stomebhiḥ | vṛkta-barhiṣaḥ | śardhān | ṛtasya | jinvatha
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4 pādas × ~11 syllables
Declarative, steady propulsion; the cadence feels like marching troops (śardha).
Builds confidence in the lawfulness of practice; strengthens resolve and rhythmic steadiness of mind.
Affirmation of traditional efficacy: hymns enliven the divine hosts and sustain Ṛta in the rite and in the seeker
During stotra/śastra sequences to stimulate the deity-host and affirm their established response to hymns.
Recitation with offerings; reinforcement of Ṛta through ordered chant.
As an affirmation before disciplined practice: repeat to remind the mind that sincere mantra + order reliably awakens higher movements.
ṛta from √ṛ 'to fit, set in order'—Truth as right arrangement. śardha 'host' denotes collective energies. √jinv 'quicken' indicates energizing into effective movement. stoma (√stu) is the means: word as force that nourishes Ṛta’s host.
Ṛta (cosmic order), mantric nourishment (stoma → jinv), collective powers (śardha)
Explicit: the host belongs to Ṛta; hymns quicken it—speech participates in cosmic order.
True speech is the condition for Ṛta to become operative rather than merely conceptual.
Cosmos as sustained by right vibration (stoma) that keeps order active in the worlds.
Vedic yoga psychology (Aurobindo): Ṛta as truth-consciousness organizing the being.
Prepared ground + rhythmic mantra invigorates ordered life-forces; turbulence becomes truth-force through right vibration.
Use mantra as ‘nutriment’ for truth-movements: recite, then watch for orderly impulses replacing scattered ones.
Maṇipūra (force/tapas) coordinated with Ājñā (order/clarity).
Brisk but controlled ujjāyī for 12 breaths, then normal breath while repeating the mantra mentally.
Collective coherence: many parts of the being aligning into one ordered movement.
After chanting, choose one small truthful action immediately (speech, decision, discipline). This ‘anchors’ Ṛta in behavior.
Vedic accents to emphasize ṛtasya and jinvatha; exact śākha-specific svara requires pada-svara source.
Keep ‘nahi ṣma’ crisp; sustain the long vowels; give weight to ‘ṛtasya’ and a decisive cadence on ‘jinvatha’.
nahi ṣma: retroflex ṣ; keep cluster ‘ṣm’ tight, stomebhiḥ: ‘bh’ aspirated; final ḥ light, śardhān: palatal ś; ‘rdh’ cluster clear, ṛtasya: vocalic ṛ; avoid ‘ri’
Firm, rhythmic, troop-like steadiness; minimal ornamentation.
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