एकोनचत्वारिंशः सर्गः · Dasaratha’s Lament, Sumantra’s Commission, and Sita’s Vow of Marital Dharma
Addressed to SitaSetting: Ayodhya (palace)Pre-departure counsel before forest-exile
स त्वया नावमन्तव्यः पुत्रः प्रव्राजितो मम ।
तव दैवतमस्त्वेष निर्धनः सधनोऽपि वा ॥२५॥
sa tvayā nāvamantavyaḥ putraḥ pravrājito mama |
tava daivatam astv eṣa nirdhanaḥ sadhano ’pi vā ||25||
Darum sollst du ihn nicht verachten — meinen Sohn, der in die Verbannung gesandt wurde. Er sei dir wie eine Gottheit, ob arm oder reich.
You must not underestimate my son in his exile. You must treat him as your god whether he is wealthy or not.
Honor the dharmic person independent of fortune; reverence must not fluctuate with wealth or deprivation.
Transforms service (sevā) into worship; supports bhāva of īśvara-buddhi toward one’s dharmic responsibilities.
Seeing the divine in the dharmic person irrespective of external conditions—sama-darśana toward wealth/poverty as māyika upādhi.
Īśā Upaniṣad’s spirit of renunciation and non-attachment to wealth; reverence grounded in inner worth, not possessions.
Bhagavad Gītā 5.18 (sama-darśana; thematic parallel: beyond externals); Rāmacaritamānasa, Ayodhyākāṇḍa: Sītā’s resolve to follow and serve Rāma in exile (thematic); Purāṇic bhakti motifs: treating the righteous as deity (atithi/ācārya-devo-bhava type ethos; thematic)
Vedic/Smṛti injunctions on honoring guru/elder/husband as deva (broad cultural allusion)
Vālmīki Rāmāyaṇa 2.27-2.30 (exile decree context); Vālmīki Rāmāyaṇa 2.39.24 (pati as supreme purifier)
Anuṣṭup (śloka)
Commanding-solemn
Higher pañcama on ‘daivatam’ with firm cadence
Dharma is framed as unwavering respect and loyalty that does not depend on external fortune; true commitment remains the same in poverty or prosperity.
With Rāma’s forest exile confirmed, Sītā is urged to maintain reverence and not let hardship diminish her regard for him.
Reverential fidelity (bhakti/śraddhā toward one’s rightful duty) expressed as constancy regardless of circumstance.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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