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Varaha Purana 213.32: Adhyaya 213, Shloka 32

The Glory of Gokarṇeśvara: Nandin’s Austerities and Śiva’s Boons

क्षामोऽभूत्कृष्णवर्णश्च ततः प्रीतश्च शङ्करः ॥ सम्यगाराधितो भक्त्या नियमेन च तोषितः ॥

Sanskrit recitationVaraha Purana 213.32

kṣāmo ’bhūt kṛṣṇavarṇaś ca tataḥ prītaś ca śaṅkaraḥ || samyag ārādhito bhaktyā niyamena ca toṣitaḥ ||

وہ دبلا پتلا اور سیاہ رنگ کا ہو گیا؛ تب شَنکر خوش ہوئے۔ بھکتی کے ساتھ درست طریقے سے پوجا کیے جانے اور نِیَم و ورت کے انضباط سے راضی ہو کر وہ مطمئن ہوئے۔

क्षामःemaciated, thin
क्षामः:
Karta (कर्ता/Subject)
TypeAdjective
Rootक्षाम (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), एकवचन (Singular)
अभूत्became
अभूत्:
Kriya (क्रिया/Verb)
TypeVerb
Rootभू (धातु)
Formलुङ्-लकार (Aorist), परस्मैपद, प्रथम-पुरुष (3rd person), एकवचन (Singular)
कृष्णवर्णःof black color
कृष्णवर्णः:
Karta (कर्ता/Subject)
TypeAdjective
Rootकृष्ण + वर्ण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; कर्मधारय-समास (कृष्णः वर्णः यस्य)
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
ततःthen, thereafter
ततः:
Adhikarana (अधिकरण/Temporal locus)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय, काल/क्रम-वाचक (temporal/sequence adverb)
प्रीतःpleased
प्रीतः:
Karta (कर्ता/Subject)
TypeAdjective
Rootप्रीत (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
शङ्करःŚaṅkara (Śiva)
शङ्करः:
Karta (कर्ता/Subject)
TypeNoun
Rootशङ्कर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
सम्यक्properly, duly
सम्यक्:
Visheshana (विशेषण/Adverbial modifier)
TypeIndeclinable
Rootसम्यक् (अव्यय)
Formअव्यय, क्रिया-विशेषण (adverb)
आराधितःworshipped, propitiated
आराधितः:
Kriya (क्रिया/Predicative participle)
TypeVerb
Rootआ + राध् (धातु)
Formकृदन्त, भूतकर्मणि कृदन्त (past passive participle/PPP), पुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
भक्त्याwith devotion
भक्त्या:
Karana (करण/Instrument)
TypeNoun
Rootभक्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया-विभक्ति (Instrumental/3rd), एकवचन
नियमेनby observance/discipline
नियमेन:
Karana (करण/Instrument)
TypeNoun
Rootनियम (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, एकवचन
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
तोषितःsatisfied, pleased
तोषितः:
Kriya (क्रिया/Predicative participle)
TypeVerb
Rootतुष् (धातु)
Formकृदन्त, भूतकर्मणि कृदन्त (PPP), पुंलिङ्ग, प्रथमा-विभक्ति, एकवचन

Narrator (default framework: Varāha → Pṛthivī context; speaker not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Devotion (bhakti) joined to proper worship and disciplined niyama is said to ‘satisfy’ Śaṅkara, culminating in divine contentment (toṣa).","karmic_consequence":"Bhakti + niyama yields devatā-prasāda and the opening for boon/darśana; mere externality without discipline is implied to be insufficient for such immediate divine pleasure."}

Vrata Mahatmya: {"has_vrata":true,"vrata_name":"Niyama-yukta bhakti (discipline-supported devotion; generic)","promised_fruit":"Śaṅkara-prasāda: the deity becomes pleased/ready to grant favor (theophany preparation)."}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"grace-and-effort synthesis","core_concept":"Effort (tapas/niyama) prepares; grace (prasāda) completes—divine pleasure arises when inner devotion and outer discipline converge.","practical_application":"Balance inner bhakti with consistent practice; measure progress by humility and steadiness rather than bodily extremity."}

Subject Matter: ["Devotional discipline (niyama)","Theophany preparation","Ascetic practice"]

Primary Rasa: bhakti

Secondary Rasa: śānta

Type: sacred presence-field (deity’s responsiveness)

Related Themes: VP 213.31-34 (build-up of tapas and worship leading to this satisfaction)

Visual Art Cues: {"scene_description":"The ascetic, now emaciated and darkened by austerity, stands or kneels as an unseen Śaṅkara’s presence becomes palpable—signs of divine pleasure: gentle light, calm air, auspicious stillness.","item_prompts":["emaciated dark-complexioned ascetic","subtle divine aura/light","Śiva symbol (liṅga/triśūla/damaru) suggested","flowers and japa-mālā","atmosphere of blessing"],"kerala_mural_prompt":"Auspicious glow around Śiva symbol; ascetic in humble posture; rich yet calm colors; visual emphasis on ‘prasāda’ through softened outlines.","tanjore_prompt":"Gold aura indicating Śaṅkara’s pleasure; ascetic with folded hands; minimal scene with strong iconographic clarity; embossed halo effects.","mysore_prompt":"Gentle illumination and refined facial expressions; subdued palette; focus on the transition from hardship to grace.","pahari_prompt":"Quiet, luminous scene with a soft celestial light beam; ascetic in prayer; sparse landscape; emphasis on serenity after austerity."}

Audio Atmosphere: {"recitation_mood":"relieved, devotional, auspicious","suggested_raga":"Kalyani","pace":"medium-slow","voice_tone":"warm, softened, benedictory"}

C
Classical Literature
P
Purāṇic Narrative
Ś
Śaiva Traditions
S
Sanskrit Philology

FAQs

It reflects a common Purāṇic motif where sustained austerity and regulated devotion (niyama) culminate in a deity’s favorable response, illustrating ritual-ethical frameworks in medieval Sanskrit narrative culture.

No geographic site is named in this verse; the focus is on devotional practice and the resulting divine satisfaction.

Disciplined observance and sincere devotion are presented as the appropriate method for approaching a transcendent encounter.

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