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Varaha Purana 169.32: Adhyaya 169, Shloka 32

The Greatness of Mathurā: The Ardhacandra Sacred Bathing Rite and the Procedure for the Yajñopavīta Observance

यः पश्येत्पद्मनाभं तु द्वादश्यामाश्विनस्य तु ॥ एकदेहधरौ देवौ शिवकेशवरूपिणौ ॥

Sanskrit recitationVaraha Purana 169.32

yaḥ paśyet padmanābhaṃ tu dvādaśyām āśvinasya tu || ekadehadharau devau śivakeśavarūpiṇau ||

جو شخص ماہِ آشوِن کی دْوادشی کو پدمنابھ کا درشن کرے—وہ دو دیوتا، شِو اور کیشو، ایک ہی جسم اور ایک ہی صورت میں قائم ہیں۔

yaḥwho (he who)
yaḥ:
Karta (कर्ता)
TypeNoun
Rootyad (सर्वनाम-प्रातिपदिक)
FormRelative pronoun (यत्); Masculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)
paśyetshould see
paśyet:
Kriya (क्रिया)
TypeVerb
Rootdṛś (दृश्-धातु)
FormLiṅ-lakāra (लिङ्/Optative), Parasmaipada (परस्मैपद), 3rd person (प्रथमपुरुष), Singular (एकवचन)
padma-nābhamPadmanābha (Viṣṇu)
padma-nābham:
Karma (कर्म)
TypeNoun
Rootpadma (प्रातिपदिक) + nābha (प्रातिपदिक)
FormTatpuruṣa (तत्पुरुष) compound; Masculine (पुंलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
tuindeed
tu:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Roottu (अव्यय)
FormParticle (निपात) ‘indeed/but’
dvādaśyāmon the twelfth (lunar day)
dvādaśyām:
Adhikarana (अधिकरण)
TypeNoun
Rootdvādaśī (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Locative (7th/सप्तमी), Singular (एकवचन)
āśvinasyaof Āśvina (month)
āśvinasya:
Sambandha (षष्ठी-सम्बन्ध)
TypeNoun
Rootāśvina (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Genitive (6th/षष्ठी), Singular (एकवचन)
tuindeed
tu:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Roottu (अव्यय)
FormParticle (निपात)
eka-deha-dharaubearing one body; in a single body
eka-deha-dharau:
Visheshana (विशेषण)
TypeAdjective
Rooteka (प्रातिपदिक) + deha (प्रातिपदिक) + dhara (√dhṛ धृ-धातु, ण्वुल्/प्रातिपदिक)
FormTatpuruṣa (तत्पुरुष) compound; Masculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Dual (द्विवचन)
devauthe two gods
devau:
Karta (कर्ता)
TypeNoun
Rootdeva (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Dual (द्विवचन)
śiva-keśava-rūpiṇauhaving the forms of Śiva and Keśava
śiva-keśava-rūpiṇau:
Visheshana (विशेषण)
TypeAdjective
Rootśiva (प्रातिपदिक) + keśava (प्रातिपदिक) + rūpin (प्रातिपदिक)
FormTatpuruṣa (तत्पुरुष) compound (enumerative within determinative): ‘having the form of Śiva and Keśava’; Masculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Dual (द्विवचन)

Varāha (default, dialogue framework)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false,"krishna_connection":"Hari-Hara darśana framed through Padmanābha/Keśava, indirectly aligning with Vaiṣṇava theology later centered in Mathurā-Vraja."}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"On Āśvina-śukla-dvādaśī, one should take darśana of Padmanābha conceived as the unified Hari-Hara form (Śiva and Keśava in one body).","karmic_consequence":"Darśana of the unified deity is presented as highly meritorious, implying purification and sectarian reconciliation (no explicit penalty stated)."}

Vrata Mahatmya: {"has_vrata":true,"vrata_name":"Āśvina-śukla-dvādaśī Padmanābha/Harihara-darśana observance","tithi_month":"Āśvina, śukla-dvādaśī","promised_fruit":"Merit through sacred vision of Padmanābha as Hari-Hara; harmonization of devotion to Śiva and Viṣṇu."}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"theology (sectarian synthesis)","core_concept":"Non-duality of divine functions: Śiva and Keśava can be contemplated as one form without contradiction.","practical_application":"Adopt inclusive worship: perform darśana/arcana without sectarian hostility, especially on prescribed tithi."}

Subject Matter: ["Ritual calendar","Sacred vision (darśana)","Sectarian synthesis (Hari-Hara)"]

Primary Rasa: śānta

Secondary Rasa: adbhuta

Type: ritual-calendar setting

Related Themes: Varāha Purāṇa, Mathurā-māhātmya ritual-calendar passages surrounding 169.35–39 (contextual sequence)

Visual Art Cues: {"scene_description":"A devotee beholds Padmanābha manifested as Hari-Hara: a single divine body bearing Śaiva and Vaiṣṇava attributes, radiating calm authority.","item_prompts":["one-bodied Hari-Hara icon","half Śaiva marks (jaṭā/crescent/triśūla suggestion) and half Vaiṣṇava marks (śaṅkha-cakra/śrīvatsa) integrated","lotus-navel (Padmanābha) emphasis","devotee with añjali","tithi symbolism (moon/kalā motif)"],"kerala_mural_prompt":"Kerala mural style, flat luminous colors, ornate jewelry; Hari-Hara as a unified figure with lotus-navel and integrated Śaiva-Vaiṣṇava emblems; serene temple backdrop.","tanjore_prompt":"Tanjore style with gold-leaf halo and heavy ornaments; central Hari-Hara Padmanābha icon, lotus-navel highlighted; devotee at base in añjali.","mysore_prompt":"Mysore classical painting, delicate linework and soft shading; unified Hari-Hara with balanced iconographic cues; quiet sanctum ambience.","pahari_prompt":"Pahari miniature, cool palette and lyrical setting; Hari-Hara on a simple pedestal with stylized moon indicating dvādaśī; intimate darśana moment."}

Audio Atmosphere: {"recitation_mood":"reverential, unifying","suggested_raga":"Yaman","pace":"medium-slow","voice_tone":"steady, contemplative, slightly elevated on ‘ekadehadharau’ for emphasis"}

C
Classical Literature
P
Purāṇic Studies
V
Vaiṣṇavism
Ś
Śaivism
H
Harihara Motif

FAQs

It documents a Purāṇic articulation of Hari-Hara synthesis, where Śiva and Viṣṇu are presented in a unified form, relevant to medieval iconography and inter-sectarian theology.

No location is specified here; the verse is calendrical and theological, centered on Āśvina-dvādaśī and darśana.

It promotes contemplative reverence through darśana and frames unity between major deity-forms as a legitimate theological perspective.

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