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Varaha Purana 21.52: Adhyaya 21, Shloka 52

The Disruption of Dakṣa’s Sacrifice, the Hari-Hara Conflict, and the Establishment of Rudra’s Sacrificial Share

Pūrva Bhāga · Pr̥thivī-uddhāra and Divine Conflict Narrative (Weapon-Combat Episode)

नारायणं पाशुपतमुभेऽस्त्रे व्योम्नि रोषिते । युयुधाते भृशं दिव्यं परस्परजिघांसया । दिव्यं वर्षसहस्रं तु तयोर्युद्धमभूत् तदा ॥ २१.५३ ॥

Recitation with translationVaraha Purana 21.52

nārāyaṇaṃ pāśupatam ubhe ’stre vyomni roṣite | yuyudhāte bhṛśaṃ divyaṃ parasparajighāṃsayā | divyaṃ varṣasahasraṃ tu tayor yuddham abhūt tadā || 21.53 ||

Pagkatapos, sa kalangitan, ang dalawang banal na sandata—Nārāyaṇa at Pāśupata—ay nag-alab sa poot at naglaban nang mabagsik, kapwa nagnanais na lipulin ang isa’t isa; at noon, tumagal ang kanilang labanan sa loob ng isang libong banal na taon.

nārāyaṇamNārāyaṇa-weapon (as entity) / Nārāyaṇa
nārāyaṇam
TypeNoun
FormMasculine, Accusative, Singular
RoleKarma (कर्म)
Rootnārāyaṇa (नारायण प्रातिपदिक)
pāśupatamPāśupata (weapon)
pāśupatam
TypeNoun
FormNeuter/Masculine, Accusative, Singular; here as name of astra (weapon)
RoleKarma (कर्म)
Rootpāśupata (पाशुपत प्रातिपदिक)
ubheboth
ubhe
TypeAdjective
FormNeuter, Nominative, Dual (द्विवचन); agreeing with astre
RoleKarta (कर्ता)
Rootubha (उभ प्रातिपदिक)
astreweapons
astre
TypeNoun
FormNeuter, Nominative, Dual; subject with ubhe
RoleKarta (कर्ता)
Rootastra (अस्त्र प्रातिपदिक)
vyomniin the sky
vyomni
TypeNoun
FormNeuter, Locative (7th/सप्तमी), Singular
RoleAdhikaraṇa (अधिकरण)
Rootvyoman (व्योमन् प्रातिपदिक)
roṣiteenraged
roṣite
TypeAdjective
FormPast passive participle (क्त), Neuter, Nominative, Dual; qualifying ubhe astre: “enraged/infuriated”
RoleViśeṣaṇa (विशेषण)
Rootruṣ (रुष् धातु)
yuyudhātefought
yuyudhāte
TypeVerb
FormPerfect (लिट्), 3rd person, Dual (द्विवचन); ātmanepada
RoleKriyā (क्रिया)
Rootyudh (युध् धातु)
bhṛśamfiercely
bhṛśam
TypeIndeclinable
FormAvyaya; adverb (तीव्रता)
RoleKriyāviśeṣaṇa (क्रियाविशेषण)
Rootbhṛśam (भृशम् अव्यय)
divyamdivine
divyam
TypeAdjective
FormNeuter, Accusative, Singular; used adverbially with bhṛśam/yuyudhāte or qualifying yuddham implied
RoleKriyāviśeṣaṇa (क्रियाविशेषण)
Rootdivya (दिव्य प्रातिपदिक)
paraspara-jighāṃsayāwith mutual intent to kill
paraspara-jighāṃsayā
TypeNoun
FormFeminine, Instrumental, Singular; तत्पुरुष—“desire to kill each other”; denotes motive
RoleHetu (हेतु)
Rootparaspara + jighāṃsā (प्रातिपदिकानि)
divyamdivine
divyam
TypeAdjective
FormNeuter, Accusative, Singular; qualifying varṣasahasram (as measure: “divine”)
RoleViśeṣaṇa (विशेषण)
Rootdivya (दिव्य प्रातिपदिक)
varṣa-sahasrama thousand years
varṣa-sahasram
TypeNoun
FormNeuter, Accusative, Singular; तत्पुरुष—“a thousand years” (measure of time)
RoleKāla-adhikaraṇa (कालाधिकरण)
Rootvarṣa + sahasra (प्रातिपदिकानि)
tuindeed/and
tu
TypeIndeclinable
FormAvyaya; particle (निपात) with contrast/emphasis
RoleSambandha (सम्बन्ध/निपात)
Roottu (तु अव्यय)
tayoḥof the two
tayoḥ
TypeNoun
FormGenitive (6th/षष्ठी), Dual; pronoun referring to the two (weapons/deities)
RoleṢaṣṭhī-sambandha (षष्ठीसम्बन्ध)
Roottad (तद् सर्वनाम-प्रातिपदिक)
yuddhambattle
yuddham
TypeNoun
FormNeuter, Nominative, Singular
RoleKarta (कर्ता)
Rootyuddha (युद्ध प्रातिपदिक)
abhūtwas/occurred
abhūt
TypeVerb
FormAorist (लुङ्), 3rd person, Singular; parasmaipada
RoleKriyā (क्रिया)
Rootbhū (भू धातु)
tadāthen
tadā
TypeIndeclinable
FormAvyaya; temporal adverb
RoleKāla-adhikaraṇa (कालाधिकरण)
Roottadā (तदा अव्यय)
  • ubhe ’stre = ubhe astre (avagraha indicates a- elision)
  • tayor yuddham = tayoḥ + yuddham (visarga sandhi)

Adbhuta and Raudra rasaSetting: Cosmic battlefield/time-theatre
Speaker

Varāha

Kind of teaching
Reflection on kāla and restraint
Subjects
CosmologyMythic WarfareTheology (Inter-deity motifs)Time (Divine Chronology)
Core idea

Unchecked power persists across vast time; true mastery is the capacity to withdraw/contain śakti, not merely to project it.

In practice

In leadership and sādhanā, cultivate ‘saṃyama’: do not unleash forces (speech, punishment, vows) without a clear path to pacification.

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
Ś
Śaiva-Vaiṣṇava Motif
S
Sanskrit Epic Style

FAQs

It reflects a common Purāṇic narrative technique: dramatizing theological concepts through personified divine weapons and situating events within “divine time,” a literary device used to convey cosmic scale rather than ordinary chronology.

No specific terrestrial location is named in this verse; the setting is “vyoman” (the sky), indicating a celestial arena rather than a mapped pilgrimage geography.

The verse does not present a direct ethical injunction; instead, it foregrounds the theme of uncontrolled wrath and mutual destructiveness, which later Purāṇic contexts often resolve through restraint, pacification, or higher-order cosmic balance.

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