Sukta 21
Rishi: Atharvanic/Angirasa tradition (specific ṛṣi attribution varies by anukramaṇī; requires verification for AVŚ 7.21.1).
Devata: Āditya/Sūrya as 'the One, all-pervading Lord'; alternatively a monistic 'Pati' principle.
Chandas: Mixed/irregular (close to Triṣṭubh cadence in parts; requires metrical checking against pada lengths).
Ang hymnong ito na may isang talata ay pumupuri sa iisang Panginoong sumasakatawan sa lahat, binabasa bilang Sūrya/Āditya o bilang isang monistikong Pati, na sa harapan niya ay nagkakatipon ang lahat ng nilalang "kasama ang pananalita" bilang pagkilala. Ito ay nagpapatibay ng isang sinaunang pagkahari na patuloy na tumatanggap ng "bagong dating" at pinapanatili ang mga daan ng mundo na umiikot sa iisang landas, na inaayos ang umawit sa maayos na pag-ulit at kasaganaan.
Mantras
Frequently Asked Questions
Both readings are traditional and compatible: the ‘Lord of heaven’ fits Āditya/Sūrya theology, while the repeated ‘One, all-pervading’ supports a monistic Pati principle behind all powers.
It portrays the deity as the ever-present, continually arriving presence in human life—received through speech, worship, and daily recognition—who also ‘welcomes the newcomer’ (new beginnings and transitions).
By reciting it at dawn or before an undertaking, the practitioner aligns speech and intention with the single ruling order; the hymn’s imagery of ‘paths turning along his track’ is used to seek steady success and auspicious continuity.
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