Sukta 72
Rishi: Uncertain/late compilation layer (often treated as Atharvanic redactional voice rather than a named ṛṣi).
Devata: Brahman/Veda-power; secondarily ‘Devāḥ’ as protectors.
Chandas: Mixed/irregular (late Atharvanic style; not securely classed as a standard RV meter).
Ang huling Atharvanic na hymn na ito na may isang taludtod ay pinapasok ang Veda bilang isang mapangprotektang kapangyarihan: ang Veda ay 'hinango mula sa isang kaluban' at pagkatapos ay 'inilagay sa loob,' na ginagawang isang nananahang bantay ang ipinahayag na pananalita. Pinapagtibay nito ang proteksyon sa pamamagitan ng pagpapahayag na matagumpay na natapos ang rito at alay sa pamamagitan ng kapangyarihan ng brahman, pagkatapos ay humihiling sa mga diyos na bantayan ang nagrerecita dito at ngayon sa pamamagitan ng tapas.
Mantras
Frequently Asked Questions
It images the Veda as preserved/contained potency that is brought out into recitation and then deliberately ‘placed within’ the practitioner, turning sacred speech into an inner protection.
It functions as a ritual certification: by stating the work is successfully completed through brahman’s power, the hymn ‘seals’ the rite so protection can be claimed as a consequence.
Not necessarily. The hymn’s main ‘substance’ is the Veda as efficacious speech, strengthened by tapas (focused ardor/discipline). It can be used as a closing protective recitation after any simple offering or daily practice.
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