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Varaha Purana 91.2: Adhyaya 91, Shloka 2

The Vaiṣṇavī Goddess on Mount Mandara: Emergence of the Maidens, Construction of the Goddess-City, and Nārada’s Visit

चन्द्रप्रभा गिरिसुता तथा सूर्यप्रभामृता । स्वयम्प्रभा चारुमुखी शिवदूती विभावरी ॥

Sanskrit recitationVaraha Purana 91.2

candraprabhā girisutā tathā sūryaprabhāmṛtā | svayamprabhā cārumukhī śivadūtī vibhāvarī ||

ఆమె చంద్రప్రభ, గిరిసుత (పర్వతకన్య); అలాగే సూర్యప్రభ, అమృతసమాన; స్వయంప్రభ, చారుముఖి; శివదూతి మరియు విభావరి కూడా।

candra-prabhāMoon-radiant (one)
candra-prabhā:
Karta (कर्ता)
TypeNoun
Rootcandra (प्रातिपदिक) + prabhā (प्रातिपदिक)
FormStrīliṅga, Prathamā, Ekavacana; tatpuruṣa: ‘candrasya prabhā’ / ‘moon-lustre’ (name/epithet)
giri-sutādaughter of the mountain
giri-sutā:
Karta (कर्ता)
TypeNoun
Rootgiri (प्रातिपदिक) + sutā (प्रातिपदिक)
FormStrīliṅga, Prathamā, Ekavacana; tatpuruṣa: ‘gireḥ sutā’
tathāalso / likewise
tathā:
Sambandha (निपात)
TypeIndeclinable
Roottathā (अव्यय)
FormAvyaya; conjunction/adverb (समुच्चय/उपमा) meaning ‘also/likewise’
sūrya-prabhā-amṛtāSun-radiant, immortal (one)
sūrya-prabhā-amṛtā:
Karta (कर्ता)
TypeNoun
Rootsūrya (प्रातिपदिक) + prabhā (प्रातिपदिक) + amṛtā (प्रातिपदिक)
FormStrīliṅga, Prathamā, Ekavacana; likely epithet/name; first part tatpuruṣa ‘sūrya-prabhā’ + qualifier amṛtā
svayam-prabhāself-luminous (one)
svayam-prabhā:
Karta (कर्ता)
TypeNoun
Rootsvayam (अव्यय) + prabhā (प्रातिपदिक)
FormStrīliṅga, Prathamā, Ekavacana; avyayībhāva: ‘svayam prabhā’ (self-luminous)
cāru-mukhībeautiful-faced (one)
cāru-mukhī:
Karta (कर्ता)
TypeNoun
Rootcāru (प्रातिपदिक) + mukhī (प्रातिपदिक)
FormStrīliṅga, Prathamā, Ekavacana; karmadhāraya: ‘cāru mukhaṃ yasyāḥ’ (beautiful-faced)
śiva-dūtīmessenger of Śiva
śiva-dūtī:
Karta (कर्ता)
TypeNoun
Rootśiva (प्रातिपदिक) + dūtī (प्रातिपदिक)
FormStrīliṅga, Prathamā, Ekavacana; tatpuruṣa: ‘śivasya dūtī’
vibhāvarīnight / radiant one (name)
vibhāvarī:
Karta (कर्ता)
TypeNoun
Rootvibhāvarī (प्रातिपदिक)
FormStrīliṅga, Prathamā, Ekavacana

Varāha

C
Classical Literature
P
Purāṇic Onomastics
I
Iconography

FAQs

It preserves a list-style onomastic tradition where multiple epithets encode functions, aesthetics, and cosmological symbolism used across Purāṇic hymnology.

No explicit site is named here; ‘girisutā’ signals a mythic association with mountainous sacred geography rather than a single identifiable location.

Primarily descriptive; it frames the Goddess through diverse attributes, encouraging a pluralistic understanding of symbolic language in classical texts.

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