Description of the Divine Mountain Abodes: Meru, Devakūṭa, and Kailāsa
तत्र चानेककिन्नरगन्धर्वोपगीतमुमावनं नामाप्सरोभिरनेकपुष्पलतावल्लीभिरुपेतम्॥
tatra cānekakinnaragandharvopagītam umāvanaṃ nāma apsarobhir anekapuṣpalatāvallībhir upetam |
అక్కడ ‘ఉమావనం’ అనే ఉపవనం ఉంది; అనేక కిన్నరులు, గంధర్వులు దానిని గానంతో కీర్తిస్తారు; అప్సరసలతోను, అనేక పుష్పలతా-వల్లీలతోను అది శోభిస్తుంది।
Varāha (default, speaker not explicit in excerpt)
It preserves a model of the ‘sacred grove’ as a cultural-ecological unit—where biodiversity imagery (creepers, flowers) is integrated with performing arts motifs (song), informing studies of heritage landscapes.
A named site, Umā-vana (‘Grove of Umā’), is identified within the described region, though the excerpt alone does not allow a confident modern geographical correlation.
Implicitly, it presents groves as valued cultural heritage spaces—suggesting preservation through reverent description rather than explicit rules.
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