Varaha Purana 75.67: Adhyaya 75, Shloka 67

Description of Jambūdvīpa: its regions, mountains, measurements, and cosmic structure

Devanagari script

मणिरत्नार्पितश्वभ्रैर्मणिभिश्चित्रवेदिकाम् । सुवर्णमणिचित्राङ्गैर्मणिचर्चिततोरणैः ॥ ७५.६७ ॥

Sanskrit recitationVaraha Purana 75.67

Transliteration

maṇiratnārpitaśvabhrair maṇibhiś citravedikām | suvarṇamaṇicittrāṅgair maṇicarcitatoraṇaiḥ || 75.67 ||

Translation

మణి-రత్నాలతో పొదిగిన గవాక్షాలు/గర్భాలు కలిగి, వివిధ మణులతో అలంకరించిన వేదికతో; స్వర్ణమణులతో విచిత్రంగా రూపొందిన భాగాలతో, మణులతో శోభితమైన తోరణాలతో సుసజ్జితంగా ఉంది।

Ask anything about this verse...Ask

Word by Word

• maṇiratna-arpita-śvabhraiḥ: with gem-and-jewel-inlaid cavities
• maṇiratna-arpita-śvabhraiḥ: Karana (करण)
• Type: Adjective
• Root: maṇi + ratna + arpita + śvabhra (प्रातिपदिक)
• Form: Compound (समास): maṇi-ratna-arpita-śvabhra ‘having pits/cavities inlaid with gems and jewels’; Neuter (नपुंसकलिङ्ग), Instrumental (तृतीया), Plural (बहुवचन)

• maṇibhiḥ: with jewels
• maṇibhiḥ: Karana (करण)
• Type: Noun
• Root: maṇi (प्रातिपदिक)
• Form: Masculine (पुंलिङ्ग), Instrumental (तृतीया), Plural (बहुवचन)

• citravedikām: a splendid platform/terrace
• citravedikām: Karma (कर्म)
• Type: Noun
• Root: citra + vedikā (प्रातिपदिक)
• Form: Compound (समास): citra-vedikā ‘variegated platform/altar’; Feminine (स्त्रीलिङ्ग), Accusative (द्वितीया), Singular (एकवचन)

• suvarṇa-maṇi-citra-aṅgaiḥ: with parts adorned by gold and jewels
• suvarṇa-maṇi-citra-aṅgaiḥ: Karana (करण)
• Type: Adjective
• Root: suvarṇa + maṇi + citra + aṅga (प्रातिपदिक)
• Form: Compound (समास): suvarṇa-maṇi-citra-aṅga ‘having limbs/parts adorned with gold, jewels, and variegation’; Neuter (नपुंसकलिङ्ग), Instrumental (तृतीया), Plural (बहुवचन)

• maṇi-carcita-toraṇaiḥ: with jewel-decorated arches
• maṇi-carcita-toraṇaiḥ: Karana (करण)
• Type: Adjective
• Root: maṇi + carcita + toraṇa (प्रातिपदिक)
• Form: Compound (समास): maṇi-carcita-toraṇa ‘with jewel-embellished gateways/arches’; Neuter (नपुंसकलिङ्ग), Instrumental (तृतीया), Plural (बहुवचन)

Speaker

Varāha (default speaker framework; not explicit in fragment)

Varaha Avatara Context

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Jeweled recesses, gem-inlaid platforms, and ornamented gateways portray sacred space as ‘tejas made visible’: the inner luminosity of dharma/merit externalized as architecture—an imaginal template for the purified cosmos.","yajna_varaha_imagery":"Implied (not explicit): toraṇas and vedikā evoke yajña-structures (altar/platform/threshold). The ‘inlaid gems’ suggest mantra/merit as ‘ratna’ embedded into ritual space.","vedantic_connection":"Sacred architecture as a pedagogic symbol: the mind (antaḥkaraṇa) becomes a ‘vedikā’ when adorned with sattva; thresholds (toraṇa) mark transition from profane to sacred awareness."}

Philosophical Teaching

Philosophical Teaching: {"has_teaching":true,"teaching_type":"sacred-aesthetics","core_concept":"Beauty and order in sacred construction mirror inner order; ornamentation signifies consecration rather than luxury alone.","practical_application":"Approach tīrthas/temples with ‘threshold awareness’: treat entry (toraṇa) and platform (vedikā) as cues for mental purification and focused worship."}

Subject Matter

Subject Matter: ["Heritage Sites","Sacred Geography","Material Culture","Temple Architecture"]

Verse Rasa

Primary Rasa: adbhuta

Secondary Rasa: shringara

Geographic Context

Type: sacred architectural precinct / divine site

Cross References

Related Themes: Varāha Purāṇa 75.75.66 (mountain setting); Varāha Purāṇa 75.75.68-70 (Brahmā’s sabhā; Īśāna’s glory; devas worship)

Visual Art Cues

Visual Art Cues: {"scene_description":"A divine precinct with gem-inlaid niches, a multicolored jeweled platform, structural members shimmering with gold and gems, and ornate jewel-studded gateways.","item_prompts":["gem-inlaid recesses (śvabhra)","jeweled vedikā platform","gold-and-gem patterned pillars/beams","toraṇa gateways with hanging jewel motifs","sparkling highlights and symmetry"],"kerala_mural_prompt":"Kerala mural style: flat yet intricate jewel patterns on vedikā and toraṇa; saturated reds/greens with gold-ochre accents; rhythmic ornamental borders.","tanjore_prompt":"Tanjore style: heavy gold leaf on structural members; embedded faux-gem relief work on toraṇa and platform; symmetrical frontal composition.","mysore_prompt":"Mysore style: delicate filigree ornament, soft luminous shading on gems, refined architectural perspective with calm elegance.","pahari_prompt":"Pahari style: decorative but light architecture, jewel motifs as patterned dots; airy composition with emphasis on gateways framing the sacred interior."}

Audio Atmosphere

Audio Atmosphere: {"recitation_mood":"ornate, celebratory description with devotional restraint","suggested_raga":"Kalyani","pace":"medium","voice_tone":"bright, articulate, emphasizing compounds and ornament-words"}

Tags

• Classical Literature
• Purāṇic Studies
• Vaiṣṇavism
• South Asian Art History

FAQs

What is the historical significance of this verse?

It preserves a Purāṇic register of elite architectural aesthetics—gem inlay, gold ornamentation, and ceremonial gateways—useful for comparing literary ideals with South Asian temple and pavilion design vocabularies.

Which geographic location is identified?

No specific place-name appears in this isolated verse; it functions as a descriptive unit within a larger sacred-site or architectural narrative that would need adjacent verses for firm geographic identification.

What is the primary ethical instruction?

The verse does not state an explicit ethical maxim; its philosophical function is descriptive, contributing to a cultural-heritage portrayal of a site or structure as carefully crafted and aesthetically elevated.