Rudra’s Hymn: Vision of Nārāyaṇa, the Emergence of the Ādityas, and the Mutual Boon of Hari and Hara
एवमुक्त्वा हरिर्मेघः स्वयं भूत्वा महेश्वरम् । उज्जहार जलात् तस्माद् वाक्यं छेदमुवाच ह ॥ ७३.४६ ॥
evam uktvā harir meghaḥ svayaṁ bhūtvā maheśvaram | ujjahāra jalāt tasmād vākyaṁ chedam uvāca ha || 73.46 ||
ఇలా చెప్పి హరి స్వయంగా మేఘరూపం ధరించి, ఆ నీటిలోనుండి మహేశ్వరుణ్ని పైకి ఎత్తాడు; అనంతరం ఒక నిర్ణయాత్మక వాక్యాన్ని పలికాడు।
Varāha (Hari/Viṣṇu) — narrative voice implied
It reflects a common Purāṇic narrative technique: cosmological imagery (water and cloud) and inter-deity interaction are used to frame theological and ethical discourse, while preserving a mythic account of restoration after inundation.
No explicit geographic toponym appears in this verse; the setting is described generically as “the waters” (jala), a cosmological motif rather than a named terrestrial site.
The verse primarily functions as narrative transition rather than explicit moral teaching; implicitly it foregrounds restoration and rescue—an archetype later used in Purāṇic literature to support themes of protection, stewardship, and recovery of the world from destabilizing conditions.
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