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Varaha Purana 40.5: Adhyaya 40, Shloka 5

Ritual Procedure for the Kūrma Dvādaśī Observance

स्वनाममन्त्रेण सुगन्धपुष्पैर् नानानिवेद्यैर्विविधैः फलैश्च | अभ्यर्च्य देवं कलशं तदग्रे संस्थाप्य माल्यैः सितकण्ठदाम || ४०.५ ||

Sanskrit recitationVaraha Purana 40.5

svanāmamantreṇa sugandhapuṣpair nānānivedyair vividhaiḥ phalaiś ca | abhyarcya devaṁ kalaśaṁ tadagre saṁsthāpya mālyaiḥ sitakaṇṭhadāma || 40.5 ||

దేవుని స్వనామమంత్రంతో సుగంధ పుష్పాలు, నానావిధ నైవేద్యాలు, వివిధ ఫలాలతో పూజించి, ఆయన ముందర కలశాన్ని స్థాపించి, మాలలతో మరియు తెల్ల కంఠహారంలాంటి అలంకారంతో దానిని శోభింపజేయాలి.

स्वनाममन्त्रेणwith the mantra of one’s own name
स्वनाममन्त्रेण:
Karana (करण)
TypeNoun
Rootस्व-नाम-मन्त्र (प्रातिपदिक; स्व + नाम + मन्त्र)
Formपुंलिङ्ग, तृतीया-विभक्ति (करण/Instrumental), एकवचन; समासः षष्ठी-तत्पुरुषः (स्वनाम्नः मन्त्रः)
सुगन्धपुष्पैःwith fragrant flowers
सुगन्धपुष्पैः:
Karana (करण)
TypeNoun
Rootसुगन्ध-पुष्प (प्रातिपदिक; सुगन्ध + पुष्प)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति, बहुवचन; कर्मधारयः (सुगन्धानि पुष्पाणि)
नाना-निवेद्यैःwith various offerings
नाना-निवेद्यैः:
Karana (करण)
TypeNoun
Rootनाना-निवेद्य (प्रातिपदिक; नाना + निवेद्य)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति, बहुवचन; कर्मधारयः (नानाविधानि निवेद्यानि)
विविधैःvarious
विविधैः:
Visheshana (विशेषण)
TypeAdjective
Rootविविध (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति, बहुवचन; विशेषणम् (फलैः इत्यस्य)
फलैःwith fruits
फलैः:
Karana (करण)
TypeNoun
Rootफल (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति, बहुवचन
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
अभ्यर्च्यhaving worshipped
अभ्यर्च्य:
Purvakala-kriya (पूर्वकालक्रिया)
TypeVerb
Rootअभि-√अर्च् (धातु)
Formक्त्वान्त-अव्ययकृदन्त (gerund/absolutive), पूर्वक्रिया; धातुः अर्च् (पूजायाम्) उपसर्गः अभि
देवम्the deity
देवम्:
Karma (कर्म)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन
कलशम्the pot (kalasha)
कलशम्:
Karma (कर्म)
TypeNoun
Rootकलश (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन
तद्-अग्रेin front of it
तद्-अग्रे:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootतद् + अग्र (प्रातिपदिक)
Formअव्ययीभाव-समासः; सप्तमी-अर्थे अव्ययम् (locative sense): ‘तस्य अग्रे’ = in front of it
संस्थाप्यhaving placed/installed
संस्थाप्य:
Purvakala-kriya (पूर्वकालक्रिया)
TypeVerb
Rootसम्-√स्था (धातु)
Formक्त्वान्त-अव्ययकृदन्त (gerund), पूर्वक्रिया; धातुः स्था (स्थितौ) उपसर्गः सम्
माल्यैःwith garlands
माल्यैः:
Karana (करण)
TypeNoun
Rootमाल्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति, बहुवचन
सितकण्ठदामa white neck-garland/necklace
सितकण्ठदाम:
Karma (कर्म)
TypeNoun
Rootसित-कण्ठ-दाम (प्रातिपदिक; सित + कण्ठ + दाम)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; समासः षष्ठी-तत्पुरुषः (सितस्य कण्ठस्य दाम)

Varāha (default dialogue framework; explicit speaker not stated in excerpt)

Varaha Avatara Context: {"is_varaha_focus":true}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"devotee-like; learning material steps of pūjā","key_question":"What offerings and ritual objects (especially the kalaśa) should be arranged after worship with the deity’s name-mantra?"}

Mathura Mandala: {"is_mathura_related":false,"krishna_connection":"General Vaiṣṇava pūjā; no explicit Mathurā site or Kṛṣṇa-līlā reference."}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Worship with the deity’s name-mantra using fragrant flowers, varied naivedya and fruits; then स्थापित a kalaśa in front, adorned with garlands and a white ornament/necklace-like decoration.","karmic_consequence":"Proper upacāra and kalaśa-sthāpana complete the pūjā’s external limbs and are implied to secure auspiciousness; neglect implies incompleteness of worship and reduced merit."}

Vrata Mahatmya: {"has_vrata":true,"vrata_name":"Kūrma-dvādaśī pūjā-upacāra sequence","tithi_month":"Puṣya śukla-dvādaśī (with prior Ekādaśī-night worship)","promised_fruit":"Implied: śrī/maṅgala and Viṣṇu-prasāda through complete upacāra; explicit fruit not stated."}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"devotional material culture (upacāra as bhāva)","core_concept":"External offerings are embodiments of inner devotion; beauty, fragrance, and fullness (kalaśa) train the mind toward reverence and gratitude.","practical_application":"Prepare clean, sattvic offerings; arrange the altar with intentional aesthetics (flowers, garlands, kalaśa) to support sustained attention and devotion."}

Subject Matter: ["Ritual Studies","Material Culture","Devotional Practice"]

Primary Rasa: bhakti

Secondary Rasa: śānta

Type: ritual space

Related Themes: Varāha Purāṇa 40.40.3-4 (saṅkalpa, mantra worship, nyāsa)

Visual Art Cues: {"scene_description":"A richly arranged pūjā: deity worshipped with flowers and naivedya; a decorated kalaśa is placed before the deity, garlanded and adorned with a white necklace-like ornament.","item_prompts":["altar with deity icon","fragrant flowers (sugandha-puṣpa)","naivedya plates and fruits","kalaśa (water pot) placed in front","garlands (mālya)","white ornament/necklace (sita-kaṇṭha-dāma)","incense and lamp"],"kerala_mural_prompt":"Kerala mural still-life richness: bold floral clusters, symmetrical offering trays, prominent kalaśa with garland; warm lamp glow; ornate frame motifs.","tanjore_prompt":"Tanjore gold-leaf emphasis on kalaśa rim, garlands, and deity halo; jewel-toned offerings; crisp iconography.","mysore_prompt":"Mysore classical realism: detailed metalwork of kalaśa, soft shading on fruits/flowers; serene shrine ambience.","pahari_prompt":"Pahari miniature with delicate patterned textiles under offerings; bright fruits and flowers; kalaśa centered with garland; intimate domestic shrine feel."}

Audio Atmosphere: {"recitation_mood":"gentle, auspicious, offering-focused","suggested_raga":"Kalyāṇi","pace":"medium","voice_tone":"softly reverent, with clear enunciation of pūjā items and the action of kalaśa-sthāpana"}

C
Classical Literature
P
Purāṇic Ritual
V
Vaiṣṇavism
M
Mantra and Pūjā

FAQs

It preserves a standardized Purāṇic sequence of worship—mantra-recitation, offering of flowers/food/fruits, and the ritual placement of a kalaśa—useful for studying the history of domestic and temple liturgies in Sanskrit textual traditions.

No specific geographic location is named in this verse; the passage focuses on ritual procedure rather than sacred geography.

The verse emphasizes disciplined, orderly reverence expressed through careful preparation and offering—an ethic of attentiveness and intentionality in cultural-ritual practice.

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